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literary analysis essay on much ado about nothing
analysis of much ado about nothing
literary analysis essay on much ado about nothing
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Much Ado about Sitcoms
Introduction
How I Met Your Mother is an American sitcom that has been airing on CBS for the past eleven years. The popular show follows the lives of five friends as they seek to settle down in their lives and marry. The show is narrated from the perspective of one of the main characters, Ted, as he tells his children the story about how he met their mother. As such, Ted narrates most of the story in the past tense and a key focus of the show is his own love life as he explains the process of courtship that he went through before finally getting married. One of Ted’s love interests in the show, Robin, is another main character and one of the five friends that How I Met Your Mother revolves around. Two other characters, Marshall and Lily, are a couple right from the start and eventually marry halfway through the show. The last main character, Barney, is a rich, womanizing bachelor that provides most of the comic relief in the show. His promiscuous exploits with different women in the city of New York regularly act as side plots within the show.
How I Met Your Mother and Much Ado have several similarities. Both of them revolve around multiple couples that are all connected by virtue of being friends. Additionally, a key theme in the show and the play is the complicated nature of courtship. Because of this, courtship is the theme that this script will address using some of the characters from the play in roles that were in the show. Applying characters from How I Met Your Mother as reimaginations of several parts from Much Ado can help show that the complexities of courtship are quite similar as expressed in the play and the television show.
Reimagined Scene
INT. MCLAREN’S BAR – NIGHT
McLaren’s Bar is fully ...
... middle of paper ...
...t me Marshall, you should realize that if you’re angry enough to storm into the room to fight me then you do care about Lily and you two should probably get married. Also, please don’t hit me in the face, its all I have…and a lot of money, and suits…
TED
[Interrupting Barney] Is that why you did this?
BARNEY
Well yes, contrary to what you think I do care about you guys
LILY
I never thought I’d say this, but you are one of the best friends I’ve ever had Barney.
Conclusion
The reimagined scene is similar to Act II Scene I from Much Ado in that a deception by one of the characters plays a role in bringing a couple together. This brings out various issues around courtship such as the uncertainty that people have and the question of trust. Similar to Much Ado, the scene sees love prevailing and the whole process of courtship ending in happiness for all.
In Much Ado About Nothing Shakespeare depicts different kinds of loving relationships - romantic love, family support and loyal friendship - and shows how various characters react to love and marriage. By exploring the effects of this powerful emotion Shakespeare highlights its universal relevance, a relevance that transcends time.
The modernization of nearly outdated and cliché settings typically used for Shakespearian plays such as Much Ado helps enforce Whedon's attempt to make the film and play familiar, as well as creates accessibility for the audience regardless of how well they may understand Shakespeare's language. Both the ensemble and individual cast members assist in achieving Whedon's vision by creating an atmosphere that seems familiar if only that it could be our own family and friends throwing that same banter back and forth between each other. Their playful and occasionally raw performances combine with a spectacular setting to help make Whedon's Much Ado About Nothing a stellar film that is a nearly perfect modern translation of a classic, centuries old
Scene 2 act 2 is one of the most important scenes in the play. This is
The title of Shakespeare’s Much Ado About Nothing has sparked scholarly debates about its meaning for centuries. Some say it is a play on the term “noting”, revolving around the theme of all sorts of deceptions by all sorts of appearances (Rossiter 163). Others claim it has more to do with everyone making a fuss about things that turn out to be false, therefore, nothing (Vaughn 102). Regardless of these speculations, there is something rather profound going on in the play that is worth making a big deal about: four characters in the play learn about love, and eventually, how to love.
In Act I of Romeo and Juliet, Shakespeare demonstrates different forms of love that characters face. From the beginning, Romeo struggles to find true love and what love really is. As for Juliet, she also struggles on what love is, but also finding her own voice. And when finally finding true love they discover that they have fallen in love their own enemy. They both realize that the idea of love can be amazing, but also a painful experience. Shakespeare demonstrates love versus evil and the forms love takes that is acknowledged as an universal issue that connects different types of audiences. Audiences are captured by relating on love and the emotions that are displayed. From Romeo and Rosaline’s unrequited love, Paris and Juliet’s false love, and Romeo and Juliet’s ill-fated love, create the forms of love that establishes love as a leading theme in Act I.
