Favoring Villain
Society thrives on movies, the excitement, the romance, and the danger. Most people watch movies as a source of entertainment, but how often do we think about the nature of the film. For instance, the film” Oceans Eleven” and “The Italian Job” were very successful movies at the box office this year. Both films have innumerable aspects of revenge and payback but probably the most apparent theme of the movies is stealing. The characters in both films are masterminds at what they feel is the perfect job, the heist of large amounts of money from their enemy. These films show the devious side of people and how they succeed in illegal actions, constructing the villain in such a way that it makes the audience favor the villain. Through repetition the writers can engage the viewers to favor the villain.
Oceans Eleven starts out with the main Character Daniel Ocean getting out of jail for another job that he got caught trying to do. The character is dressed in a tuxedo and has a confident air about him. The first scene of the movie already has the audience intrigued with the character because he looks first-class. As the movie progresses the other characters are introduced, each one exceptionally well dressed with great manners, coming across as very sophisticated. Our society loves excitement and leadership, which the characters in this movie provide greatly. While introducing each new character, the writers were particular about having each character dressed remarkably well, repeating the image that they are high-quality people. Daniel Ocean makes a proposition to his very close friend played by Brad Pitt, to hit up three casinos in one night. He explains that this hit will have to be precise, it will need lots of planning, and they will have to have lots of funding. The characters come off very smoothly, relaxed and confident about what they are doing, allowing the audience to get comfortable with the idea that the characters are going to be stealing from three major corporations, all of which happen to be owned by the same man.
The owner of the three casinos is a ruthless man described as someone “Who better not know your involved, not know your name, or your dead or he will kill you and then go to work on you.” The audience is already favoring Daniel Ocean and his crew, finding out that the man they are stealing from is ruthless just turns everyone against him even though he is the one who is getting robbed.
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
The first article, “The Best Night $500,000 Can Buy,” portrays the perfect night out in Las Vegas. Devin chronologically takes the reader through a night in one of the famous clubs in Las Vegas, Marquee. He describes the fundamental marketing techniques that promoters use to lure women into the venue, the prices that high-rollers pay to get a VIP access and tables, and the “shitshow” atmosphere where people are dancing as if they are on Ecstasy (some people are actually on drugs). From personal experience, Las Vegas is definitely the Disney World for adults because people can openly consume alcoholic beverages on Fremont Street while enjoying their time at the arcades, night and day clubs, pools, gambling rooms, theme park rides, shopping centers, restaurants, strip clubs, and wedding chapels. Which ultimately le...
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
William Lyon Mackenzie King was one of the greatest prime ministers in Canada, although he did not give a fascinating speech or had an exciting image and supported few radical policies . King’s opinions were very strong and would not be changed no matter what. No one could influence King and this was shown through his leadership during the Great Depression and the election in 1930.
When you love someone, you 've gotta trust them. There 's no other way. You 've got to give them the key to everything that 's yours. Otherwise, what 's the point? And for a while, I believed, that 's the kind of love I had” (Casino). Casino centers on Sam ‘Ace’ Rothstein, a gambler of legendary skill who is sent by the mob in the early 1970s to Las Vegas to manage its newly acquired Tangiers Hotel and Casino. Ace is an outsider among outsiders: a dispassionate, calculating, almost pitifully tender civilian among thugs. He’s a Jewish bookie sent by the mob to manage a Vegas casino and embezzle cash for the crime bosses back home. Even when he dons a flamboyant suit and runs patrol around the felt tables of his amoral arena, he looks unsatisfied.
In John Milton’s, The Paradise Lost, Milton’s representation of Satan makes us uncomfortable due to the recognition of his humanizing and relatable reaction to what happened to him. The reader expects Satan to be an evil, and malevolent figure who does evil acts because he loves it and there is no defense for it. While these aspects are prevalent in his character in the poem, Satan does not come across as a completely wicked person but instead, a victim. The representation of Satan has a personifying quality that any of us may have and do not want to admit. In book one, Milton’s portrayal of Satan makes us uneasy because we relate to his actions, which are ordinary human responses to similar situations. It is troubling to say that in this particular poem, Satan resembles humans. However, our human nature is to have an instant reflex to justify our actions without taking any responsibility, which resembles the way Satan justifies his mischievous acts in this poem. Most of the time, we would never think of Satan as a victim; yet, we find ourselves discovering our human nature in Satan’s rationalizations. So, what humanizes this monstrous figure? After thoroughly reading book one, there are many instances when Satan justifies what he has done to make sense of it. Satan believes that God deceived him because he did not know how much power he possessed. According to Satan, God did unjust things that justified his actions. Satan has a whole rationale that God had arbitrary power that caused Satan to become the way he is in the poem. This perception serves as Satan’s foundation on behalf of his justification, which we all can relate to because he does not take responsibility but pr...
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
Throughout the play of Macbeth, by William Shakespeare, Macbeth is supposed to be a likeable character until he kills the king. By committing this heinous act, Macbeth instantly becomes a villain and continues to commit murderous acts, all stemming from his first terrible mistake. One of his motives consists of choosing power over integrity, therefore he kills the king. Another reason why Macbeth is a villain is because he continued to kill innocent people to hide his doings. Lastly, since Macbeth is a villain and murderer, he deserves to be condemned and disdained.
In Milton’s Paradise Lost, the readers are presented the perspective side of Satan to the biblical story, Adam and Eve. Over the past centuries, there have been numerous stories about Adam and Eve, but there was never a view from the devil himself, Satan. Satan started as a confused and angry person in the beginning. As the story progressed, Satan’s character became stronger and powerful. Toward the middle of the story, Satan acted almost as a political figure; he knew when and what to say to persuade other angels to follow him. Some reader suggests that Satan is the protagonist of the story because he struggled to combat his mistrusts and weaknesses. Nonetheless this goal was evil and Adam and Eve turned out to be the pure heroes at the end of the story while they help begin to fix humankind’s evil fate. There are several reasons why Milton focused so much Satan and gave him all the good lines.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Mankind lives in a physical, tangible, material world, which is influenced by the invisible, spiritual world around us. The present day spiritual world is just as existent as it was nearly two thousand years ago when Lord Jesus walked the earth. The Old and New Testaments reveal to us from time to time, glimpses of this spiritual world. These Testaments provide us with the most factual information regarding Satan. Unfortunately, many have been misinformed and do not thoroughly comprehend Satan’s origin and what his purpose concerning the spiritual and physical world. There is a great need to set the record straight regarding Satan especially in our hour with its present angel craze, channeling and a belief in spirit guides. I chose Satan as the subject of my paper because I am one who does not thoroughly comprehend who he is and what his purpose in both the spiritual and physical world is.