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Disney's fantasia analysis
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Fantasia is a 1940 animated film produced by Walt Disney. The movie is composed of interesting images alongside beautiful pieces of music that are conducted by Leopold Stokowski. The images included in Fantasia are what the animators believed the listener would create in their heads while hearing to the compositions. Although these images can be seen as strange and bizarre, they truly depict what the people in the audience may be feeling while listening to the music and the scenes shown will stick with the listener when hearing the pieces of music in the future. Perhaps even seeing a portion of a certain scene from Fantasia could resurface the piece of music that was played during that scene. Three scenes that happened to stick out to me are Tchaikovsky's "Nutcracker Suite", Stravinsky's "Rite of Spring", and "Dance of the Hours" by Ponchielli.
Tchaikovsky's "Nutcracker Suite" came first chronologically out of the three scenes mentioned. When introducing the piece, Deems Taylor states that Tchaikovsky actually detested this piece. When I began to listen to “Nutcracker Suite” and study the images on the screen, I noticed the various plants and animals dancing all represented a specific season, summer, fall, winter, spring. The images included fairies and forest nymphs gliding throughout the nature of the forest. The fairies began lighting up the flowers and placing dew on the plants which represented summer. Next, there were tiny, dancing mushrooms that surprisingly looked slightly angry. Then, flowers that appeared to look like ballerinas began dancing. Next, underwater goldfish began to dance very gracefully. I enjoyed watching the fish because I thought it was slightly amusing. Shortly after, there was a dance of more flowers...
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...ether. However, the troop of crocodiles begins to surround the hippo. The finale of this piece includes all the animals chasing after each other or running away. In the end, the animals all decide to dance together and are at peace, but ironically the palace that they have been dancing in, collapses on itself.
Ultimately, Walt Disney’s Fantasia is a jumble of strange scenes all corresponding with various pieces of music. The scenes that stuck out in my mind most are Tchaikovsky's "Nutcracker Suite", Stravinsky's "Rite of Spring", and "Dance of the Hours" by Ponchielli. All of the weird images depicted help the viewer and listener to remember the compositions because the visuals will resurface when hearing the music. After, watching Fantasia, I can remember key events from the film to remember the pieces of music even thought the scenes are very bizarre and unique.
To fully understand the relationship between a filmmaker and a composer, it is helpful to take a closer look at the filmmaker’s position towards music in film in general; these can of course differ substantially from one director to another. It seems, one must think, that the complete narrative and emotive potential of film music is not yet fully recognized and appreciated in many film produc...
On November 21, 2010 thousands of ebony- skinned women, young and old, tuned in to VH1 to support Fantasia Barrino. These women are proud to learn that she has not only written a sitcom but actively seeks a producer; the viewers finally see Fantasia finding a constructive use of her time. Fantasia has a devoted fan base willing to forgive even the most prominent blunders presented on her show, such as failing to get her G.E.D., being reckless with her money, and dating a married man. Despite all these mistakes, Fantasia still identifies with an audience that accepts her and believes in her ability to grow and to give hope. This belief, however optimistic, is shattered the minute Fantasia expresses her reasoning for not playing the leading role in her new sitcom; “She’s beautiful…I know I’m hot and all but I’m not light-skinned.” These words spoken by Fantasia Barrino are only one example of a stereotype maintained by the show. Fantasia does not believe that she is attractive enough to play the leading role, simply because she is dark-skinned. Fantasia for Real is a VH1 unscripted show that depicts the everyday life of the season three American Idol winner. The program aims to portray Fantasia regaining control of her career and personal life. Sadly, the show has done just the opposite; Fantasia for Real disgraces Black women and men, single mothers, high school drop outs, and the state of North Carolina. The show substantiates stereotypes of both the ignorant “ baby mama” and the lazy young Black man by Portraying Fantasia as egregiously uneducated, while simultaneously depicting her brother as being shiftless and unmotivated .
