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Tragic qualities in sophocles play
Characteristics of greek tragedy in sophocles
Relating to Characters in Sophocles
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As individuals, we are entitled to certain obligations and expectations constrained to us as we navigate throughout our life journey; either socially or familial obligations. An example would be working in the family business or marrying an individual chosen by your family members. Similarly, main protagonists Siddhartha and Antigone had expectations/obligations thrust upon them, obligations meant to be followed throughout their lives. Yet, both decide to disassociate from their obligations even with the disapproval of others around them. In relation to obligations/expectations by others that don’t comply with an individual’s inner sense of truth, Siddhartha and Antigone both emphasize on the consequences associated with breaking away from obligations/expectations as well as determination that contributed to their outcome in the story. Nonetheless, Siddhartha and Antigone encounter their conflict differently. Siddhartha disaffiliate from his obligations and expectations to seek his own enlightenment and purpose in life while Antigone disassociate from hers to fulfill the gods’ will. Despite addressing their conflicts differently, Siddhartha and Antigone manage to achieve their main objectives at the end of their story. Siddhartha and Antigone emphasize on the costs associated from disaffiliating from obligations …show more content…
Antigone’s decision to bury Polyneices even though Kreon’s law forbade her from doing so was fueled by her determination to follow the law of the Gods rather than the law of Kreon (Sophocles 21). This illustrates the importance of determination as a trait in Antigone. Without this determination trait, Antigone would have not had the courage to rise against the laws of Kreon and follow the fate of the gods. This type of determination as a trait in Antigone’s character lead her to stand up against Kreon’s law as well as her death at the end of the
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any efforts to change one's future were unrealistic. In Sophocles' Antigone, fate plays a crucial role the choices that the characters make.
Antigone remains a static character at stage five throughout the story. Faced with people who do not agree with her decision, Antigone stands tall with what is morally right to her. Kohlberg’s Theory is not only universal but also helps readers understand a character morally. Choosing whether or not to bury her brother, Polyneices, or to follow the law given by Creon, does not derail her moral
How she reacts to events and the ensuing consequences that occur, forms the plot of the play. At the very beginning Antigone chooses to bury polyneices even though it was against Creon's wishes. She had a choice to leave his body buried but she chose to unbury him which shows her stubbornness, and this is a common trait amongst protagonists. Creon also has this trait and shows it when he discovers her body. Antigone does not give up under any circumstances, which is both admirable and
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
Both Antigone and Ghandi were so strong in their beliefs that they were willing to be punished for them. In Antigone, she is forced to make the decision to do what’s right even if there will be fatal consequences. On line 55, “But I will bury him; and if i must die, I say that this is a holy crime.” Antigone is explaining that she will do what is right , even when everything is on the line. Ghandi has a similar viewpoint which he explains in “On Civil Disobedience” when he announces that, “ We will gladly die and and will not so much as touch you, but so long as there is yet life in these our bones, we will never comply with your arbitrary laws.” In this excerpt Ghandi explains that he also is willing to reap the consequences along with Antigone.
Antigone sought to do what she perceived to be right and just, and had no fear of consequences nor no desire to try to negotiate or protest. Antigone simply did her part of doing what she in her mind felt was right even though it was against what she was strictly forbidden to do. Antigone used these tactics differently from Dr. Martin Luther King. Jr. Antigone says to her sister Ismene “To me it’s fine to die performing such a deed” (Antigone 22). The “deed” Antigone is discussing is the deed that was forbidden by Kreon. Antigone truly believes in civil disobedience of directly disobeying in order to fight for justice for her dead brother. Antigone also exclaims “What I shall suffer will be far less dire than dying from an ignoble death” (Antigone 24). To Antigone, honoring the Greek gods, her brother, and her family is more important than following an unjust rule. Antigone believes that dying from the consequences of civil disobedience is far more worth dying for than dying without having ever fought for a cause. When addressing Kreon, Antigone discusses that she in face knew of his proclamation but felt that honoring her brother, and the laws of the Greek gods was more important than standing idle to her brother being unjustly forgotten and watching his life not be honored after his death. She says that death for her punishment was a profit because she was doing
Antigone risks her own life to bury her brother, therefore, she goes against Kreon’s edict that Polyneices should be left unburied; she believes Polyneices deserves to reach the afterlife. Antigone tells Ismene, “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (Sophocles 23). Antigone is willing to risk her own life by disobeying the king’s authority; She stands up for her religious belief that Polyneices should be buried. Kreon tells Antigone before she takes her own life, “I won’t encourage you. You’ve been condemned” (Sophocles 57). Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th...
The gods' laws come before mortal laws in Antigone's point-of-view, which is how I believe also. In death, you will answer to your god and no man will have control of your fate in the world that lies hereafter. Therefore by obeying the gods, hopefully, will result in a happy afterlife, which are what most people strive for in ancient times and now. If man does not honor you for noble efforts, your gods' will. Antigone's act was honorable. She stood up to the highest of powers so she could honor her brother, knowing the consequence would be death. Most likely she figured there is only a certain amount man can do to you, so she might as well stand up for not only her family and beliefs, but her gods as well (lines 377-389).
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Natural law can be considered the ‘morally correct’ approach to authority and justice. It is the idea that one should make decisions based upon what they deem morally appropriate within themselves. Antigone’s support of this approach is apparent in her refusal of Kreon’s order when she buries Polyneices anyway. She loves Polyneices and believes in her heart that there is no other alternative. She is aware that by burying him she would be breaking the law and risking her own life for it. “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (87-90). To her this is the only morally acceptable solution. Her support of Natural law resolves her to perform what she believes in her heart to be right, casting aside any social and political upholding that prove to be opposition.