As early as the Medieval period, distinguished from the literature structure in the Anglo-Saxon period, an obvious focus on the idea of "ordinary" has been highlighted in the stories and epics. During the Anglo-Saxon period, the literature seem to follow the idea of "heroic epic" in order to illustrate the greatness and unity of the nation. The kings of Anglo Saxon, are described as demigod. However, in the literature of the middle age, the attention of humanity has shift: by depicting the weakness and the struggle of the noble men, the concept of "extraordinary" within "ordinary" unraveled. The characters, for example, the Knights Gwen and the greatest King of England, King Arthur, infer the idea of extraordinary and ordinary in the story. …show more content…
According to the three witches, Macbeth shall one day be "King hereafter", and Banquo shall "get King", though himself would"be none [king]"(I. iii. 50, 66). After hearing this astonishing prophecy, Banquo manifests with neither ecstasy nor fear, but with rational cautiousness. He exhorts Macbeth that sometimes "the instruments of darkness tell truths"and "[w]in [them]with honest trifles" in order to "win [them] to [their] harm"and "betray [them] In deepest consequence"(I. iii. 124-125). However, the struggle of Macbeth is much more complicated. He falls into an absolute situation of controversy. He seemingly believes in fate, since he claims that "[he] 'd chance [would] have [him] King, the chance may crown [him]"(I. iii. 144-145). Even this might indicate that he doesn 't regard the witches as the voice of fate, but of "chance", Macbeth eventually decides he would assist his"chance" by murdering Duncan(The Witches of Macbeth: Fate, Free Will, and the Influence of Evil.). With a simple gibberish from the wired sisters, the characteristics of Macbeth, the warrior of the great nation, is able to be shaken. With a tiny crack of weakness in Macbeth 's soul, the entire structure of his morality and ration collapses. Since the prophecy causes a sense of connection between the witches ' predictions and Macbeth 's desire, it makes Macbeth recognizes the prophecy as the confirmation …show more content…
His struggle between morality and ambition leaves him in a quandary. He knows the act of killing Duncan is morally sinful, and yet he promises he would fulfill his words. Macbeth represents a figure who devotes to evil, but yet his soliloquies of struggle are eloquent with pathos that arouse empathy. Thus at the heart of the play lies a tangle of uncertainty("The Witches of Macbeth: Fate, Free Will, and the Influence of Evil."). As the king 's "kinsman" and " host"with "double trust", Macbeth "should against [the king 's] [murderer] with protection" rather than "bear the knife [himself]"(I. vii. 12-16). But as a man who"dares [to] do all", the expansive power could not be given up. In addition, Macbeth acts irresolute due to his halting attitude towards his destiny. While being afraid that the throne might be "stolen" by Malcolm, Macbeth is puzzled by his remaining faith. He even considers himself "[would] proceed no further in [murder] business" since "[the king] [has] [honored] [him]" for his loyalty (I. vii. 31-35). Even Macbeth reveals strong desire to reach the more noble pride and honor, his anxiety of losing the "golden opinion" and betraying the virtuous King Duncan holds him back from his vicious conspiracy. With the great struggle of emotion and values, Macbeth eventually goes insane and start to see illusions such as the ghost of King Ducan and the phantom of Banquo. Under
Macbeth is the remaining contributor to turning himself into the power-hungry animal he is before he is finally taken down. Macbeth let himself get talked into killing Duncan; he rationalizes with himself to kill Banquo. He is too ambitious. As soon as the witches cast the prophecy that he would be King, Macbeth lets himself be jealous. Once it is an option, he realizes how divine it would be to be King. Now, Macbeth will do what is necessary to get there, even if he suffers terrible consequences. After killing Duncan, Macbeth suffers by not being able to speak. “As they seen me with these hangman’s hands,/List’ning their fear. I could not say ‘Amen’/When they did say ‘God bless us’” (2.2.38-40). Macbeth cannot utter the sacred words of God; moreover, this illustrates to the reader how terrible the consequences are psychologically for this murder. Macbeth is also jealous of the prophecy Banquo gets, which also drives him to kill Banquo. Soon after he kills Banquo, Macbeth hosts a banquet, where Banquo’s seat is left empty. Only Macbeth truly knows what has happened to Banquo. However, he hallucinates that Banquo is at the table with all the guests when Macbeth says, “Avaunt, and quit my sight! Let the earth hide thee./Thy bones are marrowless; thy blood is cold;/Thou hast no speculation in those eyes/Which thou dost glare with” (3.4.113-116). Macbeth is seeing Banquo at his banquet even after he ordered murders to kill Banquo and Fleance, Banquo’s son. Macbeth cannot believe his eyes, he is shocked at the sight of Banquo and he is losing his mind. Macbeth endures horrific hallucinations, falling into the depths of insanity. These two quotations in the play are very important because they emphasize how Macbeth has turned into a mon...
