"The Bear," which is a classic one-act play written 1900, is one of the great works of Anton Chekhov, which is very much about a widowed woman. The Bear can be regarded as a comedy since it is to give the audience entertainment and amusement. This comedy reveals the fine line between anger and passion. The theme is about a strange beginning of love between Mrs. Popov and Smirnov. It demonstrated that love changes all things it touches. Dialogue of the characters, the action of the characters, and the characters themselves shape the theme. Unbelievable actions and change in mood on the part of the characters show that love can sometimes come from an odd turn of events. Anton Chekhov?s classic play the bear revolves around two protagonists, Mrs. Popov and Grigory Stepanovich Smirnov. Mrs. Popov is a landowner and widow, who after seven months ago is still mourning her husband?s death and decided to isolate herself from the out side world and mourn until the day she dies. Grigory Sepanovich Smirnov is also a landowner, who lends money to Mr. Nikolai Popov before he died and he demands the debts be paid at once because his creditors after him. Smirnov insists, makes light of Popov?s mourning, and refuses to leave her house. Popov and Smirnov angrily fight with one another. Then Smirnov challenges Popov to a gunfight for insulting him and Popov brings out her husand?s pistols. At this point Smirnov realizes that he has fallen in love with Popov. At the end of the play, they end up in love and kiss each other. Dialogue would have to be the most unbelievable part of this play. As the play progress the dialogue changes from a respectful manner to yelling and mixed feelings coming from both of the character. For instance, in the early part of the play Mrs. Popov speaks to Mr. Smirnov with respect, ?You?ll receive you?re money the day after tomorrow,?(1096) she said with a respectful and polite tone. Later Mrs. Popov insulted and yells in this manner ?You?re nothing but a crude, bear! A brute! A monster!? (1101). At the end of play, she is confused for a moment, ?go away?.No, Get out, get out! I hate you! But- don?t go!?, but they end up in each other?s arms. The difference in the dialogue shows how love is having its effect on Mrs. Popov?s emotional control as her dialogue changes.
Anton Chekhov wrote a short story in 1899, entitled "The Lady with the Pet Dog." It is about a love affair seen from the eyes of the involved man named Gurov. The story occurs in nineteenth-century Russia, in a town called Yalta. Joyce Carol Oates, in 1972, did a wonderful job of rewriting the story, changing the protagonist from the man to the woman. Her version also changes the setting to Nantucket Island in twentieth-century America. Looking at both stories, one can learn a lot about the couple's affair. Although the man and woman have different motives and ways of dealing with guilt, both condone the relationship while still married to separate people.
Chekhov himself, a renowned actor, used the technique in blockbusters such as Alfred Hitchcock’s ‘Spellbound’. The ‘psyco-physical’ approach innovated by Chekhov has been used by many actors such as the Marilyn Monroe, Clint Eastwood, Anthony Hopkins, Helen Hunt, and Jack Nicholson (Backstage.com). Actors such as Jack Nicholson, while accepting his Golden Globe Award in 1999 and Anthony Hopkins, during an interview have both admired Chekhov’s psychological Gesture. Currently, the Chekhov technique has started gaining popularity as many actors seem to be interested in approaching Chekhov’s psycho-physical
The language in this written is in the apropeiet of the year wher this story talk about, and is popular written. It is very easy to understend for all age who watch the play and is a stage as comedy should be. The language is funny, and it doesn't let you stop laughing. It is a wild and wacky farce and rolling audience with echoing. To many part of pras we can remember and use as a comic tops of our dicenery and in the recent memory.
Now that the play, “Post-its (Notes on a Marriage),” could make the audience react to feel distanced and questionable of the actions of the characters, how can that relate to everyday life? traits of the play Post-its (Notes on a Marriage) through staging and conversation,
My least favorite aspect of this play was the ending. The ending confused me and was anticlimactic. It was not funny and not entertaining at all.
