Henri Matisse was very undistinguished in his early periods. He was a late bloomer, learning to paint well into his thirties (Wayne 1). His first painting was Nature morte aux livres (Still Life with Books), its realist style wasn’t his forte (moodbooks.com 1). Soon Matisse was experimenting. Matisse when through many art styles in his life, from neo impressionism to pointillism, he had his fingers in many pies. In 1905 Matisse created fauvism, or the wild beasts. From then on his paintings would never be the same. He became the king of color (Cumming 99). In the 1910’s he started Orientalism. The odalisques were of a much different pattern (Abrams/Cameo 28). Fauvism and Orientalism are very different, but still alike in other ways. They can be compared on the backgrounds, colors, subjects, structure, and style.
An important of any art work is the background. In the fauvist movement Matisse used different kinds of backgrounds. In portrait of Madame Matisse (The Green Line), on the left side the red background makes the red half of her body blend in to it. On the right side the green back ground makes her shoulder seem more pronounced (Abrams/Cameo 14). In his painting The Woman in the Hat the background is a powerful smear of bright colors. The reds, yellows, greens, and purples make the picture seem hectic and disordered. Some of the fauvist backgrounds had a logical reason. The background in The Young Sailor II is a soft peach color, complementing the dark, muted hues of the sailors clothing. In the Mediterranean Allegories faze of Fauvism, the backgrounds were more distinguishable. In the Game of Bowls the background is a soft green for grass and a light blue for sky. He had many paintings with this kind of background. The focus was less on expressive color and more on the story behind the painting. For about a year his backgrounds became more of the real and less of the feeling. In the same year, Matisse’s fauvist began to look at bright backgrounds again. Matisse’s painting Harmony in Red (La Desserte) has a bright patterned background. It has the feel of a textile piece, with their flat repetitive pattern (Abrams/Cameo 21). The back ground seemed to organize and guide the picture, making it just as important as the other elements (Abrams/Cameo 21). Other works like interior with Aubergines have the same quality.
Henri Matisse’s Bonheur de Vivre (Joy of Life) is remembered as one of his greatest and daring Fauve Paintings that incorporates many different references from other painters. From Cezanne’s painting, The Large Bathers, Matisse uses Cezanne’s technique of painting trees to resemble a stage and shapes the leaves to flow like the curtain. Matisse also paints his women as mirrors to the trees’ outline, making them extremely curvy, just like Cezanne. From Ingres, Matisse took the sexuality and idea of how a woman should be, and from Titan Matisse incorporated the sense of pleasure and freedom. Matisse not only uses vivid colors that capture the senses of the beholder, but he also uses the idea of perception and painted his masterpiece in such a
All the artist during that time all portrayed similar ideas that were introverted abstract art. Artist started portraying common objects in an abstract expressionism that were aggressive and emotional. During this era, Basquiat and other similar artist created pieces that were rich in detail that demonstrated different aspects of life. During this art movement, many people considered it be controversial and didn’t find the artwork to be intriguing. This movement started in Germany and later on settled in the United States. Neo-Expressionists were sometimes called Neue Wilden (“The Wild Ones”). The word Expressionism was a movement in poetry and in paintings and this is usually would present the subjective
The portrait of Josette is based on his studies after Corot and Cezanne. To perfection he seemed to create a stunning mixture of the foreground and the background. This beauty is accomplished through color patterns that ensemble different spatial planes. The blacks which are used around the bosom, butox and leg are used to enhance this women's shapely figure. The transparency does not result in an illusion of depth instead it acts as something to join the planes together. The table was created in Spring of 1914.
Salvador Dali's life and art were very closely related. Everything in his life was reflected in his art. All the major changes in his works and styles represented important turning points for him. When Dali was younger, he experimented with different styles. The first style he used was soft, blurry and seemed a little bit out of focus, although his use shadowing was well from the beginning. Dali's early works were
The definition of the cultural imperialism in the Cambridge dictionary is simply as one “culture of a large and powerful country, organization, etc. having a great influence on another less powerful country." Yet to get the real and important meaning of cultural imperialism, we have to know more than its basic dictionary definition.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Alice Bailly (1872 - 1938)-- At the dawn of the 20th century, an avant-garde movement flourished all throughout France. The new style that swept the art world was called fauvism. The painters within this movement stepped out of the traditional impressionist methods of painting, and took a subjective approach to painting with vibrant colors, bold shapes, and forms. The headlining artist of that movement was Henri Matisse. There were many male fauvist artists known for their artwork and creative ways to break out of the traditional mold of painting. However, Alice Bailly was one of the most radical artists inspired by the fauvist movement.
