Faded Art Essay

479 Words1 Page

The faded artwork depicts a tree between two Egyptian men standing barefoot on a black, gray, and white floor. The background is a mix of light gray with white in the painting. A fig tree is in the middle of the painting it’s trunk is mostly a faded light brown with brush strokes of white through the tree’s trunk and branches. There are also two stripes of the white within the trunk towards its sides that separates the tree trunk into various branches. These branches have many unique curves throughout the tree which gives the tree a popsicle form. The faded mint color leaves on the fig tree are spread throughout the branches. The flesh colored figs are dispersed throughout the tree.
Three teal colored baboons having tan colored faces and tan bottoms are also on the tree. One is sitting on the bottom left of the branches with its tail straight looking over its shoulder to the left side with a fig in its right hand. Its left hand is pointed up touching the left Egyptian man’s wrist. Another baboon is in the top middle of the tree in a crouched position eating a fig with its left hand and its right hand is pointed forward. The third baboon is on the bottom right its feet hanging on …show more content…

Both of these Egyptian’s have knee length white skirts that were belted at the waist along with big feet. They both have eyeliner around their black eyes along with emotionless expressions shown on their faces. The Egyptian worker on the left is leaning in a side stance with one foot in front of the other towards a tree a bit taller than him. The man also has a white mixed with gray covering on his head. His left hand is holding small box filled with flesh colored figs forming a pyramid. The woven yellow box the Egyptian is holding has small black rectangles on its bottom and top sides. A brown rope is used to hold the box like a basket. His right hand is grabbing a fig towards the middle of the tree near a baboon’s

Show More
Related

  • Taking a Closer Look at the Narmer Palette

    1409 Words  | 3 Pages

    Looking at this Palette, it isn’t hard to see how the old Egyptian subjects were so entranced by their leaders and how that compares to our modern viewpoints. Where we view politicians and leaders as a wiry group, always keeping an eye on them lest today be the day they raise their daggers against us, the ancient Egyptians saw their leaders as infallible, godlike beings to be trusted, obeyed, and adored. Standing just over 2 feet tall and 1.4 feet wide, this Palette was carved out of a majestic shade of grey-green siltstone, almost shield-like in appearance. Both sides are exquisitely carved out, each one uniquely decorated but both sides containing a central serekh used to identify and in this case even confirm the subject as royalty. This serekh contains the symbols n’r and mr, which as you may have noticed, phonetically spell Narmer. These symbols are surrounded by two bovine heads, which could either represent the Goddess Hathor or Bat. The front s...

    Read More

  • Analysis Of Alexis Rockman's Kapok Tree

    814 Words  | 2 Pages

    Kapok Tree immediately grabs the viewer’s attention due to the flamboyant colors on display. Located throughout the scene are multiple brightly colored

    Read More

  • The Glory of the Light Within by Dale Terbush

    680 Words  | 2 Pages

    At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.

    Read More

  • Art Formal Analysis

    604 Words  | 2 Pages

    There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...

    Read More

  • Analysis Of The Kapok Tree

    811 Words  | 2 Pages

    Alexis Rockman traveled the world, and used his travels as inspiration for his paintings. He painted the Kapok Tree after visiting Guyana, a country in South America. This painting beautifully depicts a tree in the rainforest. He addresses the fact that there are so many problems in society that are being overlooked. People do not realize their importance in changing things for good. Not only do we have the ability to cause change, it is our responsibility because we are the root of all the problems. Alexis Rockman frames the Kapok Tree in such a way that the audience notices the vibrantly colored lifeforms at the bottom and then he draws a line, with the tree, up to the dark sky showing how there is so much more to this world than we first realize.

    Read More

  • King Khafre Seated

    1079 Words  | 3 Pages

    Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)

    Read More

  • Analysis Of 'Different But Equal'

