Intro: It is the summer of 1962, and although the entire human race is concerned about the Cuban Missile Crisis, fourteen-year-old Lewis is absorbed by flying saucers. Why? Don’t just state this without providing some justification from the text. Louis Nowra’s ‘Summer of the Aliens’ is an account of the events and relationships which formed Lewis’ emerging sense of self. Told without sentimentality, Lewis’ story is one of wonder and terror as he comes to terms with the aliens within us all. Furthermore, ‘Summer of the Aliens’ is an autobiographical recount of Lewis’ life, with links to the modernist movement of Expressionism. According to Czech historian, Antonin Matějček, Expressionism is used in order to, “...to express oneself... “ through recounting the past from a subjective viewpoint. The themes which are exhibited in Act I Scene III include sexuality and normative standards of living. great, but what do you mean by this last phrase? Setting (Syntax required) The stage setting incorporates a wide use of …show more content…
Similarly, the concept of Normlessness (as expressed by Durkheim) “denotes the situation in which the social norms regulating individual conduct have broken down or are no longer effective as rules for behaviour”. A major mean of relating normlessness to Act I Scene III, is evident through Stan ignoring ‘normal’ behavioural standards by being sexually abusive to Dulcie, violently abusive to Mrs Irvin as well as being verbally violent to Lewis. Louis Nowra’s depiction of Stan is similarly to that of his ‘Uncle Keith’. In an article written by Nowra in The Sydney Morning Herald (‘To Appreciate Our Identity, We Need the Write Stuff’), where he characterises his ‘Uncle Keith’, as being similar to Stan as he is described as being against ‘pillow-biters’ (gays) and an ‘aggressive conformity and brutal indifference to culture or
The book opens up with the author talking about his journey home from a summer stay in a cabin in the north. The relevance of this is due to his subsequent stop made at his Aunts house along the way. The author notes that she had a “handsome” set of an edition of Lewis' journals. After acquiring the journals from his Aunt the author states that he read them and frequently discussed them with his Aunt, so much so that they even followed the path taken by Lewis and his group of explorers. All of this leads to explaining his love for the exploration that had taken place so many years ago, with his ending statement saying he felt “privileged” to have spent time with Lewis.
...ct, detrimental attitudes towards women is still seen in Australian society. They are portrayed as nothing more than mere sexual objects of the male’s desire. Enright wrote this play to reveal to the reader how Australian culture is unrefined, must evolve to keep up with change, and has flaws that are detrimental to the lives of youth and the wellbeing of society. How can be that it’s ok to horrifically rape, a fifteen-year-old young woman, and a community thinks nothing of it? How can it be that a male can murder, a fifteen year-old young women, just because she won’t have sexual intercourse with him? I don’t understand this disgusting mindset of this male youth culture. What I do know is this, if this idea of women as nothing more than mere sexual objects is continued in male culture, than acts such as the gang rape and murder of Tracey will be endorsed.
After Jean-Michel Basquiat received acclimation from the public over his unique art, many young, creative and enthusiastic artists emerged beginning Neo-Expressionism, which means the new wild ones. Neo-expressionists would create pieces that incorporated objects we recognize and see on a daily basis such as people and animals in an abstract, yet stirring way. Neo-Expressionists would create with great emotion which could sometimes be in a turbulent manner which is what gives this type of art such meaning and why it caused such a great
Adler, Patricia A., and Adler Peter. Constructions of Deviance: Social Power, Context, and Interaction. 6th ed. Belmont: Thomas/Wadsworth, 2009.
The German Expressionism was a period that came following the devastation of World War I, it came when the people of Germany needed something to claim as their own. The expressionism movement gave Germany just that; it helped them not only in the filmmaking industry, but also in their personal lives. The German Expressionism changed the way we look at and view films. The German Expressionism altered, for the better, the way that films were made back then and the way that they are made today.
Black smoke stained the sky and scarlet blood darkened the earth, as global war, once again, ravaged twentieth-century society. The repercussions of the Second World War rippled across the Atlantic and spread like an infectious disease. As the morality of humankind appeared to dissipate with each exploding bomb, anxiety, frustration, and hopelessness riddled the American public and began to spill into the art of New York City’s avant-garde (Paul par. 4). By the mid-1940s, artists reeling from the unparalleled violence, brutality, and destruction of war found a shared “vision and purpose” in a new artistic movement: Abstract Expressionism (Chave 3). Critics considered the most prominent artists of the movement to comprise the New York School
Specific techniques of German expressionism, such as dark vs. light, religious themes and spirituality, and the use
The German Expressionist movement was a number of movements that began in Germany during the start of the 20th century. It mainly dealt with poetry, painting, art and cinema. The success of expressionist films helped Germany seen as the most technically advanced in the world. The expressionist style can be...
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has lead several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island. It is laced with influences from different films of the film noir and horror genre, and many themes that are directly linked to Das Kabinett des Doctor Caligari shot 90 years prior.
The German expressionism was an avant-garde movement that was more than just a style of creating art or film but it was more of a socio-cultural mindset of people. Expressionism can be seen as a way of approaching or tackling life changes.
The German Expressionism movement started in the early twentieth century art world, pre-WWI, presumably from Vincent Van Gogh’s “pioneering expressionist paintings like… Starry, Starry Night”(Encyclopaedia of Art History). It was a purely aesthetic movement at this time that sought to oppose the Impressionist movement, which imitated nature, by imposing unnatural, distorted images. Aspects of those distortions served to convey the emotions an artist held towards their subject. War brought terror. War brought mental meltdowns. War changed the Expressionistic style into a “bitter protest movement”(Encyclopaedia of Art History) as artists “suffered from war-induced disillusionment and were dissatisfied with post-war German
The mutual commitment to society’s rules can be a major unifying force between two individuals in a relationship. Both of these entities know that society will look at them favorably for together conforming to the rules. Thus, they agree to commit to them. Consequently, this desire to conform to the status quo becomes a part of these individuals’ identities. It shapes their sense of right and wrong and influences their everyday actions. However, when one party falters in this commitment the obedient other feels cheated because the image and sense of purpose she/he derived from this conformity is now tarnished. Having lost a major part of their identities the obedient persons use the “shock and awe” tactic and commit an out of character act to force their transgressing partners to contemplate their wrong actions. This theme of “shock and awe” is exhibited in the actions of the character “Stevie” in Edward Albee’s play “The Goat, or, Who is Sylvia?” and N.S.A whistleblower Edward Snowden.
Exhibited in The Moon and Sixpence by Somerset Maugham, Expressionism differed greatly from its predecessor, Impressionism. Unlike Impressionism, Expressionism’s “goals were not to reproduce the impression suggested by the surrounding world, but to strongly impose the artist's own sensibility to the world's representation” (Web museum 1). In Expressionism, “the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events arouse in him” (Web museum 1). Using variety of violent colors and exaggerated lines to express their intense emotions, the expressionists painted the world in a new way.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
The expressionist movement in German art and cinema was very sensitive to the current state of the country after a huge worldwide conflict. Prior to the rise of the next Nazi Regime, German filmmakers incorporated many aspects to their films that had never been used together before this period of time. M is no exception to