In the short story, “The Cask of Amontillado” by Edgar Allan Poe, Poe uses two types of irony, dramatic and verbal. Dramatic irony is when the reader perceives something that a character in the story does not. Poe uses this type of irony in the character Fortunato. Verbal irony is when the character says one thing and means something else. This type of irony can be recognized in the statements that the characters, Fortunato and Montresor, say to one another.
Irony is also used throughout this tale. The use of revenge in this story shows irony. Montressor avenges himself by fooling Fortunato into literally walking into his own grave. Fortunato pursues the "cask" which ends up being his own casket. Montressor even asks Fortunato repeatedly whether he would like to turn back.
In the story “The Cask of Amontillado”, Edgar A. Poe uses many examples of dramatic irony. Poe. Poe commonly uses this throughout the short story, as the protagonist does not know the antagonist plots revenge.
In “The Cask of Amontillado,” Montresor told his servants that he was not going to come back home. This action is verbal irony because he meant opposite in what he said. It also created a suspense to the story for the audience to think what would happen next. Unlike the story, “The Lamb to the Slaughter,” Mary reaction toward her action for killing her husband is also an irony and it also created an exciting mood to the audience because no one would expect that to happen. Montresor also mention about Fortunato’s cough in “The Cask of Amontillado.” He said that it was going to be bad for Fortunato to stay in the catacomb because of his cough. This is the example of verbal irony that also create a suspense that the cough is not going to kill Fortunato but Montresor does. Unlike the story, “The Lamb and the Slaughter,” after Mary killed her husband she went to the grocery to create an alibi. The author used this situational irony to create an exciting mood to the
Poe does a stupendous job when incorporating both dramatic and verbal irony, giving the "ahh" to his readers. One of the more prominent examples of dramatic irony occurs when Montressor approaches the intoxicated Fortunato. In hopes of revenge, Montresor is quite excited to find his friend in such a state. Furthermore, adding to the dramatic effect, Poe names the intoxicated character Fortunato, which means, the fortunate. The irony becomes recognizable when Fortunato's dreadful fate is determined. Fortunato was led to a blind death by someone who he feels is a "friend," but in actuality, a past friend who is seeking revenge, that was pretty unfortunate. Poe's use of verbal irony is apparent when Montresor suggests Fortunato to go home because he is ill. Fortunato’s response was “I shall not die of a cough.” And Montresor’s replies, "True –true.” This is ironic because Montresor knew that the intoxicated Fortunato is not aware of his surroundings and he knows that the journey to his death will continue no matter what. Montresor gave Fortunato countless times of being free, but due to his intoxication, he does not realize the chances to live Montresor has thrown at
The story “The Cask of Amontillado" is the nature of insult that evoked revenge which ends in horrible murder. There is ironic viewpoint continues on every set of the story. Firstly, when Montresor met Fortunato, he smiled at Fortunato. No one can think that the smile of kindness and friendliness, in reality, is the evil smile. In addition, Montresor's first words to him were "you are luckily met" (Poe 209). This sentence ironically reveal is true that in a short time of period, Fortunato will be bury alive. Firstly, the setting is placed during Venice’s Carnival where the characters meet. Carnival is supposed to be a time of celebration and happiness for everybody. However, in the story, it is a time for revenge and death.The carnival setting ironically suggests a time for crime in the flesh.
