Film Analysis: Fahrenheit 9/11

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On September 11, 2001, two planes hit the Twin Towers in New York City, sending a state of devastation and fear across the globe. In 2004, President Bush announced to his Nation that America was starting a war in Iraq, in order to free the Iraqi’s. The mainstream media provided the public with a sensationalised and sanitised version of these events, requiring people to seek other media sources for an alternative view of the situation, and often finding the truth. Michael Moore released his documentary “Fahrenheit 9/11” in 2004, and critiqued the Bush Administration for their unnecessary invasion of Iraq. Moore uses techniques such as voice over, associational montage and juxtaposition, in an attempt to give a resistant response of the the …show more content…

Moore relied on juxtaposition and montage to challenge the dominant discourses promoted by mainstream media, offering a counter narrative. Moore highlights the fact that the Bush administration led audiences to believe that the actions of the military were carried out with “great care and precision” . In these scenes, Moore relies on highly graphic imagery (images mostly unseen by audiences who relied on US mainstream media as their primary news source) to convey his message. This is evident in the second half of the film, when Moore criticises the war in Iraq. Audiences observe President Bush getting ready for his announcement of the Iraq invasion on March 19 2003. This footage is juxtaposed against a countdown to the launch of the attacks. Footage of people on the streets of Baghdad, with children any families playing in the playground. Baghdad is made to appear as a safe place, where people can roam the streets in a sad way, with images of women smiling and children flying kites. Images present an environment that the audience are familiar with. This suggests that the Iraqi life, pre-invasion, is stable and in order. These images are rhetorical in nature and encourage audiences to ask the question “Were the people of Iraq really in need of liberation as the politicians led is to believe?” Following this, a countdown to a missile launch is overheard.We see a child sliding down a slide, then an explosion. This associational montage is used to show the lack of care in America’s actions and how innocent people are being hurt. These scenes reply on a contrasting combination of images and to construct meaning in a powerful and persuasive way. Moore’s voice over in this scene additionally enhances and guides us towards his point of view, that the US invasion in Iraq was unnecessary. Micael Moore states “a nation that

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