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Characteristics of the tragic hero
Characteristics of the tragic hero
Characteristics of the tragic hero
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Tragedy and suffering happen often in the world, and it is often that tragedy comes upon someone that was once a hero. The steps of a tragic hero are being in a happy or “high place,” hamartia, which is usually hubris, followed by peripeteia, which is reversal of fortune, then their fall and recognition of the fall and failure. A good example of a tragic hero is John F. Kennedy Jr (JFK Jr.) and Pete Rose from real life. JFK Jr. started in his high place by being constantly in the spotlight because his father was the president. Even when his father was assassinated, JFK Jr. always had what he needed. His hamartia came when he crashed his plane, causing his death on July 16, 1999. His hamartia was shown when it was determined he was not qualified to fly a plane, even though he thought he was. His peripeteia is shown when he started up in the plane. He probably was planning to have a great time, but it was too late once he lifted off. His fall came at the point when he crashed his plane, causing his death. This caused for the recognition of most people, especially his family, being devastated by his death. Even though most were sad for him, he was not qualified to fly, along with many other circumstances leading to his death. This situation displays a motif of tragedy within the Kennedy family. When someone witnesses a tragic hero, they can know of the suffering while not being directly affected by it. When it is witnessed, it can help one cleanse their emotions by learning the lesson of a story, and knowing not to make the same mistakes that a tragic hero makes.
Other prime examples of a tragic hero are the poem Musee des Beaux Arts by W. H. Auden, and the painting The Fall of Icarus by Peter Brueghel. Both works ex...
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...n both art and real life. In art, it can be an author trying to prove a point, or just an interesting story. In real life, situations play out, and can reflect the way that people not only view the former hero, but everything that involves them. Something, though, they both have in common is catharsis and the five steps of a tragic hero. No matter how the situation plays out, if it is a tragic hero situation, the five steps are always in play, and catharsis sets in. The catharsis being the purification after the situation sets in and emotions change. The emotions may be different based on the situation they apply to. Either way, any tragic hero has a high place, which leads to a fall. Whether or not we know the reason for the fall, a hero has still become someone, in our eyes, less than great. That is what they must live with. That is life, life is tragic.
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
In addition, the final aspect of a tragic hero is a sudden change in course of action, caused by their major flaw, which brings about their p...
Macbeth, Brutus from Julius Ceasar, John Proctor from The Crucible, Hercules, Sirius Black from Harry Potter, and Spiderman all have a common fate, they are all tragic heroes. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. Every hero has a downfall and a purpose; typically it is for the greater good for everyone else. In The Oedipus Plays of Sophocles, there are two characters that could be defined as tragic heroes, they are Antigone and Creon. Bounteous people do not envisage Antigone as a tragic hero, these people believe she was crazy, had no purpose, and did not help the kingdom. Although, countless people do not comprehend that she actually did save the citizens of Thebas, and tried to help Creon.
A classic tragic hero must have noble stature and greatness about them. They are often admired for their outstanding qualities. Also, a tragic hero possesses a fatal flaw, often called Hamartia. Excessive pride, or Hubris, is a traditional tragic weakness often seen in a lot of tragedies. Hubris and Hamartia lead to Pathos, or tragic acts destructed to life. Pathos happens to tragic heros without them even knowing that they are happening because their ignorance and pride make them blind to their flaws. The suffering and consequence of Pathos leads to Anagnorisis, or the recognition of facts, but this understanding comes too late to avoid Peripeteia, or reversal of fortune, which brings about Catharsis. Catharsis is the suffering, death, and the purging of emotion. Tragic heros like Willy Loman, Ethan Frome, Hamlet, and Oedipus are all seen to follow this structure of being a tragic
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
In many works of Literature, a character comes forth as a hero, only to die because of a character trait known as a tragic flaw; Hamlet from Shakespeare’s Hamlet, Okonkwo from Achebe’s Things Fall Apart, and Winston Smith from Orwell’s 1984 all exhibit that single trait, which leads, in one way or another, to their deaths. These three tragic heroes are both similar and different in many ways: the way they die, their tragic flaws, and what they learn. All three characters strongly exhibit the traits needed to be classified as a tragic hero.
Every story revolves around a hero. Heroes make an impact on everyday life, positive and negative, so it is common for writers to revolve their stories around them. One of the several hero archetypes used in novels is the tragic hero. A tragic hero is a person of noble stature, whose fatal flaw leads them to abuse the free will they once controlled. This moment of choice leads to a punishment which far exceeds anything deserving. The fall is not pure loss; the hero gains self knowledge through an increase in awareness, but the consequences are far reaching. Mary Shelly is an example of one of the many authors who create literature around a tragic hero. Shelley’s novel Frankenstein is filled with many intricate characters, but only one fits into the tragic hero archetype. The moment of choice for Victor Frankenstein, who was once a happy, noble individual, creates a devastating fate for himself, leaving him as an ideal tragic hero.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
A tragic hero has the capacity to suffer and, because of an error in judgment, will experience a dramatic transformation that evokes a profound pity.
On the other hand, another type of tragic hero exists, the modern tragic hero. This type of hero is a product of a clash between the individual and the social environment. Arthur Miller, the famous playwright, said, “each person has a chosen image of self and position, tragedy results when the character’s environment denies the fulfillment of this self concept.” (LATWP, 640). This is a contrast from Aristotle’s classic tragic hero because the hero is no longer born into nobility but gains stature in the action of pitting self against the cosmos, and the tragedy becomes, “the disaster inherent in being torn away from our chosen image of what and who we are in this world.”
There are many heroes in this world, whether it’s a fireman or a doctor. A hero is defined based on their courage, nobility and strength. In contrast, there are tragic heroes. According to philosopher, Aristotle, the definition of a tragic hero is one that is of greatness and dignity but, despite their greatness, makes an error, otherwise known as the hero’s “tragic flaw” or “hamartia” which leads to his downfall. In William Shakespeare’s tragedy, Macbeth, the main protagonist and round character, Macbeth starts as a man of greatness and dignity. His assumed loyalty to the country and king earns him respect from a variety of men and the title “Thane of Cawdor.” But, unfortunately because of his tragic flaw he is corrupted by his overwhelming ambition and destroys himself and the natural order of man. Macbeth transitions from the savior of his country, “Bellona’s bridegroom”, a “brave” and unbeatable man to a man of endless brutality. Macbeth is the epitome of a tragic hero.
A key ingredient in such a genre is the tragic flaw, an idea that goes back to an influential work of literary criticism called Poetics, by Aristotle. Aristotle said that the tragic hero should be someone of rank or importance with a tragic flaw, who suffers a "reversal of intention" that eventually leads to his or her death. Aristotle also said that in the process, the tragic hero should experience recognition of this failure and that by the end of the work our moral sense should be satisfied that right or justice has prevailed. The tragic flaw is some weakness in character that is responsible for action or inaction on the part of the tragic hero and leads to the reversal of the hero's original intention. Therefore, the reversal of intention is the turning point in the tragic hero's life when he or she experiences something that causes the tide to turn and previous success to turn to failure. [The fourth soliloquy prepares us for the reversal, and the climactic...
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
The theme of an unlikely hero is a well used theme because, the outcome is unexpected and keeps you on your toes. A Biblical example of these would be David and Goliath. A myth example would be the story of Hercules. an example of a film that has an unlikely hero would be Wall-e, and a personal life example would be random acts of kindness from a stranger. This is a universal theme, because it is an interesting story, unexpected, and if the hero is unlikely, maybe just maybe they could be a hero as well.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.