The great French leader Napoleon Bonaparte once said “Great ambition is the passion of a great character. Those endowed with it may perform very good or very bad acts. All depends on the principles which direct them”. This wise inclination stated by an 18th century revolutionist ties into the character of Macbeth in William Shakespeare’s play Macbeth. Macbeth’s constant struggle for power through his evolving morals and principles is very apparent, and eventually becomes life threatening for himself. Shakespeare demonstrates throughout the play that a selfish and unhealthy ambition for power can lead to the development of skewed morals and principles.
Initially, Macbeth has straightforward, clear beliefs that reflect his loyalty to his superiors,
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Now that he has an appetite for power, he feels a need to do anything, whether it is morally correct or not, to maintain the power he has. Large amounts of skepticism has risen from the suspicious coronation from those he trusts most. Even his closest friend, Banquo, questions the situation, saying “[Macbeth] hast it now: King, Cawdor, Glamis, all, as the weird women promis’d, and I fear thou played’st most foully for’t ” (III.i.49). Unknowingly, Macbeth embraces the change, transforming in a ruthless tyrant with a taste for blood. His morals have changed exponentially since the beginning of the play, where he was scared to even think about committing an act of disloyalty to his king. Whereas now he goes as far as conspiring a murder against Banquo and his son Fleance, just because of a fear of his “...fruitless crown…” and “...barren sceptre…” to be “...wrench’d with an unlineal hand” (III.i.52). Eventually, the overconfidence reinforced by the prophecies presented by the three witches predicting his seemingly invincibility, leads to his morals even being further skewed. These new fearless perspectives of himself ultimately prompts him into a battle against late King Duncan’s sons army, where Macbeth is finally defeated by a vengeful
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
Shakespeare clearly explores the themes ‘Fate and Free Will’, and ‘Ambition’ within this tragedy. Shakespeare weaves these themes around the character of Macbeth, showing us the depth of his insight into human society. Macbeth fell victim to his interpretation of supernatural prophecies and the influence from his wife. His impatience for the throne led to his crimes, subsequent guilt and acknowledgement of his sins. Shakespeare presents Macbeth’s life to his audience as a moral tale, warning them how men should be careful how they regard the ideas of fortune and fate and how in the end, evil intents and actions bring with them their own punishment.
Where is there a page in William Shakespeare's tragic play Macbeth which does not present the selfish virtue of personal ambition. This paper addresses the problem of ambition in the drama.
Macbeth takes his first step toward becoming evil when he is confronted with the knowledge that he will be king. When the witches tell him "All hail, Macbeth! that shalt be king thereafter!" he makes the mistake of letting his ambition overrule his judgment. If his judgment had remained intact in the face of the witches' powerful prophecy, he certainly would have decided not to let his actions be dictated by a prophecy given to him by three strange witches who evade most of the questions he asks. With great trepidation and considerable pressure from Lady Macbeth, he commits his second mistake by proceeding to murder King Duncan. Driven by a persecution complex that starts with the knowledge that Banquo is meant to be the f...
The play Macbeth, by William Shakespeare illustrates how greed for power and wealth can result in the destruction of oneself as well as others. The play's central character, Macbeth is not happy as a high-ranking thane - leading him to assassinate Duncan to become King, while unknowingly dooming himself. Throughout the play many examples are evident of Macbeth's unquenchable thirst for power.
In the beginning of the play, Macbeth is described as being “valiant”. He is a skilled warrior, who is loyal to his king and his country. Almost single-handedly, he wins the war for Scotland. He defeats many of the enemy soldiers, including a traitor, all in the name of his king. But, when three witches encounter Macbeth and his friend Banquo, Macbeth’s ambition begins to grow. They tell Macbeth that he will be Thane of Cawdor and King. Soon after, Macbeth meets with King Duncan. He informs Macbeth that he is the new Thane of Cawdor. Macbeth is astonished, and from then on he is obsessed with being king. His ambition begins to become ruthless when Duncan proclaims that his son Malcolm is the Prince of Cumberland, and therefore, the heir to the throne: “The Prince of Cumberland! That is a step/On which I must fall down, or else o’erleap, /For in my way it lies. Stars, hide your fires;/Let not light see my black and deep desires:/The eye wink at the hand; yet let that be/Which the eye fears, when it is done, to see.” (I,iv,48-53) At this moment, Macbeth, realizing that they stand in the way of the witches’ prophecies, decides that both Duncan and Malcolm need to die for him to be king. As soon as Macbeth kills Duncan, he enters into a world of evil. Later in the play, Macbeth’s ambition becomes increasingly ruthless. He kills his best friend Banquo, and almost kills Banquo’s son, Fleance, because he believes they would stand in the way of his reign. The witches told Banquo “Thou shall get kings, though thou be none.” (I,iii,67) This means that Banquo himself would not be a king, but that his successors would be. Macbeth tries to prevent this by killing Banquo and his son Fleance.
In Shakespeare’s Macbeth, Macbeth’s morality changes throughout the course of the play. He goes from being reluctant to kill an innocent man, to paying mercenaries to kill his best friend, just because his children and descendants will be kings, according to the prophecies. Macbeth’s morality changes through influences, such as his wife’s pressuring, the witches’ prophecy, and the fact that his plan worked for so long.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
Shakespeare's play Macbeth provides the reader with a clear understanding of ambition's corrupting power in Shakespeare's tragic character Macbeth, through his inner conflicts, struggles to maintain stable relationships with those surrounding him, and clashes with society. To begin, Macbeth experiences an internal downfall due to his ambition, where he battles between his desires and moralistic values. Initially, the idea of attaining power over Scotland by killing King Duncan sparks a sense of fear and paranoia in Macbeth, however, his conscience struggles to take over his ambition: "that we but teach/ Bloody instructions, which being taught, return/ To plague the inventor. [.]
Ambition and desire are double-edged notions present in all who crave success and power. While ambition is most often associated with unfavorable greed and overwhelming need, people who express this desire are simultaneously praised for being goal-oriented and steadfast in achieving their goals. In the play Macbeth, by William Shakespeare, this duality of ambition is explored through the character of Lady Macbeth. In the play, Lady Macbeth’s husband, Macbeth, is prophesied to be king, and in order to expedite his path to the throne and their combined rise to power, Lady Macbeth plots to murder the current King Duncan. Throughout her Act I soliloquy, Lady Macbeth reveals not only her malevolent and scheming nature, but also profound determination
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeth's critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that resulted in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words throughout the play as to how he led himself through a path of betrayal leading to his inescapable demise.
Lady Macbeth and the witches have both planted the seed of ambition inside of Macbeth Because of Lady Macbeth’s wicked behavior, which resulted in Macbeth’s evil transition; he was led to become a murderer. Macbeth should not be held accountable for his actions completely since she is the one who lead him towards committing both crimes. The major theme ambition and greed for power have played a key part in Macbeth’s fall from a great Scottish general to a murderer. People should be content on what they have and not strive for things which destroy a person even if we are influenced. In this case Shakespeare’s thought proving play of Macbeth.
Macbeth, who at the beginning of his play’s plot is in a position of some honor and power, obtains position as king of Scotland through secretive foul play, spurred on by some external manipulation as well as personal ambition. “Macbeth’s ambition is unchecked by both moral and legal considerations-he will stop at nothing to get what he desires… Macbeth’s unbridled ambition is the root of the play’s evil because he is willing to throw the world into chaos in order to satisfy his personal desires.” (Thrasher, 92). His rebellion is heinous, but so long undiscovered. His ambition, though present in some degree from the beginning, metastasizes within him through the play as more obstacles to his retention of royal status crop up. “He begins well…but this...