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Womans typical role within society
Womans typical role within society
History of the past and present of gender inequality
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Reflecting on Female Oppression in Society with Harper’s “A Double Standard”
As insinuated through her poem’s title, “A Double Standard,” Frances Harper examines a double standard imposed by societal norms during the 19th and 20th centuries, as well as the different effects this standard foisted upon those of different genders. Harper’s poem is narrated by a woman who has been derided by society for her involvement in a sexual scandal, all while her male counterpart experiences no repercussions. By describing how her situation involving the scandal advances, delineating the backlash she receives for her participation, and reflecting on the ludicrously hypocritical nature of the situation, the speaker discloses the lack of control women had over their lives, and allows for the reader to ponder the inequity of female oppression at the turn of the 19th century.
Harper begins the poem by detailing the start of the speaker’s relationship with a man, developing it through the use of metaphor and concrete diction. From the first few lines of the poem, the reader learns that the relationship was destined to be futile through Harper’s use of metaphor: “If when standing all alone/ I cried for bread a careless world/ pressed
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As she does this she makes some new realizations regarding the situations outcome in the grand scheme of life. Throughout the entire poem, Harper begins multiple stanzas with some variation of the phrase “Can you blame me that…”. In each of these lines, the speaker is posing the question of whose fault the scandal was to an unknown audience. However, in the eight stanzas that begin with the variations of this question, the speaker only questions the man’s role in the situation once. Her repetition of the word ‘me’ in these stanzas indicates that she was immediately
The text begins with the speaker musing about how her lineage is related to that of an album cover with one solid identity. In an album, each song forms an idea that is encapsulated in a large pool of its sister tracks to form one singular unit containing an idea or focus. By referring to her family as an album, Harper has directly stated that her family is deeply connected. Above the poem is the subtitle “for my father,” which means that Harper’s message is connected to her father the most. This metaphor strikes even further into the
In the predominantly male worlds of Virginia Woolf’s A Room of One’s Own and Elizabeth Barrett Browning’s “Aurora Leigh (Book I)”, the women’s voices are muted. Female characters are confined to the domestic spheres of their homes, and they are excluded from the elite literary world. They are expected to function as foils to the male figures in their lives. These women are “trained” to remain silent and passive not only by the males around them, but also by their parents, their relatives, and their peers. Willingly or grudgingly, the women in Woolf and Browning’s works are regulated to the domestic circle, discouraged from the literary world, and are expected to act as foils to their male counterparts.
Upon hearing the term, “The Victorian Woman,” it is likely that one’s mind conjures up an image of a good and virtuous woman whose life revolved around the domestic sphere of the home and family, and who demonstrated a complete devotion to impeccable etiquette as well as to a strong moral system. It is certainly true that during Victorian England the ideal female was invested in her role as a wife and a mother, and demonstrated moral stability and asexuality with an influence that acted as her family’s shield to the intrusions of industrial life. Yet despite the prevalence of such upstanding women in society, needless to say not all women lived up to such a high level of moral aptitude. Thus, we must beg the question, what became of the women who fell far short from such a standard? What became of the women who fell from this pedestal of the ideal Victorian woman, and by way of drunkenness, criminality, or misconduct became the negation of this Victorian ideal of femininity?
One of the best ways to judge the different political arguments in Canada from the early 20th century, is by reviewing the different political cartoons that were released. These were an effective way of educating the masses because it did not require an advanced education or vocabulary to understand where each side was debating. One of the more popular conflicts that were ongoing in the first years of the 1900’s was the fight for women’s equality. This included the right to vote and the right to participate in government. By comparing political cartoons from before, during, and after the First World War the changing context of Canadian society also affected the public opinion and the power balance towards the evolution of Women’s equality.
From the moment a woman is born, she is automatically expected many things from her. Wear a dress, have no body hair, be with a man, don’t be too loud, etc. The list of “norms” that a woman is anticipated to uphold to goes on for days. And often times, women that decide to branch out from those “norms” are viewed as less valuable or obscene. In Robyn Ochs essay, “Bisexuality, Feminism, Men and Me”, she discusses the revolutionary moment when she realizes that living up to the assumptions of what it means to be a woman systemically limits us from our true potential. As presented in the movie “Frida”, a brilliant artist is often times overshadowed by her promiscuous relationships with women and men. A woman’s life does not dwindle down to the
In Mary Wollstonecraft’s The Wrongs of Woman, or Maria and Mary Robinson’s The Natural Daughter, women are subject to many hardships economically, simply because they are women. Women are not given sufficient opportunity, as men are, to pursue a living. Even if she is a woman of taste and morals, she may be treated as though she is a criminal and given no means to protect herself.
This book begins around 1890s where everything women do were still restricted in many ways. Because Wharton observed societies like these throughout her life, she well identifies hypocrisy of the society she’s observing.
Katherine Mansfield belongs to a group of female authors that have used their financial resources and social standing to critique the patriarchal status quo. Like Virginia Woolf, Mansfield was socioeconomically privileged enough to write influential texts that have been deemed as ‘proto-feminist’ before the initial feminist movements. The progressive era in which Mansfield writes proves to be especially problematic because, “[w]hile the Modernist tradition typically undermined middle-class values, women … did not have the recognized rights necessary to fully embrace the liberation from the[se] values” (Martin 69). Her short stories emphasized particular facets of female oppression, ranging from gendered social inequality to economic classism, and it is apparent that “[p]oor or rich, single or married, Mansfield’s women characters are all victims of their society” (Aihong 101). Mansfield’s short stories, “The Garden Party” and “Miss Brill”, represent the feminist struggle to identify traditional patriarchy as an inherent caste system in modernity. This notion is exemplified through the social bonds women create, the naïve innocence associated with the upper classes, and the purposeful dehumanization of women through oppressive patriarchal methods. By examining the female characters in “The Garden Party” and “Miss Brill”, it is evident that their relationships with other characters and themselves notify the reader of their encultured classist preconceptions, which is beneficial to analyze before discussing the sources of oppression.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
I agree that women are still undervalued, underrepresented and mistreated in terms of social and legal policy making, thus making the discrimination of women a prevalent concern today. In Canada women are the majority of victims when it comes to spousal violence (physical, sexual and harassment) representing 83% of all victims. If the statistics were reversed and this was happening to men there would have been laws in place to protect men years ago. Some laws have been put in place for women but they are mostly just band aids trying to cover up the bigger issue. For example the "Battered Woman Syndrome" defence has been put in place. The term that refers to a pattern of psychological and behavioral symptoms found in women living in abusive
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
When asked what they think of when they hear the phrase “traditional gender roles,” most people would immediately say something along the lines of “boys don’t cry, play sports, and play with action figures, and girls are more sensitive, play house, and play with dolls” (“Gender Roles”). When asked the same question, most feminists would say something along the lines of “the oppression of women and propagation of a male-run society” (Anne). These responses to the idea of traditional gender roles are clearly neither flattering nor very adaptable to a modern society. I would like to call to mind a different image. Imagine a man coming home from work after a long day of work and being greeted at the door by his wife and children, all of whom are
In France Ellen Watkins Harper poem, “A Double Standard” the theme is gender wars/battle of the sexes, the genre is a poem, media is audio and literature, and the author is France Ellen Watkins Harper. The poet used repetition, the stanza is quatrain and anaphora were utilized in the in beginning. In society, there is an abundance of double standards for men and women even though we are all human beings. However, women just seem to cannot get a break towards gender equality. Everything that some men do there is always this phrase of exculpating that boys will be boys, but now it is time to hold men accountable for their actions. Society perceptions of women are that they should not cheat, it is their fault if the man leaves, and are emotional.