Symbols, Setting, and Ironies of Heart of Darkness
Joseph Conrad's novel, Heart of Darkness, is about many things: seafaring, riverboating, trade and exploration, imperialism and colonialism, race relations, the attempt to find meaning in the universe while trying to get at the mysteries of the subconscious mind. Heart of Darkness is a vivid portrayal of European imperialism. The book in other words is a story about European "acts of imperial mastery" (1503)-its methods, and the effects it has on human nature-and it is presumable that Conrad incorporates much of his own experience in the Congo and his opinions about imperialism into the story.
Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul.
The transition to Imperialism era was a tough time for everyone involved. It was considered a time where expansion took place. Empires focused their attention on conquest and gaining resources. A profitable balance of trade, it was believed, would provide the wealth necessary to maintain and expand the empire. (Cody). Novelists wrote about the experiences people went through during the Imperialism era. One particular novelist, Joseph Conrad, was declared negative and racist. Others considered Conrad to be a daring because of his depiction of realism. How was Conrad viewed in the Imperialistic era?
The Light and Dark Forces in Heart of Darkness
Heart of Darkness, by Joseph Conrad, explores something truer and more fundamental than a mere personal narrative. It is a night journey into the unconscious and a confrontation within the self. Certain circumstances of Marlow's voyage, when looked at in these terms, have new importance. Marlow insists on the dreamlike quality of his narrative. "It seems to me I am trying to tell you a dream - making a vain attempt, because no relation of a dream can convey the dream - sensation.
It seems that from the very beginning of the conundrum of life rules are ingrained into human mental system. Humans beings are taught by their parents to listen, their teachers to raise their hands, and their governments to maintain order. Human beings have an innate need for structure and order within their lives, which is something that vanishes with the increase of age. To fill the void of structureless societies and to find the truth about themselves; humans look to omniscient deities.
In this paper, I would like to examine how Conrad's Heart of Darkness has played an important role in exposing the brutal reality of Belgian colonialism of the Congo Free State under the pretence of a civilizing mission . The study focuses on how historicizing Conrad's Heart of Darkness has been instrumental in uncovering atrocities committed by King Leopold II's agents in their desperate scramble for the rich resources of Congo like ivory and rubber. King Leopold II's atrocities may account for the death of almost ten million Congolese natives, a crime of a genocidal scale which has terribly affected the future of the Congo and its people till today. Conrad renders his own anti colonial critique through his central character,
Conrad’s interpretation of imperialism is an interesting view of the matter. He successfully portrays his perception of imperialism through his novella, Heart of Darkness. He developed his own impressionistic style within his novel and is coined as one of the most difficult authors to comprehend. His use of the tools within his area of expertise allows the novella to unfold before the readers’ eyes. His ability to manipulate the art of language into an intricately woven design made of simple words is an astounding capability and is a primary reason for the success of Heart of Darkness. In the final chapters of the novella, the protagonist Marlow is sailing away from the dark heart of the Congo with an ailing Kurtz. As the boat makes its decent from the depth of the jungle, symbolically, Kurtz is leaving the savagery in which he was engaged. With each passing mile, he becomes more civilized and ultimately comes to the realization of the error of his ways. Symbolically, as he leaves the darkness of the heart of the river, he becomes sane and civilized and comprehends th...
Throughout history, imperialism has shown to play a major role in every country’s society. In Joseph Conrad’s novella, The Heart of Darkness, he tries to portray the effects that imperialism has on different groups and it causes destruction for everyone that is involved. He takes us on a journey to show us what imperialism really looks like and most of the time it is not good. Even though imperialism claims to be an advancement forward, it can really harm those who are affected by it.
Heart of Darkness is a book soaked with meaning, but the most prevalent theme is that of darkness. This motif is evident through the physical blackness of nature during the excursion, Kurtz’s mind and mannerisms in his final moments, and the everyday turpitude with which Marlow has grown
...llard's capacity to restrain from falling victim to the `darkness' of the jungle by maintaining a sense of integrity and accomplishing goals through hard work. Both stories also examine the dehumanizing effect of colonialism on the colonizers. Kurtz is the embodiment of dehumanization in both Apocalypse Now and Heart of Darkness. Subsequently, Marlow and Willard are fundamentally alike characters, however they differ slightly. Willard is not always able to think like Marlow in the same experienced capacity. However, both men hold similar values of the meaning of work as means to maintain their civilized ways while entrapped by injustice and unfamiliar surroundings. Although the attempts proved to be futile, work prolonged the lifetime of their sanity and gave both characters a sense of purpose in pursuit of accomplishment. Work proves to be the ideal distraction.
As Marlow tells his story we see and understand the situations Marlow faced. In his first encounter with the tribes men, Marlow steps into a "gloomy circle of some inferno", where dark figures surrounded him. He compares this incident with that of a massacre, the starving and wasting bodies lying in "confusion". Marlow then encounters a young black boy with a piece of white cotton string tied around his neck. This simple piece of string symbolizes the young boy's innocence. Shortly after Marlow offers the boy a biscuit, another one of the shapes approaches the river , crawling, and drinks of the water. Marlow could not stand the sight of the suffering any longer. It was as though he felt what they were feeling and just when he was willing to help, he stands up and walks away. The path where Marlow meets those that had traveled to an unknown land, and walked uncertain of where they where but sure of what they wanted, started here.