Much Ado About Nothing is one of William Shakespeare’s best comedies and love stories. What is not to like about a play that is hilarious, romantic, and has a happy ending? In this play the foremost and most intriguing character is Benedick, a man who is a devout bachelor and who does not believe he will ever find the perfect woman; --because perfect is exactly what he must have. This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future. Benedick’s counterpart in the play is Beatrice who is an independent woman with a quick tongue. Benedick and Beatrice despise and cannot stand each other because it is seemingly impossible for them to have a conversation without arguing and angering each other. The two of them provide some of the more amusing scenes of the play with their word play and mocking of each other. In reality though, they have much in common that they have yet to realize. Both of them despise marriage, are witty, and are each their own persons. These however are not the reasons why they come together. They are brought together by their respective companions who conspire to tell each of them that the one loves the other as the two misdirected lovers listen in. In his speech directly after this, Benedick is swayed to a life that he previously would have avoided at all costs. In hearing of Beatrice’s supposed affection he immediately changes his entire outlook on perpetual bachelorhood and pronounces a love that is not real or his own, but comes secondhand from trickery.
...With its unforgettable characters and witty charm, this Much Ado entertains the masses and at the same time reveals the troubles and adversity of love and mistrust. Kenneth Branagh creates his own individualistic adaptation of this classic through the use of visual imagery, characterization, and setting. Branagh cut many lines and speeches from the text to better support his interpretation of a more open and informal society of warm-hearted, affectionate characters. Though Shakespeare's mood is more formal, Branagh remains true to the essence of the play as all of the same characters and most of the dialogue are justly included in the film. Although distinct differences can be made between Branagh’s film and Shakespeare’s written work, they both share a common denominator of good old-fashioned entertainment; and in the world of theater, nothing else really matters.
...particular play acts as a vessel for this message of mocking self-indulgence and the tragedy of the lack of true love and suspicion of relationships that seems to define the present generation.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
Many of Shakespeare's plays show a strong theme of love. Romeo and Juliet and Much Ado About Nothing deal primarily with the issue of true and false love. Romeo and Juliet, tragic play, is about two lovers who struggle, sacrifice, and defy their families and society for the sake of love that changes them completely. Although the end of Romeo and Juliet's story is death both of the lovers, their love turns to be immortal. Much Ado About Nothing, comedy play, is about two lovers who their relationship starts as child like and develops to be true love that motives the lovers to sacrifice in order to keep their love. The two plays deal also with the idea of false love. Romeo, the hero of Romeo and Juliet, thinks that he loves Rosaline, but when he meets Juliet, the heroin of Romeo and Juliet, he falls in love with her, forgetting his love to Rosaline. In Much Ado About Nothing, the relationship between Claudio and Hero's, main characters in the play, is based on wealth and appearance attraction. Conventional love is another kind of that is shown in Romeo and Juliet, where it develops in social situations without any consideration to emotions.
His love for Hero seems to be based purely on looks, 'in mine eye she
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
Just like many other times before, I have never read this play or actually even heard of it. Overall, I thought the story was a little difficult to understand but the storyline was actually entertaining. With this reader response, I would like to discuss my favorite scene with Beatrice telling Benedick how much she hates him; how I wonder whether or not Beatrice knows she is talking to Benedick; and finally, Balthasar’s song and how I believe that it could be a possible theme to the play.
The theme for honour and fidelity apply for both men and women in Shakespeare’s play ‘much ado about nothing’. Honour and fidelity is represented very differently for men and women as it would have been for the people in Elizabethan times. In this first section of the essay, I will be exploring double standards and Shakespeare’s awareness of the double standards between sexes and his feminist approach, the differences of honour and fidelity for men and women and upper class and lower class comparisons.
Situational comedies, more popularly referred to as sitcoms are often praised for their fast pace story line and humorous dialogue, creating an entreating experience worthwhile for many viewers. The sitcom How I Met Your Mother, follows the narration of Ted Mosby telling his kids the story of his life in New York City with his friends, as he attempts to find love. The sitcom is often credited for the introduction of the iconic character, Barney Stinson, a friend of Ted Mosby. Barney Stinson is most noted for his love of suits, the creation of the Playbook (a book with “plays” he uses to seduce woman) and his iconic catch phrases. However, at a closer examination, Barney’s behavior can be criticized towards his treatment of women throughout