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women in 19th literature
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In the story Tess of the d'Urbervilles, religion to shown to put a barrier from one to reach out to someone based on how they are viewed in society. Religion is meant to bring people together as a whole, but many use religion to judge if you are good person or not. In the story, Hardy uses religion to show that people can be hypocritical through religion because people are just blindly following rules by following their own religion too closely, which is eventually leading them to forget the basic morals of life.
Throughout the story, Hardy showed that the Victorian society was very strong in following the rules to be the stronger believer of Christianity. These rules from the story were setting the barrier between people in the old religion and the ones from the new religion. The old religion was when people were strongly believing in rules by being very particular about them, but lacked the basic morals that were necessary for life. While the new religion is where a small amount of people are stepping away from the path of religion, but they still have the basic morals like treating everyone equally. In the old religion, people lacked in treating everyone equal by looking at the person to see if they fit in society. Tess one of the main characters, is seen as a great girl in society. In the beginning of the story Hardy says, “She was a fine and handsome girl-not handsomer than some others, possibly-but her mobile peony mouth and large innocent eyes added eloquence to colour and shape” (Hardy 9). This quote tells us that the character Tess in the story was a innocent and a pure woman. However, the set of rules in the way people were following religion denied her because she was ruined. In the Victorian society, they believe that ...
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...er so much and kept on delaying to hear the truth for a while. This led to a huge conflict of him leaving her. He originally confessed that he was not religious and that he did not follow what his family or the church would say. But, he went back to the old rules which made him think that Tess was ruined. This shows that sometimes religion can add an added burden on your perspective. He feels that he married the wrong person now. But, Tess is a innocent women.
Religion can help a person to become better. But, sometimes people use the man made rules of religion to judge what is acceptable. When people get too hung up on the rules of their religion, they tend to forget the basic morals that make them into a real person. Sometimes rules and religion should not come in the way of interpreting how someone is seen in society. This is what causes inequality in the world.
Morals are usually the standards by one which lives in, whether them being good or bad. However, how about when religion influences ones morals? Religion isn’t or it doesn’t work for everyone, and that’s okay. But, there are many people out there that religion influences their morals; and the most common reason for that is that religion was influenced into them and into their morals as a child. Iri...
Tess is almost immediately seduced by one of her cousins. She became pregnant, but her child dies soon after it is born. She never tells the cousin that their child has died. But later, after she falls in love with the son of a local minister and marries him, she confesses her past. This is to much for her new husband to deal with. He "married down" because he was attracted to Tess's humble origins. Back then, men married down to lower classes if the women was beautiful because it would make the man look good. Obviously women were not well respected. But he is not prepared to accept the reality of her past. He leaves on a bizarre mission to South America.
Tess struggles: she has a difficult time finding work, and is forced to take a job at an unpleasant and unprosperous farm. She tries to visit Angel's family, but overhears his brothers discussing Angel's poor marriage, and she leaves. She hears a wandering preacher speak, and is stunned to discover that he is Alec d'Urberville, having been converted to Christianity by Angel's father, the Reverend Clare.
Overall, Brontë has shown a true religious based novel which widely explores her society and how all women were oppressed by the patriarchal system. Although Jane ends up rejecting all three models of religion, she does not ignore morality or a belief in a Christian God. Her great use of character analysis and thoughts show how this novel, in fact, was widely based on how religion was a great influence within the Victorian era.
Later, Hardy implies that she is raped. ‘Feminine tissue, sensitive as gossamer’ displays Alec’s unconscious urges to control such a virgo intacta. The sibilance in this phrase contributes to Alec's presentation as a predator she is also described as ‘blank as snow’, a tabula rasa, a form of innocence Alec physically destroys. These factors, along with the traditional norms of wedding days, culminate to create a grotesque parody of a wedding night. The moon’s later description as ‘tarnished’ is symbolic of how Tess’ has been physically abused by Alec, although it also exposes a disrupted parallel between the moon’s 28–day cycle, and Tess’ menstrual cycle due to the development and birth of Sorrow.
Tess's conversation with her brother, Abraham, takes place during their midnight ride to deliver hives for her father. They talk on and on about the stars and the belief that Tess holds that our star is "a blighted one." Soon Abraham brings up the future planned for Tess, that she ...
