In class, we’ve talked a bit about art history. All students were assigned a topic and had to do a research paper on their topic. The topic I was given was fauvism. Fauvism is a style of painting with vivid expressionistic and non-naturalistic use of color that flourished in Paris from 1905. In the following paragraphs I’m going to define the artistic values from this time/group of artists. Also what did Fauvism looked like, why it looked the way it did, and what medium was in (painting, sculpture drawing etc.) Next, I’ll be explaining what’s going on in their culture at the time, and how the pieces of artwork reflect the time. Last but not least, I’ll identify artists of the time and their contributions; and identify important artworks of …show more content…
Fauvism is being spreaded throughout Paris with this small group of artists using exciting and bursting colors and adding it to their paintings creating Fauvism. Fauvism is becoming a very popular culture surprising people with its unnatural and uncommon colors. Fauvism was just a group of painters experimenting with different types of colors and made a movement throughout the 1800-1900s. The pieces of artworks reflects of the time because all of the beauty and color throughout Paris. It’s like painting the whole city but with outstanding and remarkable colors no one has ever thought …show more content…
Inspired people, some people found fauvism unpleasant at first, but became to surprise people with the artists works of art. Fauvism was located in Africa, mostly Paris and France and spreaded all over countries in their time and still today. The history of fauvism is interesting to know that it all started just with a group of painters experimenting on colors and to turn out creating works incredible pieces that people found interesting and surprising. Fauvism vibrant colors just brung out the paintings in different way. In the following paragraphs above, I explained the artists values from this time/ group artists. I told what the art looked like and why did the art looked that way. Also what medium was in it and examined the culture at the time and explained it in full details Then how the pieces of artwork reflected the time. Last but not least, I identified the artists of their time and their contributions’ also the important artworks of their time and its
literature, it is necessary to know the artists who have produced the works: to include their race, social
“A picture is a poem without words” – Horace, the purpose of art is to reveal the sensations of life but also allows humans to express their emotions and views on certain aspects. Jean-Michel Basquiat was a Neo-Expressionist painter throughout the 1980’s who was known for his style. He was African American artist and musician that was part of the SAMO. The SAMO was a graffiti group that wrote epigrams. While growing up, one of Basquiat inspirations that encouraged him to paint was his diverse cultural heritage. Basquiat was a creative self-taught artist who thought outside of the box when it came to painting. Most of the pieces he made were a collaboration of different ideas and constructed them together into a collage. During the 1980’s Basquiat’s art used the human figure to portray Minimalism and Conceptualism. His target market that were in many of his pieces was on suggestive dichotomies that focused on the lower class versus the higher class. Even though Basquiat work was remarkable, he was criticized and faced some challenges among his journey because of the symbols and words that were used his paintings. Despite the criticism,
Around the end of the 19th century, many modern artists in the west began stylizing their work based on the art and cultures of foreign countries. It was an era when modern artists like Paul Gauguin and Emil Nolde studied primitive cultures and created works that utilized styles and compositions not seen before in western art circles. Abigail Solomon-Godeau and Jill Lloyd focused their articles on how Paul Gauguin and Emil Nolde used their knowledge of the countries they researched, to create indigenous inspired paintings. The articles focused on how each artist used primitive paintings to express their impressions and experiences within the countries they explored. Relating primitive cultures to their western counterparts, Abigail Solomon-Godeau discusses how Gauguin uses his experiences, and created artworks to capture mythological speeches within his art.
Neo-Expressionism, an art movement that developed in the 1970s, is characterized by its abandonment of “Minimalist restraint and Conceptual coolness. [It] offered violent feeling expressed through previously taboo means-including gestural paint handling and allegory” (Neo-Expressionism). Jean-Michel Basquiat, a well-known Neo-Expressionist painter, explored a multitude of themes that interested him. The most prevalent were issues on race, culture, and heritage. During his 27 years of life, he was able to accurately represent the everyday struggle of the average African-American male while reforming the art industry, defying and accepting stereotypes, and depicting touchy themes of race in his visual art.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
Throughout all of history and to this present time the arts have been slowly shifting and changing into different styles and uses of certain techniques, the names of many of these styles end in the three letters, ism. Most importantly are these four styles, Neoclassicism, Romanticism, Realism and impressionism. These styles occurred in order and shared certain characteristics transitioning them into the next style. By learning about these different styles we can further understand what was going on in the minds of the artists of the time and how they painted.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
Impressionist painting was the beginning of a cultural shift away from religious and mythic themes, to subjects and styles that are less static such as everyday life of the general people, and the fleeting moments around them. As history progresses, so does art and the movements they create. The impressionism movement started in an already war-ravaged France where the evolution of ideals and way of life were as impermanent as the subject of the paintings of the time.
For my analytical essay I've chosen the Renaissance art movement. I choose this movement because it played such a monumental part in European history. Basically, the Renaissance, also known as the rebirth, was a cultural movement that started an artistic transformation and started the scientific revolution. This time period also links the transition from the end of the Middle Ages to the beginning of the Modern Age. The Renaissance started in Italy in the 14th century and spread to northern Europe by the 16th century.
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
?Any work of art owes its existence to the people and culture from which it has emerged. It has a functional and historical relationship with that culture.? Michael W. Conner, PhD#
The iconography of the picture could represent art in the view of the fauvists. Fauvists wanted to be free from tradition and natural colors. They wanted to be free to explore their world of colors as they saw fit. Fauvists and expressionists did not like to be held to strict rules when it came to painting. It could be that Le Bonheur de Vivre was a state in which they where trying to reach, but in reality could get never get there. On the other hand, could it be a place where they could only reach in their dreams? Critics have struggled with the interpretation of Matisse’s painting since the first display. That may have been Matisse’s meaning after all.
Art has gone through many significant developments throughout history. The most important turning point was the renaissance. Art took a huge turn before the 1500’s and even after. The Renaissance has assisted the world of art in breaking away from a classic structure and shaping it to what it is day. Prior to this cultural rebirth, artworks were mostly not made to scale. Paintings were unrealistic and disproportionate. Religious figures seemed to be the focus of many works. The Renaissance changed the old social context of art by introducing humanism, new themes and techniques.
In the early 20th century several movements occurred in America and Europe, therefore it was an era that characterized by the imperialism industrialization which polarized the nation into two categories of high and the low class. And the western culture dominated most of the world possessions. The U.S was able to have power over their land and they gained high economic and political power. The American did not allow other countries free trade to enter their lands. Furthermore, the Modernism Cultural movements allow many artists to present their styles in a unique form of expression. Modernism is characterized radically by breaking down the trends which occurred in the past of the 19th century. Moreover, Pablo Picasso, he was a phenomenal modern artist; Picasso was very famous for all of his work of art especially the cubism arts. Therefore, some viewers consider his art to be disturbing because they...
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.