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Fate in homer's odyssey
The role of fate in the aeneid
Aeneas as an epic hero
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It is consistently difficult to understand in old world literature, from Homeric epics to Virgil's work, The Aeneid, what the relation of fate is to the Pantheon of gods. There seems to be an ongoing debate within the texts discussing whether "fate" is the supreme ruling force in the universe and the controlling element of the lives of men, or whether fate is the will of the king of gods, Jupiter. In, The Aeneid, several situations and instances of the use of fate are presented to the reader. The direction and destination of Aeneas's course are preordained, and his various sufferings and glories in battle and at sea over the course of the epic merely postpone his unchangeable destiny.
The power of fate looms over and above the power the gods possess in the natural world. Often, fate is connected with Jupiter, the most powerful god. Jupiter's will overpowers the will of all other gods. The interference in Aeneas's life by the lesser gods (mainly Juno) who strive to advance their personal interests becomes the conflict within the story for Aeneas.
The story opens with a defeated Aeneas on his way home from the Trojan battlefields of the Trojan War. Juno, a goddess, has held a grudge against Aeneas for a long time, and is particularly vindictive in recent times, because of prophecies that her beloved Carthage will be destroyed. The goddess Juno demands that Aeolus, god of wind, conjure a great storm in order to deter Aeneas from getting home. The fierce, fiery storm is unleashed, and Aeneas and his crew must simply watch, and wait. In the middle of the storm, Neptune arrives, and, taking pity upon fated Aeneas, tells Aeolus (and the winds) that he must stop the storms and the winds, because he is overstepping his bounds of fat...
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...no's bowing to fate, shows that she finally, though reluctantly, will let Aeneas follow his fate, whatever it may be.
The development of characters in The Aeneid is shown in the readiness and trouble with which they confront fate. Juno fights destiny every step of the way, making the ending of the story a resignation to fate, rather than a conclusion of the fated actions. Dido also has trouble with the fates. She lusts after Aeneas, whom she can't have. She ultimately kills herself over the grief from the fate of Aeneas. Aeneas serves his fate by following it. He preserves his own life in an effort to fulfill the fate to which he has been predestined. By working towards his fated goals, Aeneas helps to bring closure to a story that has been told over many years. The formation of a new country is the ultimate resolution of fate, and that is exactly what Aeneas does.
The idea that one’s destiny is already determined is both comforting yet brings dismay because it leaves a feeling of powerlessness which is fine for the lazy but painful for the proactive. This idea is surely a failure among principles but even so the role of fate is not completely limited to these terms and ideas. Fate in the book was seen more as a mission that Aeneas had in life, and it would only happen on his obedience to his tasks. This type of belief that “actions determine fate” is actually quite healthy for a society to follow. During Aeneas’ journey there were several times that he faced difficult temptations that tested his obedience
At the orders of Jupiter, Mercury is sent down in Book Four of the Aeneid to remind Aeneas of his true fate for Aeneas had fallen in love with Dido and was content to stay in the fertile lands of Carthage, The messenger god mocks and scolds Aeneas for forgetting his duties, especially to his son, Ascanius. As a result of this, Aeneas finally decides to leave Dido and depart Carthage, although he fears losing the queen’s love and her wrath. This demonstrates that he is incredibly pious (as to choose the wishes of the gods over his own love) and that he is noble for attempting to leave Dido as gently as he can. In addition, he displays his admirable hero qualities and commitment to paternal duty in this section.
In Book I, we learn that Aeneas will be facing many obstacles on his journey because Juno (Hera) “in her sleepless rage” does not favor him (1.7). An issue Odysseus also had to deal with. The difference here is, unlike Odysseus who has angered Poseidon by blinding his son, Cyclops, Aeneas has not done anything to provoke this rage. Juno holds a grudge against Paris for not choosing her in a beauty competition against Minerva (Athena) and Venus, “that suffering, still rankled: deep within her, / Hidden away, the judgment Paris gave” (1.39-40). She also knows what is to come of Carthage, “That generations born of Trojan blood [Aeneas] / Would one day overthrow her Tyrian walls,” a city “[Juno] cared more for…/ Than any walled city of the earth” (1.31-32, 24-25). We know that Aeneas is set to build Rome so she will try her hardest to make him fail on his journey. In the case of Odysseus, Athena interc...