Orientalism as termed by Edward Said is meant to create awareness of a constellation of assumptions that are flawed and underlying Western attitudes towards the Muslim societies. Evidence from his 1978 book “Orientalism”, states that the culture has been of influence and marred with controversy in post colonial studies and other fields of study. Moreover, the scholarship is surrounded by somehow persistent and otherwise subtle prejudice of Eurocentric nature, which is against Islam religion and culture (Windschuttle, 1999). In his book, Said illustrates through arguments, that the long tradition in existence containing romanticized images of Islamic stronghold regions i.e. Middle East, and the Western culture have for a long time served as implicit justifications for the European and American Imperial ambitions. In light of this, Said denounced the practice of influential Arabs who contributed to the internalization of Arabic culture ideas by US and British orientalists. Thus, his hypothesis that Western scholarship on Muslim was historically flawed and essentially continues to misrepresent the reality of Muslim people. In lieu to this, Said quotes that, “So far as the United States seems to be concerned, it is only a slight overstatement to say that Muslims and Arabs are essentially seen as either oil suppliers or potential terrorists. Therefore, very few details such as human density, the passion of Arab-Muslim life has entered the awareness of even the people whose profession revolve around reporting of the Arab world. Due to this, we have instead a series of crude, essentialized caricatures of the Islamic world presented in such a way as to make that world vulnerable to military aggression” (Said, 1980).
...uring his later years; he painted almost no people in his work as he physically ripened. Both these artists’ lifestyles largely affected the aesthetic principals in their works. Degas depicts incredible detail on his subjects foreground and faces in particular while leaving the backgrounds of his works slightly hazing; therefore rendering them almost unimportant to his works. An example of this would be one of Degas earlier works: “Achille De Gas in the Uniform of A Cadet” c. 1855. However, Monet varied his work much more than Degas did. The evolution of Monet’s artistic style was extreme.
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
Henri Matisse was a French Artist during the Cubist and Fauvist period, which influenced his art greatly. Although he was primarily known as a painter, he was also a printmaker, sculptor, and draughtsman. His piece Mademoiselle Yvonne Landsberg resembles that of a print; however, it is in oil painting. Mademoiselle Yvonne Landsberg is believed to have been a piece in which Matisse was experimenting with new ideas and methods, as this painting appears to be very labor intensive. There are multiple parts of the painting where Matisse scraped away layers of paint and leave behind lines that parallel cross-hatching. The aspect of the painting that is different from other cubist pieces of the time are the lines that emanate from the Mlle Landsberg, thought to be a depiction of her movement while the piece was being made.
During a visit to Brittany, Matisse discovered Impressionism (Essers 8). The works of Cezanne and Van Gogh influenced him. When he returned, he exhibited his first painting, Dinner Table, in 1897. This was his first painting of impressionistic style. Matisse’s art began to concentrate on landscapes, still life, and domestic interiors. Still life is a theme Henri would follow for the rest of his career.
On the topic of “orientalism”, Edward Said is certainly not lacking in opinions. His understanding is that when the Europeans created a division between the western and eastern worlds, the western, civilized nations came to be called the occident, and the eastern, less civilized nations were thus referred to as the orient. Said saw a concern however, when the Europeans began generalizing those attributes which they associated with the orient, and then including them in scientific findings and media which would be seen by and thus influence the ideas of the western world. As a result of his understanding of orientalism and his strong arguments against the Western bias, Said is often seen as either a powerful corrective to this bias or a hindrance to open discussion on the topic. Though I cannot say that I wholly agree with either side, I would argue that Edward Said does more to hinder open discussion than he does to correct the bias, which is both evidenced in his own writings as well as those of his dissenting contemporaries. One thing that no scholar can deny is that “Edward Said’s...
While living in Paris, Van Gogh was first introduced to impressionist art and was inspired by the color and light. “Inspired by these artists, he brightened his own palette and
Fauve’s art were different in each other of their own exclusive ways, but they all have the same origin, different feelings but same structure. They all did different mediums as well; for an example like I said they used art to express music, literature, and an emotional vision of the world from their perspective. Artist like Henri Matisse and André Derain with many more artists’ art was bright colored, exciting, attractive, and vividly expressed within their hands. They used communicative colors like red to show pain and hurt or blood or even the items that within the painting that describes the mood. Or another example could be Henri Matisse 'The Open Window, Collioure', 1905; he used his colors wisely and intensely. Most of the artist used oil, oil on canvas, and paint. Each piece of art work was used to perfection. ...