Guilt surrounds Macbeth for the second time when he sends out the murderers to kill Banquo, his old friend. Macbeth had no other choice but to get rid of Banquo. Banquo had witnessed the three witches and the prophecies. One prophecy was that his son would become king one day "To make them kings, the seeds of Banquo kings"(Act3 scene1 line70). In order for Macbeth to be safe is to kill Banquo. Banquo may assume what had happened and tell the people of Scotland. "For Banquo’s issue have I filed my mind; for them the gracious Duncan have I murdered; Put rancors in the vessel of my peace only for them, and mine eternal jewel".
... his kinsman and his subject"(act.1 scene.7). Macbeth also explains that he is Duncan's current host, as well as the fact that Duncan is a good king. There are several more reasons not to kill him. However, upon hearing this, Lady Macbeth appeals to pathos, ridiculing Macbeth's masculinity: "When you durst do it, then you were a man; / And to be more than what you were, you would/ Be so much more the man"(P.2, act1, scene7). Pathos is effective because Macbeth feels emasculated after his wife tells him this. Macbeth further defines his ethos, stating that he is not afraid to die: "I will not be afraid of death and bane"(P.3, Act.5, scene3).
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
Upon hearing that Malcom is officially heir to the throne, Macbeth displays shame for his thoughts of murder by explaining “Stars, hide your fires;/Let not light see my black and deep desires” (Document A) At this point, Macbeth reveals his fear of the very idea that has taken hold inside of him, suggesting that he has the capacity to resist the witches’ temptation. Unlike Lady Macbeth, who immediately starts planning to murder King Duncan and eventually convinces Macbeth to join her, Macbeth remains hesitant to commit the murder. Macbeth’s initial hesitance reveals the possibility that he allows the evil thoughts to take over him due to the persuasion of Lady Macbeth or on his own, as opposed to those thoughts forcing their way into reality against his will. If this is the case, the murder of King Duncan was entirely in Macbeth’s control. A short while later, Macbeth explains to his wife that he “ha[s] done the deed” (Document C). Unlike Lady Macbeth, who is unable to murder the king herself, Macbeth reveals that only he has the power to murder King Duncan. After murdering him, Macbeth moves to take more control of the events around him. Out of a fear instilled in him by the weïrd sisters, Macbeth murders Banquo. Now, Macbeth is trying to free himself from the control exerted on him by the weïrd sisters. Unfortunately, by trying to free himself, Macbeh finds himself further entangled in the strings of the powerful weïrd sisters. The dominance of the sisters is not complete, since they allow Macbeth the choice of how to act on their prophecies. By allowing him some choice, the weïrd sisters give Macbeth the ability to control how the prophecy comes true; however, they never allow him to alter the end result. No matter how Macbeth acts, the prophecies of the witches will ultimately come true. Unlike Lady Macbeth, though, Macbeth brings his fate upon himself, and by
Macbeth’s private ambitions are initially displayed in the beginning through asides and soliloquies, making him seem ‘golden’; displaying Macbeth as ‘good willed’ and ‘honest’. However, it is until Macbeth encounters the three witches, that his own flaws are shown. The three witches arguably play the most import part in the play- with their prophecy’s fanning the flames of ambition within Macbeth, serving as the primary motivation to plot the death of Duncan- and as result Banquo; with there prognostics resonating deeply with his ambitious tendencies. As the prophecies come true, the possibility of becoming king increases and Macbeth immediately "yields to that suggestion whose horrid image doth unfix [his] hair" (1.3 144-145) as he fantasizes about killing Duncan. Macbeth becomes self aware of his thoughts; however, the idea that Malcolm poses a threat to his ambition outweighs his own moral conscience. He summons darkness to conceal his thoughts of murdering from heaven: "Stars, hide your fires;/ Let not light see my black and deep desires:/ The eye wink at the hand!" (1.4
instill in him the need to be King. Still, desire is not enough for Macbeth and he is thus driven "to seek certainty as his one objective. He wants certainty from the witches . . . at whatever cost" (Campbell 228). Macbeth, however, is not completely lost yet; honour and justice remain in him, and although it takes him some time to fully consider the consequences of the witches' words on him, he rejects his horrible thoughts of murder and postpones all action: "If chance will have me king, why,chance may crown me, / Without my stir" (I. iii.143-144). For the time being, Macbeth's true essence is in control, that of loyalty and honour.
Macbeth begins on a bloody note: a battle rages from which Banquo and Macbeth survive bloodied, but heroes. They are the generals of Scotland; the country’s future is in their hands and in their blades. However, when one clutches once to such power, it is hard to let go. Macbeth cannot let go. Macbeth also ends on a bloody note: Macbeth’s head is cut off and presented to Malcolm, his replacement. Peace is restored through war; bloody injustice is righted finally with bloody justice. What falls between these two notes—the beginning and end of the tragedy—is a symphony of treachery, deceit, and murder. The images of nature gone awry spread all through the play—from the gardens that have turned to weeds to the horses that have turned to cannibalizing each other—for murder of one’s king is so unnatural that the entire landscape, all that is natural, is affected. Macbeth, by killing Duncan, is himself made an enemy of nature. Macbeth murders sleep, the ultimate embodiment of peace and nature, when he murders Duncan. However, the title character is not as evil as is first suggested; Macbeth is only led to his evil deeds by those who surround him. Macbeth’s only crime may be that he is weak minded and afraid. Macbeth was lured and cajoled into his mistakes by his wife and the weird sisters.