Fate has a place in the Greek world but its place is not the same as it is in other scenarios or worlds. It is important to understand the word before we discuss it. Fate as far as Greek mythology goes is not just fate. By most standards fate means that things occur for an unknown reason that no one has any control over. However, in the world of Greek Mythology fate does not just happen. The gods engineer fate and they interfere to make things happen that might not otherwise have happened. Since the players do not always know of the gods' involvement, things may actually appear to be fate but in reality be engineered happenings.
“Am I to admit defeat/ Unable to keep these Trojans and their kings/ From Italy? Forbidden by the Fates, am I?” (1.50-52). Knowing the outcome doesn’t sway the decisions of Juno at all is overcome with rage. It is keen to note that rage is one of the most important themes of The Aeneid and is showed from the poem starts till it ends. Juno and Dido are the two major characters that are affected by this rage. It is Juno who allows Dido to believe that she and Aeneas are married; with hopes that Aeneas would not leave to the build the city of Rome. The intervention of the gods shows how they can easily sway the lives of their mortal men for their own personal desires. For example, when Juno incites rage on the Trojan women allowing them to burn their ships. Virgil clearly shows that aren’t no women of rationality all women are controlled by their emotions. It is clear from the start that Juno is on a man hunt to put an end to the Trojans reign; as result Aeneas becomes a subject of Juno’s rage. Virgil depicts Juno as vengeful Antagonist who tortures a pietious man,
In Virgil’s poem, The Aeneid, the ideal Roman hero is depicted in the form of Aeneas. Not only does Aeneas represent the Roman hero, but he also represents what every Roman citizen is called to be. Each Roman citizen must posses two major virtues, he must remain pious, and he must remain loyal to the Roman race. In the poem, Aeneas encompasses both of these virtues, and must deal with both the rewards and costs of them.
We also see in the story what someone must sacrifice in order to fulfill their goals. Though Aeneas's destiny was much more grand than many of our own, we still must make choices that can sometimes hurt others. I really thought that Vergil captured our inner emotions with the affair between Dido and Aeneas.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
In Greek mythology as a whole, fate does have a sizeable role in most tales. However, the definition of fate for the ancient Greeks extends from the common definition. The definition of fate that is familiar to us is anything that happens for an unknown reason and is out of our control. But in Greek mythology fate also involves divine intervention from the gods of Olympus. They are able to change outcomes and alter situations to the point where what occurs might not have happened without them. In The Odyssey, gods have a very prominent role. But you cannot just discuss fate by itself. Free will is also a factor. Free will is mankind’s ability to make decisions control the aspects of one’s life. In The Odyssey life is the individual’s responsibility.
When it is argued that Aeneas was just “handed” everything by the gods, the fact that not all of the gods were in support of him is often overlooked. Although many gods steer Aeneas toward his destiny, Virgil adds complexity to his character by introducing gods who wish not to see Aeneas succeed along with a slew of obstacles. He does this in order to spark the reader’s interest in his hero's successes, which may not necessarily be set in stone. The dangers that Aeneas and his crew face are real, even if it is know that he will survive them. There is in fact a humanistic aspect of Aeneas that is revealed by creating physical and emotional strife, which he must endure by himself. It is these human aspects of Aeneas: his leadership, his emotional strengths, and his heroism that make him a crucial and interesting character in the Aeneid.
