Feminism In Allende's The House Of The Spirits

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Feminism is the movement for removing inequalities from society:

Women imbued with a spirit of radicalism understood that a liberal feminist attitude, despite the seeming slowness of change that accompanies it, may transform a community more rapidly than a revolutionary approach that alienates those to be convinced and, thus, extinguishes the possibility of improvement. (Weaver 49)

Feminists confront the problems of their society in hopes of altering society to be equal. The novel, The House of the Spirits by Allende, directly correlates the struggles of feminism with the Clarettes. Though the story follows the events of Esteban Trueba; he is overshadowed by the power exhibited by the females of del Valle. Men are portrayed showing violence and discrimination in hopes of reaching what they want. Clara and the Clarettes utilize their power to subtly protest. The women of The House of the Spirits enrich the story by keeping the book interesting while showing a feminist side to the story: Allende utilizes women as the dynamic characters in society by pacing the story, controlling their supernatural powers, and representing the strength of women; portrayed by
Clara and the other Clarettes set the pace and mood of the setting. Even at the beginning of the story, Clara changes the pace from describing scenery to showing magic. Allende illustrates magic early in the story to introduce the magical realism of the novel:
It was true there had been times, just as they were about to sit down to dinner and everyone was in the large dining room, seating according to dignity and position, when the saltcellar would suddenly begin to shake and move among the plates and goblet without any visible source of energy or sign of illusionist’s trick. Nívea would pull Clara’s braids and that would be enough to wake her daughter from her mad distraction and return the saltcellar to immobility. (Allende

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