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effects of technology on the literary creation
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Feed, by M.T. Anderson, is set in a futuristic dystopian society. This novel follows the narrator, Titus, and his outlook on the society. Titus is now aware of the society he lives in through his relationship with Violet. Although Titus is the narrator, Violet is the true dystopian protagonist. Violet is the dystopian protagonist as she displays characteristics such as questioning the corporations, informing the audience, and resisting the feed.
Violet has a deeper understanding of the society she lives in, and she also begins to question the corporations who run that society. When Violet was at the doctor’s she starts to, “think about things” (Anderson 80). At this particular scene, Violet sounds paranoid as she explains her thoughts, “Everything we do gets thrown into a big calculation. Like they’re watching us right now. They can tell where you are looking. They want to know what you want.” (Anderson 80). Violet is now understanding why they are programmed the way they are. She then makes a huge simile for it, “It’s like a spiral: They keep making everything more basic so it ...
She is fairly new to the work world and has lied on her resume’ to get hired, and realizes that the job is harder than she first thought. All hope is not lost because Violet assures her that she can be trained. She ends up succeeding at the company and telling her husband she will not take him back after he comes back begging for her love again.
Imagine being born in a war zone with a corrupt leader and an educational system that fills people with lies all without even knowing it. Legend, by Marie Lu, is a novel about a thief and an officer who are turned against each other, but find common ground while trying to take down their corrupt government. The Giver, by Lois Lowry, is about a boy who is chosen to be different, but uses the secrets he’s been told by his own community. Although Legend and The Giver both display protagonists who don’t fall victim to dehumanization, both novels are filled with surveillance, propaganda, and the illusion of a utopia. Without the protagonist, these dystopian citizens would continue their meaningless lives without even the right to realize it.
Violet is a very cute, feminine name which fits the character’s role as the femme in the lesbian relationship. One could accentuate the fact that whenever Violet is away from Caesar, she appears to be less feminine. Also, whenever Violet is talking to men, her voice becomes high-pitched which seemingly makes her vulnerable ensuring her to be taken care of. This can be seen in many scenes from the film especially the scene where Caesar opens the briefcase and finds nothing in it except a stack of newspapers. Caesar asks “Where could the money be?” Violet replies with her...
She becomes an active protestor against the feed, as she experiences many issues of her own, and she brings the idea of invisibility to the surface. Violet mentions how she wishes she could be invisible when she says “"What I 'm doing, what I 've been doing over the feed for the last two days, is trying to create a customer profile that 's so screwed, no one can market to it. I 'm not going to let them catalog me. I 'm going to become invisible” (page 98). This quote is significant because it shows her desire to go against this corporation and to attempt to gain her privacy back. She has experienced many issues with the feed, especially when it was hacked and crashed on her. This was essentially what prompted her in trying to hide herself from the constant spotlight, where her every move was watched. Violet is the prime example of my argument that these characters are striving to find their own identity, and definition of being human. She is proving that they have become so accustomed to the feed that they have allowed it to completely take over their lives, to the point that the idea of being separate from technology, as we are, seems almost unthinkable. Her character decides to make a change as she goes against what this futuristic world pushes on people, and her proactive personality marks a major element in this
Two of the most iconic dystopian novels are 1984 by George Orwell and Fahrenheit 451 by Ray Bradbury. These novels expanded the genre significantly and while having different details about Dystopian life, share remarkable similarities. Throughout the novels, similar themes such as media control and war demonstrate that both authors share common ideas about what would be important in Dystopian life. On the other hand, the way in which the authors approach each issue highlights a difference in both time period and values.