In the story, “The Cask of Amontillado”, Edgar Allen uses many writing styles but the most commonly used style in this story is the use of irony. Since this short story is a complicating story to understand reading the first time, I believe the writer made a good choice to use irony to express characters individual's feelings and thoughts, mainly Montresor. In the beginning of the story, Montresor, the narrator of the story, explains his intentions to murder Fortunato, a guilty person who hurt him. This automatically creates a dramatic irony, for the reason that the reader now knows more than the character. An example of this is shown in the fifth paragraph. “My dear Fortunato, you are luckily met,” (Paragraph 5). This statement is a type
In “Cask of Amontillado” the author drops a lot of irony throughout the story that creates suspense for the reader. The narrator has planned revenge on another character, Fortunato who is unaware of the idea which introduces dramatic irony. When the narrator coincidentally runs into Fortunato he smiley says, “My dear Fortunato you are luckily met. How remarkably well you are looking today!” (Poe 59). The audience knows that the narrator despises Fortunato and by him say he is luckily met lets the reader know that Fortunato isn't and is in some sort of danger and he is obivious of what we know. The narrator starts to talk about this wine called Amontillado which is the start of his plan knowing that Fortunato is a wine expert and can’t resist
Revenge is developed as a theme in the cask of amontillado throughout the story using verbal irony. Montressor our main character uses small phrases to “We will go back your health is precious” (Poe pg 2) to make make fortanto feel as if montresor cares about him. This irony is somewhat funny due to montresor's true intentions. ALmost everything montressor says is the opposite. Even Fortunato's name is used as irony, because it closely resembles the word Fortunate which he is the complete opposite of. This often is used as a step stool for another literary device used in the story foreshadowing.
In “The Cask of Amontillado”, written by Edgar Allan Poe, Fortunato is on the verge of discovering exactly what can happen when trust becomes scarce even amongst those considered to be friends. Montresor outwardly appears friendly with Fortunato, deep down he feels nothing but hate for the other man. Both of these men are proud and opulent, and yet they both have a means of ruination that will eventually lead to tragedy. Edgar Allan Poe’s use of language amplifies and contorts the perception of the way that the two men react to eachother due to the situation. Although the two men are perceived differently, they both want to satiate their desire for retribution. Poe has eloquently presented various literary elements through the use of irony
For example, one clear piece is “Montresor’s use of the word “friend” in reference to Fortunato, a man Montresor hates enough to kill. Another strong situation of irony is Fortunato’s name, which in Italian is fortunate, where as he clearly becomes the victim of Montesor’s plight for revenge. Montresor also provides many instances of irony with Fortunato. One case was his behavior towards his victim, plainly stating "It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation." (Poe par. 2). Montresor’s first words to Fortunato were “My dear Fortunato, you are luckily met.” (Poe par. 5). In this instance, Fortunato believes that he is being approached for his expertise in wine, but is truly met because the “madness” of the carnival was a prime interval in which the murder could take place. Another piece of irony is Montresor’s continuous efforts in talking Fortunato out of sampling the Amontillado on the case of Fortunato’s declining health. Later when Fortunato exclaims, “I will not die of a cough.” Montresor responds with, “true.” (Poe par. 36/37). Montresor then drinks to Fortunato’s “long life”, which he will later end. The conversation regarding the Masons exhibits an ironic misunderstanding, where Fortunato refers to
Situational Irony, when people say one thing and do another, is present many times within this selection. Fortunato’s name is full of irony. “Fortunato”, in Italian, means fortunate or lucky. However, Fortunato, is far from lucky in the end of the story. After Montresor carries out the crime, he says “My heart grew sick--on account of the dampness of the catacombs” Montresor felt sick because of what he had done, not because of the damp catacombs. (Lines 215-217)
Montresor is very egocentric throughout the story, only caring about the wrongs Fortunato has committed. We know Montresor is very manipulative “Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchesi, he cannot distinguish Sherry from Amontillado.” (Poe 227). Montresor plays into Fortunato’s ego knowing that he will want to be the judge of the Amontillado. Montresor deceptively lures Fortunato into the catacombs using his love for wine to lead him to his death. The narrator states “There were no attendants at home; they had absconded to make merry in honor of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house” (Poe 227). Montresor knew his servants disobedient nature and used the carnival to persuade them into leaving the estate when his back was turned. This shows Montresor’s cunning and deceptive nature and his calculated planning to carry out this crime. This shows the amount of planning and effort Montresor has gone through to exact revenge on the unwitting