Lowe argues that Macbeth constantly presses the witches to reveal more, and acts under his own accord to commit the act of murder. The witches merely state that Macbeth will become king; they do not order him to kill Duncan. Lowe concludes that Macbeth is a culpable human, acting on his own ambition with help from the Witches. Macbeth, from a causation standpoint, reveals that the initial meeting with the Witches caused the downfall of Macbeth. Lowe states “Metaphorically speaking, the witches give Macbeth a flame, but Macbeth lit himself on fire and kept feeding that fire until he was completely destroyed. Thus, it can hardly be argued that Macbeth is a pawn of fate, a victim of circumstance. Rather, Macbeth creates his own tragic circumstance, freely murdering his way to his demise” (Lowe, 2005). Lady Macbeth also forces her own will upon Macbeth, calling him a coward to prick at his sides. The threat of being considered a coward in the eyes of his lover is more important than the problems anf implications of committing a murder. Macbeth values his self worth and personal gain than the life of his friends and allies. The murder of Banquo is what ultimately leads to his demise, says Lowe. Macbeth’s guilt takes the form of a ghost, coercing Macbeth into admitting his involvement in the murder of Banqou. This leads to the separation of Macbeth’s troops, whom later come to kill him in the final act. The Witches’ “prophecy” of kingship and grandeur, Macbeth’s senseless killings, and ultimately his guilt and remorse, are enough to make Macbeth believe he is acting out his
Macbeth is swaying between the forces of good and evil. He wants to stop killing but he also wants to become king and in his mind the only way to do that is to kill whoever is in his path, saying “I am in blood/ Stepped in so far that, should I wade no more,/ Returning were as tedious as go o'er.” (3.4.168-170). Macbeth is already deep into this situation and if he were to turn back now, it would cause him greater hardship than relief. Macbeth has been dealing with this inner conflict ever since he was told by the weird sisters that he is fated to become king. This conflict ties everything together, between fate versus free will and sane or insane. Macbeth started the play as being a glorified war hero, however as time moved on he transformed into a bloodthirsty tyrant. Macbeth has gone through so much that he has shifted into a guilty man haunted by nightmares and hallucinations but will not stop until he gets what he came for. Macbeth has gone so far into the void of guilt that his name has now fell into infamy, as shown by quote by Young Siward saying “The devil himself could not pronounce a title/ More hateful to mine ear.” (5.7.10-11). Macbeth had already grown a name for himself while he kept his innocence, however with all the killings macbeth has made, he has done nothing but shame his name. Macbeth name to others is more hateful and there is nothing that Siward would rather do than to end Macbeth’s life, thus ending all the guilt and evil inside
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Macbeth is a brave man who is not naturally inclined to perform evil deeds, yet he desperately wants and desires power and succession. At the end, he is not happy with what he has accomplished, "I am afraid to think what I have done; look on `t again I dare not" (Shakespeare Macbeth 2.2.51-52). He kills Duncan against his own logical judgement and later drowns in paranoia and guilt. Macbeth is led to wicked thoughts by the prophecies of the three witches, especially after the witches' prophecy that he will be made Thane of Cawdor comes true. Macbeth is a powerful man and...
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
Macbeth takes his first step toward becoming evil when he is confronted with the knowledge that he will be king. When the witches tell him "All hail, Macbeth! that shalt be king thereafter!" he makes the mistake of letting his ambition overrule his judgment. If his judgment had remained intact in the face of the witches' powerful prophecy, he certainly would have decided not to let his actions be dictated by a prophecy given to him by three strange witches who evade most of the questions he asks. With great trepidation and considerable pressure from Lady Macbeth, he commits his second mistake by proceeding to murder King Duncan. Driven by a persecution complex that starts with the knowledge that Banquo is meant to be the f...
To begin, Macbeth experiences an internal downfall due to his ambition where he battle between his desires and moralistic values. Initially, the idea of attaining power over Scotland by killing King Duncan sparks a sense of fear and paranoia in Macbeth, however, his conscience struggles to take over his ambition: "that we but teach/ Bloody instructions, which being taught, return/ To plague the inventor. [...] I have no spur/ To prick the sides of my intent, but only/ Valuing ambition, which o'erleaps itself/ And falls on th' other-" (1.7.8-28). At this moment, Macbeth contemplates on killing King Duncan as he visualizes the long term consequences of committing the crime. The reader can grasp his moral judgement as he understands that by proceeding with the murder, he is only causing his own demise and punishing himself. With that b...