Peace is so hard to find. Too often it is out of reach. No just my own, but of itself. If one person’s peace does not give another peace how then can that peace exist? Catherine was never at peace here at the Grange. Happy, perhaps somewhat, but definitely not peaceful. Her heart longed for the fire and the passion that was so far out of reach. A fire that lied elsewhere; in a place where home is not a where, but a who. She longed for Heathcliff in a way she never longed for me. So it burned me with a rage I had never experienced before, to see him so close to her in her final, most intimate moments. No power in this world can stop her from dying: not I, nor any doctor or any God could save her. I hear her screams grow in an agonising crescendo as I sit outside her bedroom, and suddenly Heathcliff does not matter. She will go to God above as my wife. Not his. …show more content…
If my wife must come to you so soon, please, do not take with her my child. Leave me some piece of her so that I may go on in this world. She is only young, my lady wife, and she must be so terribly afraid. Let her rest. Let her know the serenity she didn’t know here on Earth. Each time I hear her screams another piece of my heart breaks off and my anxiety grows. There is only so much I can take. I feel I should stand and pace to ease my thoughts. I will take note of my feet hitting the ground, each time a little harder. This is a heavy cross to bear, and I wish I could carry some of her weight, but I cannot. She must go to Him alone. Forgive her, gracious God of all her trespasses, and take her to your glory, where she will be
The side of romance that warms many hearts and sells even more movie tickets is of glamour and charm. Like the romances portrayed in the movies, Cathy and Heathcliff’s love is boundless and impregnable, proving to be stronger than a single strand of spider silk. Although many threaten to cut the strand, including Edgar Linton, it is invincible. No one can interfere, especially Edgar, because in both Catherine and Heathcliff’s mind, they love each other more than anyone could ever imagine: “If he [Edgar] loved with all the power of his puny being, he couldn’t love as much in eighty years as I [Heathcliff] could in a day” (141). Since children, Catherine and Heathcliff have this strong relationship that fulfills the picturesque love of two souls intertwined. Even through the worst of times, the love of Catherine and Heathcliff can endure and sync themselves to feel each other’s happiness, pain, and sorro...
Catherine and Heathcliff have had an indisputable connection from the very beginning of the story. A special connection Catherine doesn’t want to admit to, but truly knows it’s there. From their exuberant adventures on the moors, to them making memories in the same household, and eventually Heathcliff’s desire for Catherine’s ghost to haunt him. It’s obvious they would’ve spent the rest of their waking moments together if it wasn’t for their difference in status. Otherwise, they could live the life they are supposed to live. Everything from how compatible and seemingly destined they are for each other, to the unfortunate turn of events that undoubtedly keep them apart. Their lifelong relationship plays a vital role in understanding this story and is expressed through the novel’s use of
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
Her selfishness lies within the reality that she married Linton for the things he could have provided for her. Nothing parted Catherine and Heathcliff. Not God, nor Satan, it was Catherine herself – Catherine was the cause of her broken heart. Along with breaking her heart, she also broke Heathcliff’s, which led him to loathe and yearn for vengeance against what Heathcliff thought was the cause of Catherine’s death – her daughter.
Emily Bronte relates the setting of the novel to what actions are presently occurring within the characters. The weather mocks the behaviors of the characters as well as the moors, which behave similarly to Catherine. Eventually she will be buried beside the moors allowing the appearance to change after she passed. A negative energy easily evident in the novel is Heathcliff, who disrupted not only the outward structure of Wuthering Heights but also the weather and appearance of the moors within the novel. The moors were discussed throughout the book and discussed how Heathcliff and Catherine first fell in love beside them, which began the downfall of the entire setting and appearance of the moors. Heathcliff disturbed Catherine’s deceased body by digging up her grave so that he may reside by her side when he passes, which caused disruption in the story between the spiritual and physical side of humanity. In Emily Bronte’s novel “Wuthering Heights”, she displays a constant emphasis of the significance that the setting of Wuthering Heights and Thrushcross Grange have on the characters as well as the describes dramatic changes in weather which coincided within the story’s plot.
Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
Emily Bronte’s, Wuthering Heights, includes the struggle for happiness, like marry like, and revenge. Heathcliff grew up neglected and abused. When he fell in love with his long time friend, Catherine Earnshaw, she betrayed him by choosing another man over him, causing Heathcliff to become bitter and rude to everyone who comes in contact with him. He goes out of his way to make everyone miserable and unhappy just like himself. Although the perspective of Heathcliff is seen as “a mad man,” he is actually suffering from Antisocial Personality Disorder, Conduct Disorder, and Depression.
...ly declared their love there. As respite from the prison of Wuthering Heights the moors are a mysterious place that is liberating, and boundaryless. Catherine says, “I wish I were out of doors- I wish I were a girl again, half savage and hardy, and free” (105). Once Catherine compares Linton and Heathcliff saying, “My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath a source of little visible delight, but necessary” (84).
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?
At one point in the text, readers picture Heathcliff’s excavation of Catherine’s grave. This scene is a vital extract in determining the most common Romantic Movement.
Catherine is contemplating with Nelly about marrying Edgar Linton when she doesn’t love him with all her heart and soul. To be more exact, she describes her soul as being the same as Heathcliff’s: “‘It would degrade me to marry Heathcliff now; so he shall never know I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton’s is as different as a moonbeam from lightning, or frost from fire’” (63). Now, not only does she love Heathcliff with all her heart and soul, but she claims that they share the same soul and that “he’s more myself than I am.” However, currently, Heathcliff is heartbroken because he overheard her saying that marrying him would be a degrading matter to her and fled off before he heard that she loves him. Realizing that he may have heard her, but unaware of what exactly it is that he heard, Catherine makes the conscious decision to place an obstacle between by marrying Linton in hopes of using light of it to aide Heathcliff. In other words, she’s sacrificing her happiness of being with the one she loves for a chance to help