Explain

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Explain

Explain the importance of the Magic If and Given Circumstances to

Stanislavski’s psycho technique. Refer to any practical examples that

will help explain this.

MR GROGAN H/W

In this essay I will be explaining the work we have been doing

recently during this term and the relevance to our study of

Stanislavski’s psycho technique. I will be outlining how his ideas of

the ‘Magic If’ and ‘Given Circumstances’ contribute to the importance

of this technique.

Stanislavski had several ideas about how to achieve a sense of inner

and outer truth in terms of his character, one being the magic if. If

is a word which can transform our thoughts; through it we can imagine

ourselves in virtually any situation. "If I suddenly became

wealthy..." "If I were vacationing on the Caribbean Island..." "If I

had great talent..." "If that person who insulted me comes near me

again..." The word ‘if’ becomes a powerful lever for the mind; it has

the ability to lift us out of ourselves a give us a sense of absolute

certainty about imaginary circumstances. The answer to these simple

questions can be a springboard to creativity and inspiration, because

it allows the actor to realize the fact that, he is living out a

fictional life, a figment of the writers imagination, with sets and

props that are not real life homes and settings. When we first look at

the ‘Magic If’, Stanislavski makes us aware that a performing actor

must logically justify his actions in consistency with real life.

Therefore he must act under his passions in character and not play

with them, acting internally and externally with complete

rationalization. By using the "Magic If" the actor is granting himself

permission to "believe" in these imaginary objects, it allows the

actor to transfer himself from the world of reality to the world in

which dreative work can me done.

Based on the idea of ‘The Magic If’ we used this idea to draw from our

own experiences and imagination to get into character for a recent

speech, that each of us had been given to learn. To get into my

character, Puck from ‘A Midsummer Night’s Dream’, I used the idea of

the ‘Magic If’ to arouse my imagination, consequently entering the

soul of my character, allowing myself o from a creative belief within

their mind's eye. Through asking myself questions, presenting myself

with possible obstacles and...

... middle of paper ...

... tree, describing

in detail exactly what he saw. What was happening? This allowed the

actor to awaken the senses, to be made aware of the circumstances he

was in, the smell, the sights, the weather, and therefore open up the

imagination to set the circumstances and reasons behind why the story

is happening for example why they are having a picnic- because it is a

hot day etc. The actor can imagine and convey to Stanislavski his

account (as an oak tree) uninterrupted series of visual images,

maintaining the idea of artistic stage reality though.

The ‘given circumstances’ and ‘magic if’ of the psycho-technique

inspire actors; they bring out emotions whilst training their artistic

sense of belief. Both make them aware and surround them with the world

created by the writer or director. It also provides imagination and

the ability to explore the world with the ability to understand the

reasons for the ‘given circumstances’. The ‘given circumstances’ are

the set of boundaries you are given as an actor, the ‘magic if’

helping you develop an understanding for the role you are playing and

maintain it, both inspiring the justified imagination and spirit of

the character.

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