In Shakespeare’s Hamlet, Hamlet degrades women by the means of the motif of the whore, and its parallel, the virgin. Femininity is constructed in two very opposite ways within the world of Hamlet. Hamlet’s characterization of the two most important women in his life fall in the two polarities of the spectrum, and even within the discourse of determining which side Ophelia and Gertrude fall, he never considers the possibility of a dual nature residing in either character. If not a virgin, a woman is automatically labeled as a whore in Hamlet’s mind, and this very concept extends to not only the society of Elizabethan England from the time which Shakespeare wrote Hamlet, but it also can apply to the ideology of our current society to an extent. …show more content…
Her innocence also leads to her virginal suicide, surrounded by feminine images of flowers and clothing throughout. Contrastingly, Gertrude is the other extreme of feminine nature, characterized by her own son, Hamlet, as the whore. Her suicide-like death, like Ophelia’s, reflects her feminine nature, and she holds onto her core femininity and values, but she is still subject to her fate as a woman. Hamlet throughout the play identifies with both opposites on the spectrum of femininity, but more so with the whoreish ways of his mother Gertrude. Thus, his suicide reflects this very nature too, as his demise is like that of his mother’s. Shakespeare suggests that perhaps it is by nature that women are fated to their docile, meaningless lives and that no matter their actions to defy or adhere to the guidelines of femininity, they are bound to the constraints of their biology. Hamlet characterizes the female characters in his life as the polar opposites of the symbol of the whore and the virgin, and ultimately himself identifies …show more content…
Disgusted by her lack of showing emotion, a seemingly feminine quality in both Hamlet’s and society’s eyes, for his father’s death, he declares “O God, a beat that wants discourse of reason / Would have mourned longer!” to himself (Shakespeare 1.2.154-155). Gertrude, however, is not characterized as a frail feminine figure, and thus she is rather a depicted as the whore, the parallel to the virgin Ophelia in Hamlet. Along with the implication of the whore comes such connotations of a promiscuous and lowly women. This stereotype of women is deviant of social norms, as it disregards any sense of innocence and obedience present in the ideal Elizabethan women. Hamlet extends this idea even further, depicting his very mother in compromising positions with his uncle, her new husband, as he utters, “O most wicked speed, to post / With such dexterity to incestuous sheets!” in disgust (Shakespeare 1.2.161-162). This vivid imagery characterizes Gertrude as a deviant sexual being, with the allusion to her apparent power as female, as she posts, or rides, Claudius, thus being in the dominant position. While she may have some power and autonomy because of this sexual hold, she can never truly be fully in charge because the inherent dominant nature of the man. So while he
Shakespeare’s sinful woman in the tragedy Hamlet is named Gertrude. Wife of Claudius and mother of the prince, she is not selected by the ghost for vengeance by the protagonist. Let’s consider her story in this essay.
... he over re-acts and the ghost of his father appears to remind him of why he was there. Gertrude senses Hamlets anger after he kills Polonius and asked what have I done? Hamlets reply was one full of grief, anxiety and anger. He begins to tell his mother of what he knows and what he expects from her. Not to share her bed with Claudius as well as take part in any more corruption. Gertrude then begins to see that her son is not mad with sickness, but is more mad with anger over her stupidity. Hamlet has let his mother become his main role model for all women in the world and that is why he is so negative towards women.
Gertrude is the epitome of weakness to Hamlet because of her foolish act of remarrying, which Hamlet views as a betrayal. It all can be traced back to the murder of his father. This grief Hamlet has worsens his relationship with Gertrude, which makes him feel as though she is letting the murder of her first husband go without mourning. In conversation with the ghost of his father, Hamlet declares, “O most pernicious woman!
Hamlet takes control of the conversation from the very beginning of the scene although it is Gertrude who was meant to be rebuking him and doing much of the talking. Hamlet succeeds in shaming her until the point when she begs him to stop. Hamlet having the upper hand in the conversation, asks his mother to change her ways, which she agrees to and asks for his advice, showing that she has submitted herself to her son. Hamlet does not really show much respect for his mother while reproving her and forcing her to sit down but he does love her. Some critics believe that his love shows sexual connotation and that is a reason why he gets so upset at her remarriage. There is a point in this scene when Gertrude thinks her life is in danger of Hamlet and gets frightened, which shows us that she considers him to be mad and harmful. After this scene she becomes aware that Hamlet isn't mad and starts trusting him as opposed to Claudius. This is exactly how Shakespeare has presented women throughout the play: they are easy to convince, very meek and become submissive to the men (as we can see Ophelia and her response to her father and brother). They are depicted as weak and inferior in comparison to the male figures, who control their lives. After the closet scene Gertrude keeps faith to her son and lies to her husband Claudius for Hamlet saying he killed Polonius in his madness:
...Gertrude, as does the incestuous Claudius; thus, Hamlet places his identity with his mother. Ultimately, Hamlet seeks not to avenge the death of his father, but to save his mother from her own destructive sexuality, and by extension his own self-destruction. Of course, Adelman prescribes an existential reason to Hamlet's need to rescue his mother; Hamlet needs to "recover the fantasized presence of the asexual mother of childhood" (277). Hamlet needs to separate his mother from all sexuality in order to reap the stability of her selfhood for his own. After refusing to sleep with Claudius, Gertrude restores herself in her son's eyes to the status of "an internal good mother" (279). Hamlet, now, by "trusting her, can begin to trust in himself and in his own capacity for action; he can rebuild the masculine identity spoiled by her contamination" (279).