One of the most prominent examples of program music is Richard Strauss’s tone poem Don Quixote. This tone poem tells the story of Miguel de Cevantes Saavedra’s novel The Adventures of Don Quixote. The story of the hero Don Quixote is one of insanity and delusion that Strauss was able to depict very well. Don Quixote was a middle aged man that read too many books about knights and their heroic deeds. This is shown by three different themes given to show Don’s dreams of being a knight. Over time, he read so many books and dreamt of rescuing his ideal woman named Dulcinea from a dragon so many times that his mind was unable to separate his real life from his fantasy world. Strauss chose to depict Dulcinea with a beautiful lyrical melody while the dragon is represented by a loud, low, sustained melody in the tenor and bass tubas. Don’s victory over the dragon is shown by a victory flourish in the flute and oboe. After this melding of his mind occurs, he believes that he is really the knight Don Quixote de la Mancea. From here, he and his side kick Sancho Panza set out into the world to do chivalrous deeds. From here on out, Don is represented by a solo cello voice. When ...
Half of the dances in the nutcracker suite are symbolic of different event in history or everyday life. A great example of a symbolic dance in the movie is the Russian dance; this dance that is performed in the Russian dance scene is a real Russian dance. Disney also instead of humans preforming it, they got the flowers preforming it which again gives it a very good vibe.
After listening to all four movements of Beethoven’s Symphony No. 5 in C minor, I have suddenly been awakened to the tremendous influence that the Classical Form of music has had on modern day works, especially in the area of the film industry which it is used to create drama, tension, and joy. History owes a debt of gratitude to composers such as Ludwig van Beethoven, who build upon the legacy of pioneers such as Joseph Haydn and Wolfgang Amadeus Mozart to create his own unique blend of symphonic compositions which will be revered throughout generations because of their continued appeal to the
The genius in not the music used in "2001: A Space Odyssey", but what Kubrick does with that music. He reduces each musical score to its essence, and leaves it playing long enough for us to contemplate it, to listen and watch as the movie progresses, which is mostly silent; this technique helps it inhabit it in our imaginations. Among science-fiction movies, perhaps “2001" is the only movie in which the director, in this case Kubrick, is not concerned with thrilling us with his music choice, but with inspiring our awe when listening to and watching the movie.
The CD hit number one on Billboard charts almost immediately. This album reminds me of my childhood because I watched the movie over and over. All of the songs have a magical feeling to them. The orchestra in the background of the songs is absolutely beautiful. Some of the songs are just the orchestra and it's amazing that you can tell exactly what emotion is happening in the movie without seeing it. I love every track but my favorites are “Bibbidi-Bobbidi-Boo” by Walt Disney Records and “A Dream is a Wish Your Heart Makes” by Walt Disney Records which are both Disney
...t that is what made it truly beautiful because it conveyed a picture. All of the pieces I heard made me think about the music itself, and wonder what the composer was picturing as he wrote.
with and have heard Symphony No. five by Beethoven. Whether it was a theme in movie
The first piece on the program was Polonaise from Eugene Onegin (1878). This piece is from the Romantic period composed by Pyotr Ilyich Tchaikavosky (1840-1893). Very short piece probably around six minutes. The variations and the interesting theme made this piece the most interesting among the other compositions despite the length of this piece, but it was amusing. The piece started with trumpets playing short high notes as an introductory, with the accompaniment of violins playing quick short notes. It sounds like if it was played in a major key, very cheerful and very fast like if the tempo is Vivace. Moreover, trumpets throughout the piece reinforce the harmony. Throughout the piece varies styles were used such as legato (smooth connected style).The texture of this piece is homophonic ( one line of real interest with accompaniment). The rhythm of the piece is really catchy, pretty much predictable; most of the piece variations are centered on the main theme, but it is very pleasing to the ears (consonant).
