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the evolution of film technology
technological evolution of cinema
digital technology in film
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Filmmaking, the art of the motion picture, is a comparatively new art form that combines a moving image in conjunction with sound, primarily to tell a story. Due to the medium of capturing the image is evolving, so is the art in its entirety. Modern technology is allowing a more cheaper, streamlined form of production, thus rendering older methods unnecessary. Celluloid filmmaking is the old method of capturing film on a negative film strip and developing it later in its most natural state, whereas digital film is capturing synthetic and manipulatable pixels on a computer-like device. Digital filmmaking should be a primary film medium but not completely eradicate the dying celluloid film culture. Technology has propelled the film industry into investing in cheaper, more effective means of receiving the same cinematic look and quality while providing a streamlined process to easily manipulate the image in post production. R.C. Varenas, a writer and filmmaker tells us upfront that digital filmmaking is cheaper (Varenas). “What once cost $100,000 might now cost $10,000” (Varenas). The cost for a celluloid camera can vary from $100,000 to $500,000, whereas the cheapest digital cameras can start at $99 and go upward of $100,000. The price differences give different variations on quality and versatility of the cameras allowing anyone on a small budget to purchase or rent one. In a film, the limitations for the production come down to the budget; this extends to beyond filming it, but editing the image as well. Digital film allows for the image to be easily edited in post production, such as adding visual effects or changing the color of a shot. Though this is effective for many motion pictures trying to achieve this outcome, it does n... ... middle of paper ... ...has to show to the investors and determine if the decisions were worth it. Works Cited Barry, Nora. "Digital Shanachies." Ars Electronica, n.d. Web. 26 Nov. 2013. Hurlbut, Shane. "Digital Cinematography vs Film: Tides Are Turning." Hurlbut Visuals. N.p., 06 Feb. 2013. Web. 04 Dec. 2013. Lackey, Rich. "Film vs Digital – The Debate (and War) Is Over." Digital Cinema Demystified. WordPress, 29 Jan. 2010. Web. 06 Dec. 2013. Manovich, Les. "What Is Digital Cinema?" Manovich. N.p., n.d. Web. 25 Nov. 2013. Sheffield, Caroline C. "Technology and the Gifted Adolescent: Higher Order Thinking, 21st Century Literacy, and the Digital Native." NCSU. N.p., n.d. Web. 25 Nov. 2013. Smith, Alvy Ray. "Alpha and the History of Digital Compositing." Princeton, n.d. Web. 26 Nov. 2013. Varenas, R. C. "Film vs. Digital: Do Labels Matter?" FilmSlate. N.p., n.d. Web. 06 Dec. 2013.
My initial idea for this paper was to focus on the technical aspects of the film—the hybrid of animation and live action. I first saw this technique used in The Three Caballeros (Ferguson & Young, 1944) and was going to research this film, but the amount of literature on t...
The intermix of a great literary work into a modern production is not a new concept, but the use of digital enhancement to carry a theme was unheard of prior to the making of this film. Both Director of Photography Roger Deakens, and Business Development Director Sarah Priestnall from Kodak, helped to explain that the digital process used is the modification of the film at the pixel level, in which the film is digitized frame by frame and each frame is color matched to allow for manipulation. The mastering process was done in the film developing...
Citizen Kane, directed by Orson Welles, was an exemplary and ground-breaking work. In narrative structure and film style, Welles challenged classical Hollywood conventions and opened a path for experimentation in the later 1940s. Gregg Toland’s deep-focus cinematography and Welles’ use of low-key lighting are often discussed aspects of the movie. True, these were areas of innovation, but when watching the movie in class I was particularly struck by the use of camera movement, or “mobile framing” as described in Film Art. In this historical analysis, I will take a detailed look at how Welles and Toland use camera movement to develop and challenge the Hollywood style. By referring to other movies viewed in Professor Keating’s class, including The Cheat, Wings, Applause, Double Indemnity, The Last Laugh and Bicycle Thief, this paper traces one aspect of innovation and diffusion in the movie many call the greatest film ever, Citizen Kane.
...ngs. Nothing has been left to out, down to the smallest detail. The one thing that has not changed over the years, no shortcut to producing a film. Modern day artists continue to push the envelope of a medium but it still requires hours of tedious work before realizing the final product.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 5th ed. New York: McGraw-Hill, 1997.
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
The reason why movies are so expensive to produce, market and distribute is that there is a long list of people involved in the process of filmmaking. Producers, writers, directors, actors, technical crews, film crews, set designers, costume designers, hair stylists and makeup artists, are some of the people who need to be paid whose names are seen as the credits roll at the end of any film. Not to mention the overhead costs of a myriad of equipment, props and the costumes themselves required in the production of a film. There are travel, food and shelter expenses if a movie is filmed on location and not in a Hollywood studio (there is a fee to use studio space as well). Once the actual filming of a movie is completed, more people are involved in editing, special effects and sound. These expenses are dependent on the sophistication of the technology and expertise. Additionally, and most costly is the marketing and distribution of a film.
Movies have evolved over the years. Classic black and white silent movies are being taken over by sound effects enhanced colors and more action.The cost of making movies is rising.
As time and people are continually changing, so is knowledge and information; and in the film industry there are inevitable technological advances necessary to keep the attraction of the public. It is through graphic effects, sounds and visual recordings that all individuals see how we have evolved to present day digital technology; and it is because of the efforts and ideas of the first and latest great innovators of the twentieth century that we have advanced in film and computers.
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
My first camera gave me a direction for my future, along with the guidance of two inspiring teachers and the insightful films by Ingmar Bergman. Freshman year, I reluctantly took Video Journalism, but in this class I had discovered that I enjoyed recording and editing videos. The next three years I spent in Video Yearbook embedded my desire to move forward in the field of cinematography and film/video production. Additionally, I am fascinated by the creation of movies and the stories they tell. The art of a film coming together is both, exciting and complicated. A bachelor’s degree will be essential to understanding that a movie making process is collaborative and requires organizational techniques. The benefits of
Quentin Tarantino’s auteur is one that speaks of gore, racism, and certain shot techniques. Above all, the aspect that Tarantino is best known for in his long history of filmmaking is the fact that he only uses traditional, or analog, filmmaking techniques. In fact, Tarantino believes that digital cameras used to shoot film will lead to the eventual demise of filmmaking. His views and ideas of digital vs. traditional filmmaking and how his films could be impacted if they were shot in a digital format are explored.
If we go back beyond Lumière Brothers’ projection of their cinematography in Paris over Christmas 1895, which is too straightforward birth narration of cinema; ancient visual forms like Egyptian hieroglyphics or pre-cinematic technologies of image capture and projection, known as magic lanterns, employing a series of lenses and light sources, were early proof of humanity mesmerised by the play and tricks of light and shades.
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.