A Feminist Perspective of Paulina in The Winter's Tale
Feminist criticism explores gender themes in literature, assesses the worth of female characters, promotes unknown women writers, and interprets the canon from a politically-charged perspective. Shakespeare has proven more difficult to categorize than other white male masters of the written word, precisely because of the humanity of his female characters. Critic Kathleen McLuskie urges feminists to "assert the power of resistance, subverting rather than co-opting the domination of the patriarchal Bard" (McLuskie 106). Yet many feminists find strength in Shakespeare. Irene Dash, for instance, proclaims that "Shakespeare's women characters testify to his genius .... they learn the meaning of self sovereignty for a woman in a patriarchal society" (Dash 1). Paulina of The Winter's Tale provides support for Dash's argument. With courage and passion, Paulina defends Hermione against chauvinistic paranoia and enshrines female virtue.
Perhaps the best testimony to Paulina's power is the historical reaction of male critics. In 1733, editor Lewis Theobald condemned Paulina as "too gross and blunt" for daring to call the King "downright a Fool" (Dash 135). In 1863, scholar Charles Cowden Clarke whined that Pauline was excessive: "... she does play the tattoo upon his skull with amazing vivacity and after he is down, too .... Paulina cannot forego the gratification of punching him in his maundering distress" (Clarke 356). In 1969, Fitzroy Pyle acknowledged Paulina's "goodness" but applied the label "militant" (Pyle 41).
With a similar sentiment but more blatantly hostile language, the fictional King Leontes abuses his adversary Paulina with sexist insults...
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...ti. Webster's First New Intergalactic Wickedary of the English Language. Boston: Beacon Press, 1987
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare's Plays. New York: Columbia University Press, 1981
McLuskie, Kathleen. "The Patriarchal Bard: Feminist Criticism and Shakespeare." Political Shakespeare: New Essays in Cultural Materialism. Jonathan Dollimore and Alan Sinfield, editors. London: Cornell Univ. Press, 1985
Neeley, Carol Thomas. "The Winter's Tale: Women and Issue" (1985). Reprinted in the Signet Classic Edition of The Winter's Tale. New York: Penguin, 1988.
Pyle, Fitzroy. The Winter's Tale: A Commentary on the Structure. New York: Routledge & Paul, 1969.
Schweickart, Patrocinio. "Reading Ourselves." Speaking of Gender. Elaine Showalter, editor. New York: Routledge, Chapman and Hall, 1989.
Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398. Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.”
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare’s Plays. New York: Columbia University Press, 1981.
Born in in 69 B.C., Cleopatra VII was esteemed the last ruler of the Macedonian era. Cunning and brave, Cleopatra would later be known for her notorious affairs with notably formidable men in possession of considerable wealth and prestige. She was born into power, but her test would be her capability to maintain it. Her own brothers became her opponents, so she had to fight to remain leader of Egypt. Cleopatra rose to power by forging alliances with leaders of foreign nations in order to back her claim of the Egyptian throne.
Cleopatra's family were the rulers of Egypt for more than 100 years before she was born around 69 B.C. The stories and myths surrounding Cleopatra's life inspired people to write a number of books, movies and plays, including Antony and Cleopatra by Shakespeare. Cleopatra has become one of the most well known ancient Egyptians.
Cleopatra, born in 69 B.C., was an Egyptian Queen and the last pharaoh of Ancient Egypt. She was from Greek descent and a member of the Ptolemies, who ruled Egypt for nearly 300 years. In just her early twenties, Cleopatra became Queen of Egypt following the death of her father and the defeat of her siblings. Popularly, she is remembered because of her physical beauty, love affairs, and the tragedy of her life. But more importantly she should be celebrated as a commanding female leader who used her intellect to exercise considerable power and influence in a male-dominated world.
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
In 1998, the US software industry sold $6.3 billion worth of video games (see Unknown). Not bad for an industry that didn't exist 25 years ago! Yet despite its continued growth, all is not well in the video game industry. School shootings in Littleton, Colorado; Pearl, Mississippi; Paducah, Kentucky; Conyers, Georgia and many other towns have shocked the nation (see Malcolm). Understandably, grieving parents and sympathetic citizens are searching for a cause for this "outbreak" of youth violence. It is natural to assume, "when children, the symbol of innocence, commit the severest of crimes, then something must be going wrong with society." (see Maker)
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
According to the US National Comorbidity Survey, Social Anxiety was classified as the third most common mental disorder. About 19.2 million people are victims from the disorder in which can take place at any given time. Unfortunately, people who have Social anxiety are being diagnosed with many other disorders due the actual cause being unsure. Research suggests that it can be caused by inheritance or the nervous system. Medications that are prescribed to treat the anxiety effects many parts of the nervous system which leads to the calming signals sent to the brain....
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
The feminism of Shakespeare’s time is still largely unrecognized. Drama from the 1590’s to the mid-1600’s is feminist in sympathy. The author
Shapiro, for example, goes so far as to claim that Shakespeare was 'the noblest feminist of them all.' Though Shakespeare pays more attention to the roles that men play in society and many of the female characters are constricted in their experiences. They do not have the same ability to be as fully human as the men. They do not learn by their experiences, except Paulina who is eventually chastised and pa... ... middle of paper ... ...
Kathleen McLuskie. "The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure" in Political Shakespeare: New Essays in Cultural Materialism, ed. Jonathan Dollimor and Alan Sinfield. Ithaca and London: Cornell University Press, 1985, 88-108.
Leininger, Lorie Jerrel. “The Miranda Trap: Sexism and Racism in Shakespeare’s Tempest.” The Woman’s Part: Feminist Criticism of Shakespeare. Eds Carolyn Ruth Swift Lenz et al. Urbana: University of Illinois Press, 1983. 285-294