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Love in poetry analysis
The victorian age in literature
Love in poetry analysis
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Exploration of the Different Aspects of Love in Poetry
In the Victorian and Elizabethan times there were many poems, which
explored the aspect of love. The metaphysical group of poets explored
the whole experience of man, which was usually romantic or sensual.
The poems I will talk about are "The Flea" by John Donne (1572-1631),
"To His Coy Mistress" by Andrew Marvell (1621-78), "The Sick Rose" by
William Blake (1757-1827), "A Woman To Her Lover" by Christina Walsh
in the Victorian era and "Upon Julia's Clothes" by Robert Herrick
(1591-1674). These poems cover lust, an aspect of love, and this was
very controversial in the Victorian and Elizabethan times. Lust was
very controversial in those times as it went against social codes and
religion. Lust and desires are known for being part of the seven
deadly sins.
The subject of sex was a taboo and was not an overt subject of
conversation. Poems such as "The Ruined Maid" also include the subject
of a woman's virginity was deemed as precious and a woman was
considered 'soiled' if they had sex before marriage. The poets used
romance as a 'cover' for deeper issues such as politics. The poets
explore these different aspects of love through a variety of poetic
forms like as a sonnet, ballad, dramatic monologues or metaphysical
poems. Metaphysical poems are lyric poems. They are brief,
characterized by striking use of wit, irony and wordplay. Beneath the
formal structure is the underlying structure of the poem's argument.
The range of speakers are usually men persuading a woman to have sex,
or women demanding equality and women's views about losing their
virginity. In the poems with the ...
... middle of paper ...
...ith his great
love and lust; the flea links to their sexual relationship. Walsh's
poem, 'A Woman to Her Lover' explores a woman's view of a marriage and
her relationship with her lover. This poem reinforces that in those
times men wanted their lovers to please them and made them act like
slaves. It also portrays that women were extremely religious and it is
evident that they are reluctant to have sex before marriage. 'The Sick
Rose' shows the dangers that having sex before marriage will turn the
woman into an outcast and this again shows that these were the
problems the society had in those times. It reveals the darker side of
love/lust which was portrayed to be good by Marvell, Herrick and Donne
in their poems. So these poems using many literary devices show what
love was depicted by both men and women in those times.
There are many different themes that can be used to make a poem both successful and memorable. Such is that of the universal theme of love. This theme can be developed throughout a poem through an authors use of form and content. “She Walks in Beauty,” by George Gordon, Lord Byron, is a poem that contains an intriguing form with captivating content. Lord Byron, a nineteenth-century poet, writes this poem through the use of similes and metaphors to describe a beautiful woman. His patterns and rhyme scheme enthrall the reader into the poem. Another poem with the theme of love is John Keats' “La Belle Dame sans Merci,” meaning “the beautiful lady without mercy.” Keats, another nineteenth-century writer, uses progression and compelling language throughout this poem to engage the reader. While both of these poems revolve around the theme of love, they are incongruous to each other in many ways.
The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.
The Range of Feelings Associated with Love in Catullus and Lesbia' Poems Of Catullus’s poems, the Lesbia poems are the most memorable, particularly as they contain such a wide range of feelings and emotions. Whilst we do not know what order the poems were written in, it is tempting to arrange them in a progression from constant love, to confusion and despair and finally hatred. Poem 87 appears to be at the beginning of the relationship between Catullus and Lesbia. The symmetry of the couplets beginning “nulla” and ending with “mea est” emphasizes the idea that no one loves Lesbia as much as Catullus. The placement of “nulla” at the beginning of the
...to help express the theme of the poems by illustrating the role the subject matter played in the life of the persona during their grieving period. Furthermore, metaphors helped communicate the thoughts and feelings of the personas by providing the reader with insight into the relationships and emotions covert in the poem. All in all, the poetic devices incorporated in each individual poetic composition played vital roles in the emotional and dramatic impact of these poems. And who knows, the immaculate use of these fundamental literary devices could be the key to successful love poems all around the world.
The narrator in The Flea is a youthful man trying to convince a young woman to give her virginity to him. He tries to do this by comparing their relationship to a flea that is in the room. The flea bites them both and Donne explains to her that this is symbolic of both of their worlds combining into one. He says that the flea is now the realm of love, lust, and marriage. At first this poem seems to be just about love, commitment from a male to a female, who says no his lustful desires. However, a deeper look than just the superficial reveals that the male in this poem is actually revealing a valid point to his lady: that the loss of innocence, such as her virginity, does not constitute a loss of her honor.
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
John Donne, a member of metaphysical school in the Seventeenth century, exhibited his brilliant talent in poetry. In "The Flea," he showed the passion to his mistress via persuasive attitude. The tone might straightforwardly create playfulness or sinfulness; yet, the poem contains none of either. What impress readers most is situation and device. The situation between the speaker and the audience is persuasion, love or marriage. As to device, the notable parts are diction and rhetoric skills. Furthermore, unique characteristics of this poem are also an important element of his persuasive tone.
