Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dylan thomas as a modernist poet
Dylan thomas as a modernist poet
Brief biography of dylan thomas essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dylan thomas as a modernist poet
There are a lot of poets that live in depression and are deeply misunderstood, unrecognized for their talents until long after their death. Dylan Thomas was not like that. When he lived, he was the subject of much interest and his poetry was well-known for its unique qualities. Dylan Thomas had an eccentric, unconventional style that he used to great effect in "Fern Hill."
Thomas’s childhood had a strong impact on his later life and writing. He was born in Swansea on the southern coast of Wales in 1914 (Murdy). It seems that his days here had a lasting effect on him, for many of his later works describe the natural beauty of Wales. He could be considered one of the greatest Welsh poets, but really his writing does not reflect Welsh life, just the lovely countryside and seashore he grew up in. A vital figure in his life was his father, schoolteacher David Thomas, who nurtured his son’s love for poetry from early on by reading Shakespeare’s work to him in his infancy (“Thomas, Dylan”). It may be that Dylan Thomas became a poet to fulfill the aspirations of his father. Thomas began writing poetry early on, most likely due to his father’s efforts. Growing up in Wales and influence from his father affected Thomas’s upcoming literary career.
With regard to his later years, Thomas had a life cut short at thirty-nine by alcoholism, but in the short time he lived he was very active. The most prolific period of his life was from 1930 to 1934, in which time he left school, became a reporter, and left that job to pursue poetry (Knepper 3:1190). He must have been a perfectionist, because he did not publish his work in any sort of hury. Rather, he held on to them for innumerous revisions. His first major releases were Eighteen Poems (...
... middle of paper ...
...homas." Notable Poets. Vol. 3. Pasadena: Salem, 1998. 1188-99. Print.
Murdy, Louise Baughan. "Thomas, Dylan (1914–1953)." Encyclopedia Americana. N.p.: n.p., n.d. N. pag. Grolier Online. Web. 16 Jan. 2014.
Persoon, James, and Robert R. Watson. "Thomas, Dylan." The Facts on File Companion to British Poetry, 1900 to Present. New York: Facts on File, 2013. N. pag. Bloom's Literature. Web. 16 Jan. 2014.
Stade, George, and Karen Karbiener. "Thomas, Dylan." Encyclopedia of British Writers, 1800 to the Present. 2nd ed. New York: Facts on File, 2013. N. pag. Bloom's Literature. Web. 16 Jan. 2014.
Thomas, Dylan. "Fern Hill." Literature: The British Tradition. 4th ed. Upper Saddle River: Prentice Hall, 1989. 1120-22. Print.
"Thomas, Dylan." Gale Contextual Encyclopedia of World Literature. Vol. 4. Detroit: Gale, 2009. N. pag. Gale Virtual Reference Library. Web. 16 Jan. 2014.
Romantic poets have what is known as an “artistic hero” but this comes at a cost in which you can never be close to anybody [2]. Also from other class readings, Dylan admits to lying to the press about where he is from and other background information. This could easily be due to his inspiration from this book [3].
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
Bibliography:.. Works Cited Meyer, M., Ed., (1999). Bedford Introduction to Literature, 5th Ed. Boston: Bedford/St. Martin.
Damrosch, David. (Ed.) The Longman Anthology of British Literature 2nd ed. New York: Addison-Wesley Educational Publishers Inc., 2003.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
middle of paper ... ... to American History. New York: Houghton Mifflin Co. Goodman, Dean. “Dylan fans get tangled up in academic views,” Reuters (1998): February, p. PG.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Greenblatt, Stephen, eds. The Norton Anthology English Literature. 9th ed. Crawfordsville: R.R. Donnelley & Sons, 2012. Print.
Dylan Thomas was born on October 27, 1914 in Swansea, Wales. He was educated at Swansea Grammar School. He was urged by his father to go farther in his education, however Thomas began to write. He published his first book in 1934. Thomas and his father had a very close relationship throughout his life. This is important to know while reading the poem Do Not Go Gentle into That Good Night. His father was very ill for many years, and Thomas had to watch his father's suffering. Thomas has said, "Poetry comforts and heals". Hopefully that is what Thomas was doing when he wrote this poem.
Abrams, M. & Greenblatt, S. 2000. The Norton Anthology of English Literature 7th ed. Vol. 2. London: Norton.
Dylan Thomas was born in 1914 of intellectual parents both being literature professors. Long before he could read, his father would recite poetry from classic authors. Many of his poems can be traced to the illustrated style of D.H Lawrence. The imagery he provides of disparity and death in many of his poems. In the span of Dylan’s life, he witnessed both Great Wars. The first war may have been the main topic of discussion by his parents at childhood. And later at service in the air defense over London. Because of his determined health Thomas was not able to enroll in an active combat role during World War II. Thomas life’s experiences played a major role in influencing his writing...
Critical Survey of Poetry. Ed. Frank N. Magill. Vol. 7.