Queen Gertrude, Hamlet's mother, is in some ways the epicentre around which Hamlet's emotions revolve. Her role is difficult to determine; she can be seen, like Desdemona, as the passive victim of male ambition and strife, or she can be placed amongst the likes of Lady Macbeth as privy to her husband's misdeeds, and as sharing his guilt to an equal, if not greater extent. Her attitude to Ophelia seems positive ('Scattering flowers. Sweets to the sweet. Farewell. I hop'd thou shouldst have been my Hamlet's wife'; V.1.236). Her most vital scene is III.4, in which Hamlet attempts to extract a confession from her, and to persuade her to renounce Claudius. Modern productions regularly home in on the Freudian potential by locating this key encounter between mother and son in the former's bedroom. It takes place in her closet.
Hamlets misogyny is not something that was engrained in his culture but what his mother has engrained within him. Hamlet hasn’t always hated women as he does now, his harsh treatment of Gertrude and Ophelia are because of their betrayal of his love. Hamlet knows that even though she has made mistakes she has not stopped being a mother to him, apart from that he stills feels anger towards her and the hate that he now feels for Ophelia is just a displacement of his feelings for his mothers, “the total reaction culminates in the bitter misogyny of his outburst against Ophelia…Hamlet is really expressing his bitter resentment against his mother” (1199) towards the poor and innocent Ophelia. His hate for women is just his frustration for his mother and Ophelia blinding him and not truly him hating women because in Ophelia’s grave he tells Laertes “I loved Ophelia, Forty thousand brothers could not with all their quantity of love make up my sum.” (5.1.262) Hamlets repulsion against women is just him repressing his true love for the women in his life who have hurt him, “the powerful repression to which his sexual feelings are being subjected.”
Towards the end of the play, Hamlet becomes enraged and accuses his mother for marrying his uncle in such a short time after his father’s death. The incestuous relationship suggest that his mother might have been involved in her husband’s murder, which is more reason to kill Claudius. Gertrude is a loving figure that is unable to understand Hamlet’s delicate state. Her way of solving problems is by isolating those that confront her, instead of analyzing her own mistakes and owning up to them. When Hamlet walks into his mother’s bedroom, he kills Polonius who is hiding behind the arras, and compares the murder to his mother’s guilt. “A bloody deed! Almost as bad, good mother, / As kill a king, and marry with his brother” (3.4.28-29). The queen cannot handle and truth and tells Hamlet to stop speaking. “O Hamlet, speak no more: / Thou turn’st mine eyes into my very soul, / And there I see such black and grained spots / As will not leave their tinct” (3.4.89-92). It’s a similar reaction of guilt, like Claudius who didn’t want to continue seeing the murder play because he didn’t want to accept the reality of his crime. In another instance, the queen decides to send Hamlet to England to prevent another death. Here, her solution is cowardly and says a lot about her character. She is inclined to go for the easy way out, rather than finding a solution to the huge mess she’s caused. In this scene, the reader can apply Gertrude as the antithesis to Hamlet. Unlike Hamlet who considered ethical and an innocent young man, Gertrude is described as traitor, wicked woman, and an adulterate. Her lust and external pleasures have impacted her family greatly and those she governs over. She is a shallow woman who does not see the consequences of her decisions. Even though she is at the highest level of authority, she seems to lack the most important qualities of a royal ruler: integrity and
The Shakespearean play of Hamlet, Prince of Denmark is easily criticized from a feministic perspective due to its pronounced gender roles and its pervasively patriarchal biases throughout every scene. The feminist criticism focuses on the relationships between genders and the malicious dominance men have over women both physically and psychologically. It examines the patterns of behavior, power, values, and thought between the sexes. The damage that male dominance has on the females in Hamlet is prominent when considering feminist criticism. It forces these women’s given situations to go from bad to worse. The societal viewpoint held hinders or prevents the female characters from attaining a true sense of identity. Without their own cultural
William Shakespeare’s famed tragic, Hamlet, is a story centered around sin, suffering, and death. This popular piece is a highly controversial work of interest for critics concerned in regards to gender rights. Hamlet is a play, written from a male-centered viewpoint, and that which primarily stresses the male characters and their experiences as a replacement instead of assimilating the views and impacts of the women as well. Gender inequality is a dominant theme in Hamlet, in which women are considered and labeled as feeble and submissive because control and manipulation use them, by male dominance.
Gertrude and Ophelia both love Hamlet, yet they love him in different ways. Gertrude, his mother, loves Hamlet in a motherly way, placing his honor under her current husband Claudius, which is Hamlet’s uncle, and also the brother of Gertrude’s deceased husband and Hamlet’s late father. Hamlet thinks of his mother as a whore because she married Claudius right after her husband’s untimely death. Gertrude is not a whore;
Since Hamlet is notoriously the worst to the female sex, we will start with the assault on his character. Hamlet said "Frailty, thy name is woman,“ thus Hamlet believes his men are the epitome of stability and strength, right? Not really, but Hamlet's attitude toward women is definitely sexist and biased, and his hate seems to emanate from his revulsion at his mother's marriage to Claudius, which he considers “unfaithfulness” to his dead father. His attitude is totally unjustified.
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
Hamlet’s sense of betrayal by Gertrude, although briefly taking him off course, ultimately infuriates and intensifies his urge for revenge. Because of Gertrude’s refusal to acknowledge her sins, Hamlet becomes even more personally motivated to kill Claudius for revenge. Queen Gertrude, though ignorant, has a huge impact on the play because her betrayal and abandonment motivates Hamlet to get revenge. When writing Hamlet, Shakespeare created a complex play that relies on the roles of two important women to aid the progression of the plot. Although Queen Gertrude and Ophelia rarely speak, they function as a way for the men to become informed about Hamlet’s mental state and motives for madness.
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.