Chekhov reminds the readers that Anna is young compared to Gurov. Chekhov’s novel states, “As he went to bed he reminded himself that only a short time ago she had been a schoolgirl, like his own daughter” (3). The images of Anna being a schoolgirl not too long ago, when Gurov has a daughter of similar age, brings the sense of abnormality between the relationship of Gurov and Anna. It’s hard to imagine such a huge difference in lovers especially in the strict culture of Russia in the late 19th century where these occasions were unthought-of. The uncomforting thought of the difference in age goes back to differ the meanings of love and romance in the novel because against all odds and differences, Anna and Gurov hide away from these obvious facts. The thought of love in this culture is between a man and woman of similar age. According to Chekhov’s novel, “He was sick of his children, sick of the bank, felt not the slightest desire to go anywhere or talk about anything” (9). Chekhov’s description of sickness reveals that Gurov has a huge moment of denial, denial of family and denial of age. This denial of age, helps Gurov cope with the oddities of their relationship, the oddities of the love they had with the characteristics of a romance. Gurov was trying to change the definition of their relationship on his own mental terms. While Gurov was trying to bring out a spontaneous, younger
Conception of Love in The Kreutzer Sonata Perhaps Tolstoy's short story, “The Kreutzer Sonata”, truly captures one definite conception of love, albeit a very negative one. To understand more about what is brought to light in this story, we need to take a look at it, more importantly at the character of Pozdnychev. Pozdnychev has just spent several years in prison for the murder of his unfaithful wife, as we find out early in the story. His tale is a sordid one, as he relates his past life, before his wedding, the meeting of his wife, their marriage, their dreadful relationship up to the murder itself and the tribunal. What is interesting in his story remains the unique perception he has on love, on marriage, and on society in general.
Fulford, Robert.“Surprised by love: Chekhov and ‘The Lady with the Dog’.” Queen’s Quarterly. n.d. Web. 17 November 2013.
Perhaps one of the most striking scenes in Anna Karenina is that of Kitty and Levin’s silent declarations of love to each other, etched out cryptically in chalk on a card table, with each understanding innately the exact words the other was saying (362). With the relationship between Kitty and Levin serving as Tolstoy’s model for a strong and successful love, it appears odd that such a relationship should be founded on silence, and in such sharp contrast to the chatter of Society surrounding the couple at the party. How then are we to understand the significance of conversation in the novel, if the most sincere relationships and understandings are not founded upon dialogue, but on unspoken knowledge? Entire subplots and themes are conveyed through conversations between the characters—the peasant problem and farm management, religion, marriage and faithfulness. Everyone is trying to grasp what a good life is, but the ideas expressed in conversation, however, appear quite often to contradict both the inner monologue of the characters and their actions, or fall pathetically short of expressing the power of the feelings of characters. For most of the characters, neither Society banter nor intellectual discourse does justice to their real passions, and even personal exchanges are steeped in insincerity. Unless they find a means to express their passions some other way, they are doomed to a life of dissatisfaction at best, or a tragic end at worst.
Fulford, Robert.“Surprised by love: Chekhov and ‘The Lady with the Dog’.” Queen’s Quarterly. n.d. Web. 17 November 2013.
First, the characters understand that their relationship is based on future aspirations and second, they have historical relationship disappointments. This third insight into the psychology of love supports the fact that many relationships and marriages often fail because of unrealistic expectations. Psychology research SHOWS that individual expectations for relationships actually sows the seeds of discontent. People are expected to provide not only provide safety, security and support, but also facilitate personal growth and freedom. Even though they come from an older period in history, Anna and Dmitri are stereotypical people who have unhappy pasts and hopeful futures. They are thrown into an intense relationship with limited mutual understanding. Chekhov’s limited dialogue and straightforward narrative leaves plenty of cognitive room for readers to ruminate about their own experiences and how they relate to the
This play shows the importance of the staging, gestures, and props making the atmosphere of a play. Without the development of these things through directions from the author, the whole point of the play will be missed. The dialog in this play only complements the unspoken. Words definitely do not tell the whole story.
“The Lady with the Dog” by Anton Chekhov, is a story about love and admiration. Dmitri loved Anna because she seemed to be so much like himself for they are both in unhappy loveless marriages. I
The story “The Darling” by Anton Chekhov, illustrates a woman that is lonely, insecure, and lacking wholeness of oneself without a man in her life. This woman, Olenka, nicknamed “Darling” is compassionate, gentle and sentimental. Olenka is portrayed for being conventional, a woman who is reliant, diligent, and idea less. Although, this story portrays that this woman, known as the Darling needs some sort of male to be emotionally dependant upon, it is as if she is a black widow, she is able to win affection, but without respect. Only able to find happiness through the refection of the beliefs of her lovers, she never evolves within the story.
Matlaw, Ralph E. Anton Chekhov¡¦s Short Stories: Texts of the Stories Bachgrounds Criticism. New York: W.W. Norton & Company Inc., 1979.