Dystopia represents an artificially created society to where a human population is administered to various types of oppressions, or a human population lives under the order of an oppressive government. The novel Fahrenheit 451 and the film V for Vendetta both effectively display this dystopian concept in their works. The nature of the society, the protagonist who questions the society, and the political power that runs the society are examples of how the novel and the film efficiently capture the main points of a dystopian society. The authors of the novel and the film use their visions of a dystopian future to remark on our present by identifying how today’s society is immensely addicted to technology and how our government has changed over the past decades. Furthermore, the authors use our modern day society to illustrate their view of a dystopia in our
This malady, her scar, makes her physically grotesque, much like Joy/Hulga in O’Connor’s “Good Country People.” She has never been beautiful, and that is one of the deepest desires of her heart. While on the bus ride, she picks apart other people’s features as though she’s shopping; she wants that person’s hair or those eyes and that nose, all features to make her more beautiful after her scar gets healed. This desire to be a beauty is also a kind of grotesque quality, as is her loneliness and need to be loved; she wants it so badly it nearly overwhelms her personality and is all that she can thing about. Like Joy/Hulga, she is lonely in the lifestyle she lives, and is looking for someone to love her. Just like Hulga befriended Manly Pointer, so Violet befriends Monty, but with more favorable events than Joy/Hulga’s newfound friendship. Monty truly seems to love Violet; in the end of the story when she comes back from Tulsa
In The Body Finder, Violet is very torn from her feelings and even more in her secret power. Though with this power comes a “Pulling sensation, the tugging that propelled her almost without her awareness” (Derting 59-60). Violets pull can be related to almost everyone. A pull to food, to succeeding. Everyone has their guilty pleasure; Violet’s pulls to the dead are the same thing. No one understands her pull, but it’s drawing her. Violet’s character is strong, independent and determined. Derting is trying to teach us to go for that pull, this can lead someone to success. Though the drive Derting is trying to teach us about can also lead to failure
Feed is a novel set in a dystopian and futuristic society where a chip named the feed is implanted in nearly everyone’s brain. It follows the life of Titus and his friends, which begins on the moon. This is where he meets his love interest, Violet, a smart and beautiful young girl who is incredibly different from every other girl he has met. Titus, on the other hand, is the common teenage boy in this novel, absorbed with trends and illiterate to a certain degree. The two of them struggle through identity crises and the effects the feed has on the world, and the chip ends up claiming her life in the end. Synergy is a large area in basic human interactions since it helps them to develop relationships and acts as a stepping stone to understanding
Dystopian novels are written to reflect the fears a population has about its government and they are successful because they capture that fright and display what can happen if it is ignored. George Orwell wrote 1984 with this fear of government in mind and used it to portray his opinion of the current government discretely. Along with fear, dystopian novels have many other elements that make them characteristic of their genre. The dystopian society in Orwell’s novel became an achievement because he utilized a large devastated city, a shattered family system, life in fear, a theme of oppression, and a lone hero.
The novel Anthem by Ayn Rand and the movie The Hunger Games directed by Francis Lawrence and Gary Ross are popular among teens because they can relate to them by the high expectations put upon them. In a dystopian novel or movie, there is a dystopian protagonist. A dystopian protagonist is someone who often feels trapped, struggles to escape, questions existing systems, believes or feels as if something is wrong in the place they live in, and then helps the audience realize the effects of dystopian worlds. These are both good examples because it takes us on a walk through the protagonist's life and only then do we see what dystopian really is.
Fahrenheit 451 is a perfect book to show the element of dystopia. People weren’t allowed to read, causing them to loose such valuable knowledge they need to make wise decisions. They also had no say in the government, the government regulated so much that they didn’t even let the people have opinions. Everybody had to be the same, and everybody was living in a horrible fantasy. People can’t communicate because there isn’t anything to talk about. They are all also tied up so much in their technology that they feel it’s their family. People need to be more aware of their surroundings and let others run their life as long as it doesn’t put someone else in harms way.
In these novels, a dystopian society is represented by having conflicts with the government's censorship of knowledge, early on establishments of the common theme of identity deficiency, and the
A form of dystopian fiction cannot be without its protagonist. The ones that question and try to free themselves from the status quo. In turn, allowing the readers/viewers to recognize the darker aspects of the dystopian reality from