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King lear critical viewpoints
Similarities and differences in the life of lear and gloucester
Critical readings of king lear
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In the play, Shakespeare uses the idea of blindness and plays on it, blindness theoretically means the disability/ incapability to not see or have sight. But in this play, Shakespeare uses blindness as not a physical flaw, however, he makes it a mental flaw. He makes blindness the inability to see people for who they really are as humans. Shakespeare showcases this through two characters, Lear and Gloucester, who are not able to distinguish their children for who they really are. This leads them to make bad decisions that lead to the deterioration of the society. Firstly, a key character to emphasize this idea is Lear, who in the first scene of the book showcases that he is incapable to distinguish his daughters for who they really are. He …show more content…
He as a king is supposed to be making good decisions and should be able to distinguish from good and bad, however, Lear’s good judgement is clouded by his incapability to see the truth. He is so easily blinded by the expression and claims of love from Goneril and Regan, he becomes blindsided when it comes to Cordelia. He believed that Cordelia would announce her love in the form of the most flattering terms but he becomes infuriated by what she actually says to him. He is so blinded by the lies of Goneril and Regan that he cannot see that Cordelia is being honest and genuinely kind. Therefore, he banishes her in his anger and he also banishes his loyal ally, Kent, when he tries to tell Lear that he is being irrational. By taking the words and his daughters, Regan and Goneril, at face value, it results in the ripple effect of events to come which lead to the destabilization of society. This can be supported by the existentialist theory, which questions how one’s actions and decisions determine the meaning to his/her existence. In this case, the existence of Lear is determined by his decision to divide his kingdom into two parts, while banishing Cordelia and
Gonorill. Regan. Cordelia. Those names should ring a bell if you have ever read or seen “The Tragedy of King Lear.” The plot behind this play revolves around King Lear’s relationships with each of these three characters; his daughters. King Lear has a different relationship with each of them. Gonorill, Regan and Cordelia all have very distinct personalities. In this play, King Lear decided it was time to give up and divide his kingdom amongst Gonorill, Regan and Cordelia. He determined who got what based off of their love for him. Each daughter was asked to express their love for their father but, only Gonorill and Regan end up with portions of King Lear’s kingdom.
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
When the audience is first introduced to Lear, he is portrayed as a raging, vain old man who can not see the purity of his daughter Cordelia's love for him from the insincerity of her sisters Goneril and Regan. In his fiery rage after disowning Cordelia, Lear commands to Kent, "Out of my sight!" (1.1.156). Kent fittingly implores the aging king to "See better, Lear; and let me still remain / The true blank of thine eye" (1.1.157-8). Kent recognizes love in its most noble form in the person of Cordelia, and is able to see through the hypocrisy of Lear's other two daughters. In beseeching Lear to "[s]ee better," Kent is, in effect, asking Lear to look beyond his vanity and inward pride to see the honesty of Cordelia, who refuses...
Much of the imagery in King Lear's first scene presages what is to come in the play. Often characters refer to senses, particularly sight, whether as a comment on the necessity of sensing consequences before acting (as Lear does not), or as yet another of Shakespeare's comments (most apparent in Hamlet) on "seeming." The destruction of Gloucester's eyes and his subsequent musings ("I stumbled when I saw" (IV.i.19) etc.) are a more graphical presentation of this basic theme which originally appears in Lear's first scene. Goneril declares Lear is "dearer than eyesight" (I.i.56) to her (though she is the one who later suggests putting Gloucester's eyes out for his "treachery"). Regan goes further, proclaiming "I profess / Myself an enemy to all other joys / Which the most precious square of sense possesses" (I.i. 72-74). Crossed in his wrath by Kent, Lear cries "Out of my sight!" (I.i.157), only to be reproved with Kent's "See better, Lear, and let me still remain / The true blank of thine eye." (I.i.158-9).
However, the two sisters sole interest lies in acquiring their father’s power and money, so each of them refuse to accommodate him and his 50 knights. In Scene 4, Lear finally realizes that Goneril does not truly love him as proclaimed in Scene 1, when she put her father above all else; Lear now sees her for who she really is and realizes that he banished the wrong daughter Cordelia, who had been honest in pronouncing that she loved him according to her bonds, no more nor less.
By the time Lear gains recognition of his own situation, and how his blindness has caused him great misfortune and heartache, it is too late and he dies with his beloved daughter Cordelia, after reconciling with her. Gloucester is another key example of mental blindness in King Lear, his gullibility and lack of sight causes him to be deceived by his son Edmund, and mistrust his loyal son Edgar. Edmund uses a letter to trick his father into believing that Edgar was trying to harm him. He purposely hides the letter so his father will ask. Gloucester is soon caught in the trap his son has laid; now he is mentally blinded by his son, and turns against Edgar.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
Lear, like any king, Pagan or otherwise, would have been seen as the godhead on earth and therefore a man of exceptional power who implemented the gods' will on earth. Such a figurehead should surely command absolute respect and obedience. Yet Cordelia displeases her father, and Goneril's and Regan's actions following Lear's abdication can only be described as shocking, even to a contemporary and more liberal-minded audience. Act one, scene one represents the first emergence of filial disobedience, starting with Lear's vanity demanding that his daughters say how much they love him in a meaningless ceremony. Cordelia, his youngest and favourite daughter, will not be drawn into this.
The first stage of Lear’s transformation is resentment. At the start of the play it is made quite clear that Lear is a proud, impulsive, hot-tempered old man. He is so self-centered that he simply cannot fathom being criticized. The strength of Lear’s ego becomes evident in the brutal images with which he expresses his anger towards Cordelia: “The barbarous Scythian,/Or he that makes his generation messes/To gorge his appetite, shall to my bosom/Be as well neighboured, pitied, and relieved,/As thou may sometime daughter.” (1.1.118-122). The powerful language that Lear uses to describe his intense hatred towards Cordelia is so incommensurable to the cause, that there can be only one explanation: Lear is so passionately wrapped up in his own particular self-image, that he simply cannot comprehend any viewpoint (regarding himself) that differs from his own (no matter how politely framed). It is this anger and resentment that sets Lear’s suffering and ultimate purification in motion.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can
Once Goneril and Regan took complete control of the kingdom, it was evident that King Lear’s power and authority was tarnished. Goneril and Regan abuse of power lead to the madness and the crisis Lear experienced. For example, while Lear was outside in during the storm, he basically questioned who he was not only as king, but as a man. "Doth any here know me? This is not Lear: Doth Lear walk thus? speak thus? Where are his eyes?" (I..IV.218-222). this quote just shows the depth of Lear’s troubles and blindness. Now that Lear has lost all his power to the evil actions of his two daughters, he’s essentially in an identity crisis, and unable to see who he truly is anymore with the title of “king”, which all play a part in his tragedy and eventual
Lear's vision is also marred by his lack of direction in life, and his poor foresight, his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters who loves him most, he already thinks that Cordelia has the most love for him.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her: