“The annunciation is the very moment of the
Incarnation when the Holy Ghost overshadowed the
Virgin and the Child conceived in her womb, the consummation of her marriage to God.” (p.84 textbook)
The Annunciation by Rogier van der Weyden, completed around 1435, is a 33 7/8” x 36 1/4” panel, which once was part of a triptych. The depiction is of Mary in a bedchamber, seated by the light of a window at the right, positioned on the floor in a stance that implies that she had been busy reading. The way that she is seated is similar to Campin’s Merode Altarpiece. (p.125 textbook) Gabriel appears to Mary’s back with a somewhat solemn face as Mary turns her head towards him.
According to the text, Rogier uses bold lighting effects, graceful figures, and plunging perspectives, but allows the figures to stand out prominently against a more subdued background. (p. 126 textbook) Through a back window, the countryside can be seen, showing that this is a daytime setting. Symbolically, the textbook states that this scene is a ‘thalamus virginis’, and that in effect, Mary and God are symbolically sharing a marriage bedchamber. This can be explained by the depiction of Christ on a medallion hanging from the back of the bed.
Van Eyck’s rendition of this theme, Annunciation, is thought to be the left wing of a triptych. Completed around 1435-37, it is a panel transferred to canvas, 36 1/2” x 14 3/8”. Here we see Mary in a church with both arms somewhat elevated in almost surprise fashion. Mary doesn’t appear too happy or concerned even, and both she and Gabriel seem relatively neutral in emotion, considering the situation.
Van Eyck depicts the moment when the “Old Dispensation became the New.” (p.104 textbook) Some symbolism includes Jehovah in the stained glass window above Mary, seen with the seraphim that Isaiah envisioned of the Lord. Seven rays of light protrude from the clerestory window in the upper left of the piece, symbolizing the desention of the Holy Ghost. The stool in the lower right of the panel symbolizes Isaiah’s words, “heaven is my Throne, the earth is my footstool.” (p.104 textbook) The white lilies represent Mary’s purity.
The Annunciation by Jacquemart de Hesdin, and possibly his shop, dates to around 1400. This piece, is from the Tres-Belles de Jehan de France, Duc de Berry. Mary is seated inside an open structure, as usual, disturbed by her devotional reading.
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
At the top of the artwork the upper part of the cross extends beyond the altarpiece. The edge of John the Evangelist’s red robe on the left of the altarpiece and the edge of Mary Magdalene’s pale blue skirt on the right are cut off when the panel ends, giving the viewer the feeling that, rather than looking in on the scene, the viewer is actually taking part in the scene. This, added to the empathy invoked through the delicate, heart-wrenching rendering of the figures in the artwork, let the observer directly interact with the painting and places him/her within the narrative.
The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a
The depictions include: the properties of God, manners of longing of God, manners of knowing, the gifts of God, degrees of bliss, properties of the hazelnut, three wounds in her life, the virtues of Mary, the means to come to heaven, the aspects of the “fiend.” All of this language is celebratory. George Tavard’s article “The Christology of the Mystics” notes the pattern found within Julian’s visions or “shewings”: “ They follow in the main, the sequence of the Passion: (1) crowning with thorns, (2) the discoloring of Christ’s face, (3) the creation, (4) the flagellation, (5) Christ’s victory over the “Fiend,” (6) the heavenly reward, (7) God’s goodness, (8) the death of Christ, (9) the relation of
The Renaissance in Western Europe brought a “rebirth” to the arts. No longer was the church the only accredited patron for the arts. Instead, a wealthy middle class arose as patrons and were able to purchase artist’s works. Although many pieces still had religious themes, the styles, freedom of creativity, and less reserved pieces were created. The Renaissance was not only confined to Italy, although it is often mistaken as the birthplace of the movement. All over Western Europe artwork flourished. Artists from the north came to Italy to study the classical arts and the renowned Italian Renaissance artists. Many of the same themes and subject matters were depicted throughout Western Europe. One such subject matter, the Annunciation, was portrayed by Jan van Eyck, a Flemish panel painter, as well as, Fra Angelico, an Italian fresco painter. In short, the Annunciation occurred when God sends the angel, Gabriel to deliver the message to Mary that she will give birth to his only son. Although both artists had the same understanding of the biblical account, their styles varied to agree with the concerns and interests of the people of the time as well as where they lived. They were able to establish their individuality through their artwork, even with the same subject matter. The Annunciation by Jan van Eyck is a perfect reflection of Northern Renaissance panel painting while Annunciation by Fra Angelico is the essence of Italian Renaissance fresco painting.
The content of this painting represents a Christian worldview because of all the symbolism inside the piece. The most predominant image in this painting is the light house, which is also the focal point of the piece. The viewers eyes are first drawn t the clouds in the top right corner of the painter before following the ocean waves to the shore that lead to the light house. A light house has always been a symbol of guidance as it is a beacon that guides sailors safely back to shore. Kinkade uses the light house in this painting to symbolize the love of God. The light house is shining brightly in his picture even though it’s not dark yet. In the same way God will always be a light to those to wish to follow Him. God will always lead us back to him and be a guide for our live. He will make sure that we always survive temptations. As the light house guides the ships out of the storm, God will always guide his people to the promise land.
‘Martha and Mary Magdalene’ sometimes known as ‘Martha Reproving Mary’ or ‘The Conversion of the Magdalene’ was painted by Caravaggio in 1595 and completed in 1596. The piece was done in oil and tempera on canvas, measuring at 39 and three eights by 53 inches. Art historians believed it to be a copy until the 1970’s. It wasn’t until after, that the DIA purchased this painting in 1974, where it has resided since. This composition is said to be where the artist has fully devel...
One of the very first well-known portrayals of this narrative was by Giotto di Bondone. From around 1304, it is an Early Renaissance painting. Jesus is lying down, cradled by the Virgin Mary, and Mary Magdalene is cares...
The Ghent Altarpiece painted in completeness by Jan and Hubert van Eyck in 1432. This altarpiece is filled with symbolism. One of the most important pieces of the altar is the Deity Enthroned, which represents the Lord in Christianity. The painting covered with symbols and words. The artists portrays many signs with different meanings from the deity’s clothes to the background.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Sandro Botticelli, The annunciation 1485 represents the angel Gabriel and the Virgin Mary looked at the images of each other, but separated them through the center rows of pillars, which unified composition by the ray of light reflected in the back of Angel Gabriel in the linear perspective carrying god’s message in the heaven. By contrast, Hans Memling, the Annunciation 1475 presents an image of Han Memling through the use of bright colors, it represents the left wing of triptych, by the tall, narrow shape and the diagonal thrust of composition, the stain glass window, the crown in the top of Han Memling represented the peace, the shape are all equal and all the shape of buildings are equally designed, the building s are symmetry, moreover, the repetition of colors makes the painting more stand out. The variety, pattern used all over the painting, such as the row of building are the same color. The
The Persian Wars (499-479 BC) put the Greeks in the difficult position of having to defend their country against a vast empire with an army that greatly outnumbered
The artistic theme in which an artist depicts the Virgin Mary with Jesus Christ as a child is known as the ‘Madonna and Child’. This depiction has its roots in Early Christian art due to the iconic roles that Christ and Mary play in the Christian religion (Dunkerton 37). The ‘Madonna and Child’ has had a place in many of the early periods and traditions of art. Religious themes were able to command such a strong presence in the history of art due to their role as devotional aides in churches and other religious buildings (Dunkerton 27). Religious art was well maintained by religious orders and churches, and many patrons throughout early history were tied to the Catholic Church. In the 1400s, religious artwork continued to play a prominent role, but a revival of the Classical form also started to occur. The period known as the renaissance was marked by a desire to look back on the past and a sense of individualism. The era also brought about the use of new and classical techniques for art such as naturalism, perspective, and proportion. Nonetheless, art during this period remained diverse as several art traditions, influences, and patrons contributed to the outcome of an artist’s work. The National Gallery of Ireland possesses a few of depictions of the Virgin Mary and Child in its collection of Early Italian work. The first work I will discuss is a work by Zanobi di Jacopo Machiavelli known as ‘Virgin and Child Enthroned with Saints’, which was complete in 1470. The second work is known as, ‘The Virgin and Child Enthroned with Saints John the Baptist and Lucy’, and was completed by Marco Palmezzano in 1513 (National Gallery of Ireland: Essential Guide). While created around the same time period and within close geographical proxim...
House shares multiple themes and parallels with different detective fiction stories. Some of the most familiar parallels are those between house and Sir Arthur Conan Doyle’s character Sherlock Holmes. Along with their names, the two characters have many other things in common, such as an addiction to some type of drug; House is addicted to Vicodin and Homes is addicted to cocaine. They also both have trusty sidekicks of Dr. Watson and Dr. Wilson, and the inept police force of Holmes’ stories are portrayed, as a team of specialists in House’s world. However, these similarities created by the writers are not why House has in a way become its own version of detective fiction. The television show may never be grouped with the detective genre, but the similarities of themes do attach it to the old forms of Edgar Allan Poe and many others. The setting of House M.D. introduces the mood and tone for the work of fiction, but it also depicts the social structure and separation of the different levels of workers in the hospital. Many detective fiction authors focused on the social prejudices and division of the society they were writing for, and the competition that it produced amongst the members of society. In spite of the United States citizens being equal, the actual equality of the different classes is debatable, and the difference is demonstrated in House M.D. depicting the social climate of separation and competition in the modern day that is similar to the separation 150 years ago.
The Spartan’s were a highly developed warrior based society. They came into the major military power through their highly developed military strategy. The men were required to be a part of the military if they were to be future citizens. The Spartans had a highly revered group of men, who decided if a