Prince’s death, the rape and her arrest all happen to her whilst asleep. The community and her unsupportive parents’ cold treatment towards Tess following these events emphasize the hegemonic male perspective of society towards women. Furthermore, Hardy shows how women are seen by society through the male gaze as sexual objects, as Tess is blamed for Alec’s lack of self-control. He attempts to justify his cruel actions as he calls Tess a “temptress” and the “dear damned witch of Babylon” (Hardy 316), yet he later says that he has “come to tempt [her]” (340). Tess is also objectified by Alec when he says that if Tess is “any man’s wife [she] is [his]” (325). The narrator’s repeated sexualized descriptions of Tess, such as her “pouted-up deep red mouth” (39), further demonstrate how women are commonly seen through the male gaze in
Hardy initially presents Angel Clare, the “reverends son” as the “hero” come to rescue Tess at the May Day dance. Here his affability towards Tess and her companions socially segregates him from his contemptuous brothers; “I do entreat you…to keep…in touch with moral ideals.” When the reader meets him at Talbothays, the “gentlemen born” pupil has an air of attractiveness that invites trust, with his “young…shapely moustache” and “reserved” demeanour. Indeed the very name ‘Angel’ has connotations of benevolence and divinity; a saviour for th...
the loss of chastity is the loss of virtue, Tess would positively have all the earmarks of being indecent on the grounds that, she lost her modesty, and furthermore, with her aggrement. However, it is the most defective and thin idea of profound quality. To Hardy, virtuousness is of two sorts purity of the brain and of the body. Purity of the body is identified with virginity, though that of psyche is the virtue of the brain and soul. To Strong, genuine, virtue is the modesty of the psyche and soul. One might be substantial unchaste; still he can be pure, in the event that he is pure by his spirit and brain. The individuals who have sullied soul and brain are not "immaculate" regardless of the purity of their body. He, along these lines, calls Tess immaculate for, disregarding losing real virtuousness she never lost immaculateness of
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
Tess' two "choices" as her husband, Alec d'Urberville and Angel Clare, hold many of the patriarchal stereotypes of the Victorian Age, chasing Tess as more of a metaphorical piece of meat than a passionate lover. As their secrets are revealed on their wedding night, it becomes harder and harder for Angel to love Tess, seeing her as "another woman in your shape" (Hardy 192). The author, at this point in the relationship between Tess and Angel, perfectly exemplifies the values and culture of the Victorian age. Though both Angel and Tess are guilty of the same misbehaviors in their pasts, Angel believes that "forgiveness does not apply to [Tess'] case" (Hardy 191). Under the reign of Queen Victoria, the role of men in sexual relations was strictly reproductive, and the sex act was considered a release of helpless energies, basically holding no sins of love or conjugal travesties. For women, however, it was a softer, more passionate act, meaning more of the love than the fertilization, and emotionally pulling the sex partner too close to just scoff the happening off and move on with life (Lee 1). Such conflicting views in the perspective of sexual intercourse make it nearly impossible for Angel to "forgive [Tess] as you are forgiven! I forgive you, Angel" (Hardy 191). Jeremy Ross also believes that Hardy "abandoned his devout faith in God, based on the scientific advances of his contemporaries" (Ross, Jeremy 1).
It is said that a man should not marry a woman that he can live with but instead with a woman he cannot live without. Although this statement may hold true for some relationships, it does not pertain to the marriage of Tess and Angel in Thomas Hardy’s Tess of the d’Urbervilles. Although Tess and Angel are married, they spend almost the entirety of their marriage separated from each other with no communication. As a modern reader, it is difficult to relate to these parts of the story. Nowadays, would a man leave his newly wed wife for over a year? More than likely this would never happen, but the themes of marriage in Tess of the d’Urbervilles are still very relevant to modern relationships. Today people still rush into marriage and believe that marriage will fix all just like in Tess and Angel’s situation. People also still utilize marriage a resource for
... were usually about movement up the social ladder or because of the fact that the woman was "worthy of the work, and competent to accomplish it." Love was a factor, which many people negated. Brontë condemned this negation. The patriarchal religious system, Calvinism, instilled a view in its members that men were far superior to women in many respects, including morality. In Victorian society the most 'moral' people seemed to be figures like Brocklehurst, who were in reality hypocrites. They were seen as pious and likely to be the chosen few to enter the gates of Heaven. Brontë conveys Brocklehurst's character as being shallow and he eventually loses his business because of lack of humanity.
...cept her. ?Unadvisable? gives the impression that Angel does not really care one way or another. All of this is unfair to Tess, as Alec?s decision to rape her was not her fault in any way. Also, Angel?s sexual history is more promiscuous than Tess?s, and yet he sees only her flaws. Hardy uses specific word choices and diction to thoroughly inform the reader of the injustice of Tess?s circumstances.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.