The second piece played, “Sue’s Changes”, was one I particularly liked. It was composed by Charles Mingus for his wife, and was full of emotions. The drastic switching of the tempo between fast and slow was an excellent and accurate representation of a mood swing. It was almost comical how quickly the music changed, suggesting Sue must’ve had quite the temper. This piece was realistic to me because it was full of emotions and the sudden changes in tempo and structure made me feel as if I was the one actually going through the different moods. The piano solo in this piece is worth mentioning also, as it was beautifully done. It started off slow and cautious and progre...
Through hundreds of productions of The Nutcracker, that have thrilled several crowds, audiences have experienced the fear from oversized mice and the thrill of the Land of Sweets. Written by Tchaikovsky, The Nutcracker is danced around Christmas annually. The Nutcracker was inspired by and based on E.T.A. Hoffmann’s novel, The Nutcracker and the Mouse King (“The Story of the Nutcracker Ballet”). A girl named Clara receives a nutcracker as a Christmas present who comes to life to fight the Mouse King. Clara journeys through the Land of Sweets as audiences are mesmerized by the dancers with the extravagant, flamboyant, exaggerated, and bizarre costumes, props, and heavy make-up perform the famous piece. But why has this ballet maintained its mass appeal since its first performance in 1892? Perhaps it is because in an effort to outstage previous performances, directors continue to integrate elements of expressionism like plot distortion and stylized acting to create a fantasy world.
Roger Allersand and Rob Minkoff directed the animated Disney movie, The Lion King. The particular song I will be discussing, “Circle of Life,” composed by Elton John and scored by Hans Zimmer, plays at the very beginning of the movie and serves as the introduction of Simba to the animal kingdom as well as to the viewing audience. The scene starts out with a sunrise and then cuts to numerous different camera shots of animals from all over the animal kingdom including rhinos, meerkats, cheetahs and others. They appear as if they are all heading towards the same location, which is then shown as a plateau that is being over looked by a mountain ledge. The focus then moves to baby Simba who is being prepared for an introduction to the rest of the kingdom. Simba is then thrust towards the heavens, which leads to the other animals celebrating wildly, and then the scene ends. Throughout this paper, I will show that the texture of the music, through the use of different musical techniques, is essential in creating the particular setting and mood of this scene.
For example, in the movie The Lion king, the song “The Circle of Life”, the instruments used in the song are a piano, vocals, a small woodwind, and percussion. The music starts with very powerful vocals which grab your attention and pull it towards the screen and what is about to happen. The vocals then turn to harmonies from a choir. The music is primarily background offscreen. This means that it consists of sound effects, music, or vocals that originate from the world of the story. For examples, in the movie The Lion King, the animals talk. In real life, animals do not talk. Also in the scene where they sing “Hakuna Matata”, the music in the movie tells what is happening through the lives of the characters, but in the real life all we see is people talking and screaming but not the music expressing our feelings, like The Lion King. Another scene is where the animals sing “Can You Feel The Love Tonight”. The song is telling their love story in through the music but in real life we tell our love story by
Would we able to truly feel those scenes if their images were presented in films without music? According to Jeffrey, a film and sound producer who says in her article that the absence of music from a film will impact the quality of imagery that is presented in it. Music has its own language and it brings the images that we experience in films to life. Every set, landscape, place, character, theme and atmosphere in the film needs music to help guide our emotions as we watch those moving images. Moreover, Jeffrey explains how different scenes in a film require different types of music to help the audience adjust and fit with what they see on the screen, and to recount the story in these scenes. Jeffrey says that the music can also be extensively engaging and regulate in its narrating like how we see in “Shrek” or “The Spiderman” films and it moderates in films like “Memento.” Music is a vital piece of this film’s generation. It recounts the story, evoke for us the whole scenario, characters, themes and images we see in the film, and the music can go on and adapt to the changes as the story of the film moves on from a scene to another. Music has a significant impact on our feelings and if the film itself doesn’t influence us, then definitely the music of it or the soundtrack