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Trickery And Deception
In ”Much Ado About Nothing” by William Shakespeare there is a lot of trickery deception in the play. There are many occasions that trickery and deception takes place such as, Don Pedro wooing for claudio, Don Pedro wooing for himself, claudio pretending to be benedick to find out information from don john and borachio, Don John and Borachio both know that claudio is not benedick but trick claudio into thinking that they believe that claudio is in fact Benedick, benedick pretending to be somebody else. I will explain the trickery and deception that took place in these situations and how it affected the play. Don John plays an essential role for nearly all of the trickery and deception in this play. He is the starter
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Don John approves of this idea and offers to pay Borachio for his part in the plan. Borachio tells Don John that Hero is in love with Borachio. “Tell them that you know that Hero loves me”. Don John then informs Borachio of his payment for his part in the plan “a thousands ducats”. Don John leads Don Pedro and Claudio to under Hero’s window where they find Borachio and Margaret are having Sexual intercourse at the window of Hero’s bedroom. However, Don Pedro and Claudio are led to believe that the woman is in fact Hero. This plan is carried out in Act III Scene II, when Don John approaches Don Pedro and Claudio saying,”You may think I love you not. Let that appear hereafter, and aim better at me by that I now will manifest. For my brother, I think he holds you well, and in dearness of heart hath holp to effect your ensuing marriage-surely suit ill spent, and labour ill bestowed!” Don John (Act III, Scene II: Lines
In was in Act 2 Scene 3, when Don John came up to both Claudio and his brother Don Pedro to discuss what he saw, Hero “supposedly” cheating on Claudio with another man the night before their wedding. Even though Claudio is naturally very gullible and naive, he first trusted Don John, who is known as the “Bastard,” when he was told that Hero was cheating on him and not Hero, herself. Also, in Act 4 Scene 1, the actual wedding day is when Claudio confronted her in front of an entire audience when Hero clearly states that what he speaks is completely false information given by Don John. Hero said, “I talk’d with no man at the hour, my lord.” (85) The non-exist amount of trust and loyalty they have for each other is unimaginable
...ce Borachio confesses about his and Don John's plot, everyone lays their grudges and challenges aside. Claudio still marries Hero while Benedick and Beatrice also wed together.
Meanwhile, Borachio and Don John meet to discuss the plan. Don John says "...be cunning in the working this, and the fee is a thousand ducats." (II. iii. 51-52). Borachio hatches a plan to use Hero's waiting gentlewomen Margaret by sleeping with her and calling her Hero to lead Claudio to believe that Hero is un-chaste. He then uses Don John to find Claudio and Don Pedro. Don John leads them to see Borachio and Marga...
Don John’s follower Borachio reports to Don John, leading to a first attempt of deception to be set up by Don John. The news goes to Don John who says “ Come, come, let us thither. This is food to my displeasure. That young start-up hath all the glory of my overthrow. If I can cross him any way, I bless myself every way…” (Shakespeare 15). Don John immediately sees this plan as an opportunity to do harm both to Claudio- honored for his actions against Don John- and to Don Pedro. Don John is setting the tone of his character as a villain while his brother Don Pedro, is the prince and is very active in the other character’s
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
Don John is the illegitimate half brother of Don Pedro in the play. Don Pedro is the Prince of Aragon and is highly respected throughout the play, whereas Don John is treated with cautious attention and indifference. In Act one scene three, Leonato greets Don Pedro rather enthusiastically and respectfully,
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
Tricking her to believe that Don Pedro himself has feelings for Hero: ‘I will assume thy part in disguise, and tell fair Hero that I am Claudio, and in her bosom I’ll unclasp my heart, and take her hearing prisoner with the force and strong encounter of my amorous tale. Then after, to her father will I break: and the conclusion is, she shall be thine.’ - Don Pedro. o (Act I, Scene I: Lines 276 - 282). It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
Benedick said to Don Pedro, “Leave him till tomorrow. I’ll think of some awful punishment for him. Play on, musicians!” A group of soldiers return home to Messina, Italy from war, to find love. Only, to be encountered with the villainous character Don John. In Much Ado About Nothing by William Shakespeare, Don John serves as the foil character of Don Pedro by which Don Pedro’s advantageous strengths are illuminated through Don John’s belligerent weaknesses; thus, continually illuminates the idea of good vs evil.
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
The title of Shakespeare’s Much Ado About Nothing has sparked scholarly debates about its meaning for centuries. Some say it is a play on the term “noting”, revolving around the theme of all sorts of deceptions by all sorts of appearances (Rossiter 163). Others claim it has more to do with everyone making a fuss about things that turn out to be false, therefore, nothing (Vaughn 102). Regardless of these speculations, there is something rather profound going on in the play that is worth making a big deal about: four characters in the play learn about love, and eventually, how to love.
Disguise and deception are central to ‘Much Ado about Nothing’. Not only are they effective comedic plot devices but they are pivotal to the overall construction and establishment of the plot. The masked ball scene, is pivotal to the plot as it sets up the events for the rest of the play, Hero and Claudio are to be together, with the help of Don Pedro. Furthermore, deception as a form of manipulation, as Don Pedro and Claudio convince Benedict that Beatrice is in love with him. The following scene is staged as a parallel, when Hero and Margaret, through deception, convince Beatrice that Benedick that loves her; thus conveying deception in a positive way. Moreover, the audience witness self deception, when Leonato is told that Don Pedro, Prince
How Shakespeare Presents the Character of Claudio in Much Ado About Nothing and How Interpretations of His Character Can Vary
That is a key part of Machiavellianism which is not present Borachio because it is shown that he willingly follows Don John’s orders and is okay with being an underling rather than in charge. Additionally, when Don John is creating a plan to ruin Hero and Claudio’s wedding he states, “Only to despite them I will endeavour anything.” (Shakespeare 31). Essentially what Don John is saying in this line is that he will work hard and persevere through anything to make sure this plan succeeds. This is the very definition of Machiavellianism. Proving that Don John is more Machiavellian than Borachio.