O’Brien wrote The Things They Carried layering themes on top of themes, but what makes it amazing is the way he presents these themes. Every single one intertwined with another. Burdens. Truth. Death. The soldiers carried their burdens and the death of their friends and enemies, and they live on as storytellers telling their war stories, but can there really be a true war story?
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
War is not a pretty sight. On the battle field, what is seen, felt and heard isn’t fully comprehensible unless one experienced it first hand. Owen’s writing, “Dulce Et Decorum Est”, vividly describes the horrid war that he was in. Owen begins his poem by placing the reader in the environment that he was in. Lines such as, “men marched asleep”, “coughing like hags”, “haunting flares” and “limped on, blood-shod” were effective at conveying an emotional appeal. The conditions that the soldiers were in w...
...you read the story you are brought into the heads of the soldiers and are able to understand the toll that war takes on a person. Through Tim O’Brien’s realistic description you are able to almost feel as if you have been at war yourself.
O Brien 's point of view is an accurate one as he himself because he is a Vietnam veteran. The title of the short story is meaningful because it describes each soldier’s personality and how he handles conflict within the mind and outside of the body during times of strife. The title fits the life as a soldier perfectly because it shows the reality that war is more than just strategy and attacking of forces. O’Brien narrates the story from two points of view: as the author and the view of the characters. His style keeps the reader informed on both the background of things and the story itself at the same
... horrors of war such as, his parents who still view war as glamorous and idealistic. War takes a heavy toll on soldiers who fight in it and in these dangerous moments anybody would have gone insane. It takes a very special type of soldier to be able to handle both the psychological and physical challenges that a soldier has to face in everyday battle. A soldier such as this must be capable of handling the sight of a mutilated comrade and not immediately chatter to pieces. The author conveys this message in his extreme use of words with negative connotation such as shells, typhus, dysentery, and trenches. In this portion of the novel a great deal of emphasis is placed on the word death which is repeated several times and standing on its own it holds a great deal of negative connotations. Therefore, due to the severity of the situation and the extensive use of words with negative connotations the overall tone of the novel appeared to be very depressing or serious. This selection also demonstrates just how mythical the character of war that many individuals who have not experienced the tragedy of battle believe to be true by illustrating just how appalling and grim war is in reality.
The difficult association between the occurrence of war and storytelling is told through the eyes of Tim O’Brien; he explains that a true war story has a supreme adherence to offensiveness that provides a sense of pride and courage commonly found in storytelling. “The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and im...
When O'Brien says that a true war story is not about war he means that a war story is not about death, fighting or war, it is about the soldiers grim experiences. O’Brien writes “A true war story in never about war… It's about love and memory. It's about sorrow” (62). The quote demonstrates that O'Brien's definition of a war story does not describe what happens but it describes the feelings and emotions that were felt because of what happened. A true war story does not focus on what happened but it should focus on the pain that the soldiers felt.
Contained within The Things They Carried, is a story by a man named Mitchell Sanders. “Sanders tells a story about a group of soldiers that camped on a listening mission, and all they did was listen. They heard many different noises, and paranoia hit them. They ordered airstrikes on the motionless, noisy ground, and when the commander asked why they did that, the soldiers had no answer” (O’Brien 74). The moral of the story is that the quietness of war can drive someone crazy. In war, according to Sanders, when there is no noise, the soldier never knows what to expect to break that silence. The moral is believable, even though the book is fiction, and Sanders states that the story was false. Also, even though the story is fiction, Sanders is good at lying because the story is quite believable.
The imagery and figurative language in “Dulce et Decorum Est” highlights the suffering of the soldiers, contradicting any notion of romanticized war. Owen uses the simile “like old beggars” (1) to describe the soldiers, which is ironic in that most of the soldiers in World War I were young men. This irony emphasizes how war has changed the soldiers for the worse; they seem “old” and bedraggled, unrecognizable in comparison to their old selves. In addition, the soldiers are “deaf even to the...Five-Nines that dropped behind” (7-8). Owen conveys the soldiers’ exhaustion to be extreme enough that they take no notice of the bombs falling around them, as if they are a