    1080 Words  | 3 Pages

    Egypt had the earliest large scale political economy in Africa. The Egyptians were led by Pharaohs, whose roles were appointed based off of their believed holy lineage. Pharaohs were thought to be descendants of the Egyptian goddess Isis, making them the only people fit to lead Ancient Egypt. The citizen’s strong religious views meant they eagerly followed everything their leaders commanded and this strong devotion is what made it possible to build the pyramids. Devoted Egyptians citizens built the tombs for their rulers over decade long periods as the ultimate tribute. Built from thousands of pounds of limestone many of the pyramids are still standing today. But, much like its preceding civilizations, Egypt’s greatest accomplishments were belittled because Eurocentric explorers refused to believe that black Africans could be responsible for something as grand as the pyramids. This can even be seen in modern culture, where Egyptians are portrayed as white or European, despite being rooted in Africa. The video turns to Afrocentric researcher Cheikh Anta Diop, who attempts to prove Egyptians were dark skinned by pointing to ancient pictures from the tomb of Ramses III, where Egyptians were portrayed as having dark skin like many Africans do today. Even Greeks, who knew Egypt well, believed Egyptians were black (Different but Equal). But Khapoya argues in his book that classifying Egyptians as either ‘black’ or ‘white’ is extremely inaccurate, “Ancient Egyptians had many different shades of skin color, from very light brown Mediterranean-type skins to very dark Nubian-type skins” (Khapoya, 66). Egyptians were very diverse with many different people of many different races living together. Nonetheless Egyptians, whether dark or light skinned, are Africans, and their accomplishments are ultimately African

    Read More

  • Essay About Basquiat

    814 Words  | 2 Pages

    This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was

    Read More

  • The Palette of King Narmer

    968 Words  | 2 Pages

    The Egyptian culture was a culture that lasted about 3,000 years and was located near the Nile River. The Nile River provided most of the resources for the Egyptians; therefore, a lot of the artwork was based on representing these bountiful resources. Another major influence of the artwork that was created was the kings and gods that were held at such high standards (Stokstad and Cothren, 50). There is one king in particular that was known in history for his great accomplishments, this king was King Narmer. The Egyptian’s expressed their respect for this king through a palette known as The Palette of Narmer. This piece is one of the firsts of Egyptian times that sets the morals for Egyptian artwork; it was created in the Early Dynastic time period. The Palette of Narmer tells a vast political story of the history of Egypt and the king, King Narmer.

    Read More

  • Nebamun Hunting in the Marshes

    1110 Words  | 3 Pages

    Scott, N. The Daily Life of the Ancient Egyptians. The Metropolitan Museum of Art Bulletin, New Series, Vol. 31, No. 3, The Daily Life of the Ancient Egyptians (Spring, 1973), pp. 123-170

    Read More

  • What is the Importance of Animals and Symbolism in Ancient Egyptian Art?

    2927 Words  | 6 Pages

    The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.

    Read More

  • ART CRITICISM PAPER

    1079 Words  | 3 Pages

    In the University Of Arizona Museum Of Art, the Pfeiffer Gallery is displaying many art pieces of oil on canvas paintings. These paintings are mostly portraits of people, both famous and not. They are painted by a variety of artists of European decent and American decent between the mid 1700’s and the early 1900’s. The painting by Elizabeth Louise Vigee-Lebrun caught my eye and drew me in to look closely at its composition.

    Read More

  • Plum Garden At Kameido Analysis

    752 Words  | 2 Pages

    In this paper I will discuss the print called Plum Garden at Kameido. This print was created by Ando Hiroshige in 1857. It is a woodblock print. In the front of the print is a close up of a tree. It is an image of a plum tree in a plum garden. The tree has pretty white blooms on it. For this reason it is logical to assume that it must be springtime. Working back, I see two more plum trees. None of the trees have much detail of the bark texture. I can see that if these trees are true to life, Plum trees are not very shapely trees. Behind the second row of trees is what appears to be an iron fence with people standing at various points along the fence. The fence line angles back to show a third row of trees in the distance. Green grass can be seen in much of the fenced in area highlighting the fact that it is a garden.

    Read More

  • Fresco Religion

    585 Words  | 2 Pages

    Color for this fresco is different on each side of that tree. On your left side of the tree you have more of a darker tone. The skins look more real. They have more of a flesh tone. The color of the grass on this side is a darker green. On your right side of the tree you have more of a pale tone. Adam and Eve are sicklier looking and life less. The grass on this side of the painting is more of a light shade of green. Also you notice the different tones in this painting. The left side of Temptation and Expulsion main use of light is only used to highlight the muscles of Adam and Eve. On the right side of the painting

    Read More

  • Ancient Egypt

    1183 Words  | 3 Pages

    Brier, Bob, and A. Hoyt Hobbs. Ancient Egypt: Everyday Life in the Land of the Nile. New York:

    Read More

More about Faded Art Essay

Open Document