On the Mediterranean Sea, Aeneas and his fellow Trojans flee from their home city of Troy, which has been destroyed by the Greeks. They sail for Italy, where Aeneas is destined to found Rome. As they near their destination, a fierce storm throws them off course and lands them in Carthage. Dido, Carthage’s founder and queen, welcomes them. Aeneas relates to Dido the long and painfuAeneas tells of the sack of Troy that ended the Trojan War after ten years of Greek siege. In the final campaign, the Trojans were tricked when they accepted into their city walls a wooden horse that, unbeknownst to them, harbored several Greek soldiers in its hollow belly. He tells how he escaped the burning city with his father, Anchises, his son, Ascanius, and the hearth gods that represent their fallen city. Assured by the gods that a glorious future awaited him in Italy, he set sail with a fleet containing the surviving citizens of Troy. Aeneas relates the ordeals they faced on their journey. Twice they attempted to build a new city, only to be driven away by bad omens and plagues. Harpies, creatures that are part woman and part bird, cursed them, but they also encountered friendly countrymen unexpectedly. Finally, after the loss of Anchises and a bout of terrible weather, they made their way to Carthage.
He feels “all the blows” of losing his family and being stranded at “sea”, attacked by Juno’s “storm[s]”, exacerbates his pain. Aeneas, however, uses his past experiences as motivation to establish a future, inspired in a different manner compared to Grendel (Virgil 126). The sea serves as a metaphor of Aeneas’ own life, since at sea he lacks a stable base and is always wavering. Virgil utilizes disastrous diction like “storms” both literally and figuratively to exemplify the obstacles Aeneas faces that prevent him from reaching his destiny, just like a storm delays and sometimes prevents a ship from reaching its destination. His struggle symbolizes humanity’s attempts at finding peace and prosperity and establishing a life without major insecurities involving family and work. The obstacles Juno creates in Aeneas’ life, preventing him from finding “Italy’s shores and destined fields,” develop the central of theme Aeneas’ instability (Virgil 156). Although Aeneas is “destined” to ultimately find his new home, yet Juno’s impediments keep him at sea and therefore threaten his security. The walls of Rome Aeneas hopes to build figuratively represent the foundation he hopes to build in his life compared to the dangerou, volatile sea that Juno keeps him stranded at. Ultimately, Aeneas knows the joys of having a family and consequently strives to restore his life on land, yet Juno’s constructed hindrances develop the instability he faces up until the end of his
“The Dido-Aeneas Relationship: A Re-Examination” is a written by T. R. Bryce. Bryce’s argument is that Dido would not have loved Aeneas at all had she not been shot by Cupid’s arrow. Her actions toward Aeneas before being influenced by Cupid, he says, were characteristic of any powerful ruler. The queen saw a potential ally in Aeneas, and treated him as such. Dido would not have been completely mad about how much she loved Aeneas, and would not have been throwing herself at him as many times as she had before. After her husband was murdered, she vowed that she would never marry or lay with another man, and she stood firm in that promise up until her fateful encounter with our epic hero. When Venus became aware of how Juno was sabotaging Aeneas,
The Odyssey portrays the victor, the mighty Odysseus. His story is about a man who has everything, a loving and loyal wife, an ambitious son, a devoted kingdom, and most of all a victory. By the end of Odysseus’ story he has an ideal life. On the other hand, The Aeneid is told through the eyes of a defeated soldier. Early on in the epic Aeneas has a comfortable life. It seems as though he is happy and complancent with his life in Carthage with Dido. Aeneas chooses to leave this life behind in order to fulfill his destiny. The Trojans were defeated in the war, however, Aeneas perceivers and fights for the future of his people. Through Aeneas’ story, Virgil demonstrates the resilience of the Roman culture; he shows just how much they value a sense of
... attempts they do just the opposite. With Venus’ many interventions, Aeneas is prevented from making mistakes and is guided to his fate, from not killing Helen [book 2] to leaving behind the old and the weak for Italy [book 4] . He is shown enough times to be the puppet of their play: from obeying the will of the gods while enduring the wrath of other gods, all this in order to set the wheels in motion for the far off future Roman race. However, there are also times when he is also shown to be exerting his won free will. For example, in book 12, killing Turnus when he is begging for mercy, something not heroic and which Susanna Braund debates the positive and negative aspect of in her essay on Virgil and the Meaning of the Aeneid [1.17-18]. nonetheless, this act demonstrates that even the gods and the fates require his cooperation to fulfil his destiny.