Explusions Of Utopia In Huxley's Brave New World

In a novel that depicts a world like the nightmare of the year 2540, Huxley attaches a paradoxical name to "Brave new world." This title comes from a scene where Miranda admires the young Prince Ferdinand, who was wrecked on the island in Shakespeare's play "The Tempest". "Oh, wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world!" Huxley furiously accused the massive production and consumption culture of capitalism, the futuristic image that would be inevitably led by the desire of human beings which can be easily satisfied while constantly expanding.
The society of the "Brave New World" is dominated by eternal peace and stability, and everyone is happy. There is no internal conflict or individual class

Extreme inequality, class struggle, and fierce struggle between classes might have made him dream of utopia instead of the reality that seemed to haunt the human race. A society without conflicts, a society where everything is decided, a society where everyone enjoys happiness, a society that overcame the vicious cycle of life-long death, and society without fear of old age or death. However, at some moment, Huxley may realize that the utopia that 'created' in his head is a world where humanity has been destroyed. Through the simulation of 'novel', he tried to create a utopia, and at some point he discovered it was not a utopia, but a breathtaking dystopia like the reality he wanted to leave. If so, the only way to survive is to commit suicide for a 'barbarian' who cannot stand on either

What diagnosis will he make if he sees today's civilization in which cyber culture and biotechnology develop at a remarkable pace? Life cloning through artificial uterus and stem cells, customized babies through genetic manipulation, pleasure provided by virtual reality, and more realistic images than reality are no longer the future in the novel, but our reality which is a part of junkspace. In the novel, the barbarian John defines the new world as a nightmare and calls for "discomfort, illness, hunger and anxiety, anxiety, and physical pain" as human rights.
However, a decade ago, according to Murray Fraser, a professor of architecture at the University of Westminster, Koolhaas was surely dry after . He strongly argued that now is the time to overcome characters like Koolhaas. In addition, at the last Venice Biennale, Koolhaas publicly announced the end of his architectural career. No matter how excellent an individual, it is destined to be consumed by junkspace. The junkspace, the result of consumerism and capitalism, consumes human