The imagery of worms and dust provide a finite view on the beauty, virtue, and innocence in the women they wish to seduce. Donne does this through trying to prevent the death of the flea and when that doesn’t work he castigates the woman in the loss of life and passion, “Cruel and sudden, hast thou since/Purpled thy nail, in blood of innocence?” (Donne 19-20). The guilt placed on the woman should turn her no into a yes by harping on the death of the poor flea who did nothing but join their two bloods together. However, his ambition is to gain her favors and he tells her if she will yield to him, the flea’s death will not be wasted. Although Marvell may not be able to stop time, their lovemaking can make time run from the fury of their passion. Marvell attempts to persuade his conquest with a focus on death through the imagery of ashes and time. “Then worms shall try/That long-preserved virginity, And your quaint honor turn to dust,” (Marvell 28-29). This exaggerated image is used to encourage the young mistress to give her virginity rather than see the silliness in seen worms as a threat to her out of date female genitals in her grave. His pleas fall on deaf ears as we do not hear from the side of the woman. Both literary work not only provide great pieces when contemplating outdated seduction
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
“The Flea” John Donne observes a typical bar, every Saturday night sweat drenched bodies emitting alcohol and pheromones from every pore, exchange conversation, pleasantries, and yes even sex (perhaps not directly in view but certainly eluded to). Is this animalistic, barbaric behavior acceptable? Should sex be taken so lightheartedly? Or do we take it too seriously, guarding sex like it was the Holy Grail, or the secret to life itself? These questions may be to deep and pointed for most to approach, yet John Donne in his poem “The Flea” wades through them like the kiddy pool. In this clever poem Donne uses a flea, blood, and the murder of the flea as an analogy for the oldest most primal exchange, sex. Donne, through symbolic images, not only questions the validity of coveting virginity but also the importance of sex as it pertains to life. The metaphors in “The Flea” are plentiful, but the symbols repeated throughout the poem are clear, beginning with the most prevalent, and the flea. This small parasitic creature is chalk full of symbolic meaning. During the time this poem was written (the Renaissance) the flea was use in many poems about sex. I derive that in this particular poem the flea is symbolic of the act of sex from the speaker’s remark in the beginning, “Mark but this flea, and mark in this, how little that which deniest me is” the flea is small and inconsequential, his lady denies him sex, which the speaker believes is also petty. The flea is described as a marriage temple and a carrier of life, but in the next stanza as something insignificant and small. The speaker applies a certain duality to the flea and therefore to sex. The metaphor develops more as it relates to the other symbols. Blood is used more than once a...
With time poems may have lost their voice, but not their importance. Up to this day, poetry is still one of the greatest forms of artistic expression; Poems speak to emotions and capture feelings. There is no right format of a poem, but yet a world of possibilities. Instead being unchangeable poems are innately open to interpretation; they should be spoken out loud in order to be “heard”, convey truth and cause impact. The Love Song of J. Alfred Prufrock by T.S. Eliot is an extremely meaningful poem; it is one of Elliot’s best-known works and without a doubt a masterpiece (Hillis). T.S. Eliot introduces the poem with a quote from Dante's Inferno (XXVII.61-66), and with that sparks our curiosity. He then makes statements and questions that perhaps everyone has done, or will do at some point in life (Li-Cheng, pp. 10-17). The poem is a legitimate work of the modernist movement, the language used is contemporary; the verses are free and the rhythm flows naturally.
In John Donne’s poem, “The Flea”, Donne uses the conceit of the flea to contrast the insignificant size of the flea and the incredibly significant metaphor attached to the flea. The speaker of the poem is talking to a woman, trying to convince her into having sex with him outside of marriage. This poem can be broken into three stanzas, of nine lines each, utilizes the image of the flea to convey three main ideas: the first as a vessel where their essence mingles, second as the institution of marriage, and finally as an insignificant representation of honor which would have no effect on them. Donne’s hyperbolic use of the flea extends through the poem as a metaphysical conceit to convey a logical argument out of something seemingly unrelated to the situation at hand.
Alfred Tennyson gifted the Victorian Era, and the literary world with two iconic poems. The author explored the themes of personal development and culture clash in one of his most famous poems, “Ulysses”. Tennyson also discovered and analyzed the themes of love and death through his renowned and eminent poem, “Tears Idle, Tears”. The poet was born in Somersby, Lincolnshire in 1809 in the East Lindy district of England. Tennyson experienced numerous amounts of difficulties in his childhood and growing adolescent phases that spilled into his adult life. These trials and tribulations became a foundation and source of inspiration for Tennyson, who used them as a stimulus and catalyst to aide his literary progress and ideas. Two of the most prominent poems that Tennyson wrote were “Ulysses “and “Tears Idle, Tears”. These poems defined the peak of his literary endeavor and symbolized the struggles that Tennyson had experienced in his life. Throughout time readers have been able to distinguish a direct correlation between his life journey and the poems he crafted.
Metaphysical wit and conceit are two of the most famous literary devices used in the seventeenth century by poets such as John Donne. Emerging out of the Petrarchan era, metaphysical poetry brought a whole new way of expression and imagery dealing with emotional, physical and spiritual issues of that time. In this essay I will critically analyse the poem, The Flea written by John Donne in which he makes light of his sexual intentions with his lover.
Despite the speaker’s best attempt at convincing the woman to have sexual relations with him through his metaphor of the flea, he would appear to be unsuccessful at the end of the poem. His far-fetched and cynical approach belittles both the woman’s virginity and sexual relations outside of marriage in general, and only highlight his lust for her. However, the poem’s metaphysical characteristics which include the primary use of a conceit through the flea, hyperbole, ironic wit to balance the plot between a serious and humorous nature, and an argumentative structure, allow Donne to create a satirical narrative to address the subject of sexual relations outside of marriage.