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Summary on the origins of the piano
Summary on the origins of the piano
Summary on the origins of the piano
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Evolution of the Piano
Dulcimer originally found in Iran shortly after the birth of Christ. The Dulcimer is the basic principles of the piano, hammers striking different strings tuned over a flat soundboard. Dulcimer players used two light sticks ending with broader blades, instead of the mechanical hammers.
Clavichord built in around 1400, the clavichord had about ten strings and in earlier examples two notes or more was produced from that string or pair of strings by making two or more tangents contacts the same string or pair of strings at different points. The clavichord has a quiet tone, but the way it’s built allowa for some control of dynamics and even vibrato.
The virginal uses the same plucking action as the harpsichord, but it is oblong rather than wing shaped and the keyboard is in the long side. In this regard, it resembles the clavichord in shape. The virginal has one string per note running parallel to the keyboard and its range is approximately four octaves.
Harpsichord has the string which is plucked by a small plectrum, originally of quill. The variety of sound from these plucked instruments is achieved not primarily by finger pressure, but more subtly by phrasing and articulation. Variety of tonal color can be obtained, on a harpsichord by judicious choice of registration.
Cristofori Pianoforte - The year 1709 is the one most sources give for the appearance of an instrument which can truly be called a "Pianoforte." The writer Scipione Maffei...
86), depth or space is illustrated or implied by the size and position of the flute and guitar player being the larger of all the musicians in the foreground and the smaller musicians behind them. Depth is further depicted by the guitar player's right leg in between the flute player's left leg. The line in the neck of the smaller guitar and the implied receding lines of the guitar's body depict linear perspective and add depth. Paolini creates value by using the artistic technique chiaroscuro or Italian for ‘light-dark’ on the flute player per DeWitte (2015, p. 84). The flutist back is highlighted in bright light coming from over his right shoulder. His front side or chest is bathed in shadow.
Smith, Douglas Alton. A History of the Lute from Antiquity to the Renaissance. Massechusetts: The Lute Society of America, Inc., 2002.
Antonio Stradivari, a man known by many as on of the greatest luthiers of all time. The question at hand is why? From as early as the early 1700’s Stradivari was well known in the music world and still is. His instruments are reproduced in order to fool consumers into buying an instrument that has the same design as a Strad. There are also luthiers that try to replicate Stradivari’s beautiful design for their own satisfaction. Antonio Stradivari’s instruments have become socially and technically popular over time due to his superior craftsmanship, and for others, its large price tag. Stradivari’s life, affecting how his instruments were made, changed the perception of his instruments technically and socially.
The next logical step in this evolutionary chain was as sure as a spoiled child’s demands. Now that I have what I want I want more of it. Thus came the psaltery (diagram 2). The psaltery was a great leap fourth from the monochord. It was a small trapezoid shaped box with many strings stretched over it. However unlike the monochord the psaltery did not have movable bridges to change the pitch while playing and furthermore these bridges were much more like the bridges of modern string instruments. The psaltery was played by picking the strings (which were obviously tuned to different pitches) with the fingers or with a pick. This was an extremely popular instrument in the Middle Ages but as the music got more complicated and simple accompaniment wasn’t enough it was soon swallowed by progress.
Wolfe, Joe. "How Do Woodwind Instruments Work?." Music Acoustics. 1994. 2014. Web. April 13, 2014. .
doubling the vocal line in harmony. The bottom, left corner of the piano was used as a bass
From the Early Renaissance to the High Renaissance, there was a movement from vocal music to a combination of vocal and instrumental music (Brown, 1976). There are seven categories of instrumental music: 1) vocal music played by instruments, 2) settings of pre-existing melodies, 3) variation sets, 4) ricercars, fantasias, and canzonas, 5) preludes, preambles, and toccatas for solo instruments, 6) dance music, and 7) songs composed specifically for lute and solo voice (Brown, 1976). Italy dominated the stage for instrumental music at this time, and it was not until the last decades of the sixteenth century that English instrumental music became popular (Brow...
tuned in a similar way to the Renaissance guitarrilla (or small guitar): from the first
In Greek mythology as a whole, fate does have a sizeable role in most tales. However, the definition of fate for the ancient Greeks extends from the common definition. The definition of fate that is familiar to us is anything that happens for an unknown reason and is out of our control. But in Greek mythology fate also involves divine intervention from the gods of Olympus. They are able to change outcomes and alter situations to the point where what occurs might not have happened without them. In The Odyssey, gods have a very prominent role. But you cannot just discuss fate by itself. Free will is also a factor. Free will is mankind’s ability to make decisions control the aspects of one’s life. In The Odyssey life is the individual’s responsibility.
The clarinet is a woodwind instrament consisting of a cylindrical wood, metal, or ebonite pipe with a bell-shaped opening at one end and a mouthpiece at the other end, to which a thin reed is attached. The clarinet has five different sections, the mouthpiece, the barrel, the upper section, the lower section, and the bell. The length of the entire instrument is 60 cm long. The mouthpiece section consists of a slotted cylinder, to which a reed is attached by a metal clamp called a ligature. The mouthpiece plugs into the next section which is a barrel. The barrel is simply a connecting cylinder to which the mouthpiece and the upper section plugs into. The upper section is a cylindrical pipe consisting of 4 holes and 9 keys placed in different locations along the pipe. On the back of the pipe there is a hole and a key that is used by the thumb. The lower section plugs into the upper section and is also connected via a special bridge key. This piece consists of 3 holes and 8 keys. On the inward facing side of the pipe, there is a protruding piece of metal called a thumb rest, which supports the entire clarinet. The bell plugs into the lower section. It consists of a cylinder that flares out into a bell shape and ends the clarinet.
Giuseppe Torelli, was an Italian violinist, teacher and composer, is considered one of the early developers of the Baroque concerto and concerto grosso. Torelli also composed a significant number of works for the trumpet during the Baroque period (1600-1750). Around 1690, one can begin to see the first works for the trumpet. He was familiar with the virtuoso trumpeter, Giovanni Pellegrino Brandi. Brandi would sometimes play with the San Petronio orchestra, of which Torelli was violin player. This acquaintance could explain Torelli’s awareness of the trumpet’s timbre, dynamic range, and expressive capabilities.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Free will on the other hand is not engineered. It speaks to the concept of having full authority over one's aspirations and ultimate direction. The key there is "ultimate." The gods can make up the plan and choose the path, but the people had to walk it. Therefore, fate and free will are not mutually exclusive and they both go on throughout The Odyssey.
The concept of fate has existed since the time of the ancient Greeks. The Greeks believed very strongly in fate, which can be defined as either a power beyond human control that determines events, or the outcome or end. In "Oedipus Rex," King Oedipus lives and dies by fate. Fate influences the entire plot, thereby allowing for some interesting developments that may be unpredictable to the audience.
The Baroque Masters lecture performance by Dr. Yelena Grinberg showcased a selection of keyboard works composed during the Baroque Ear (1600-1750) by t Baroque Masters George Frederic Handel, Domenico Scarlatti, and Johann Sebastian Bach. The ideal of the Baroque period was that music should not only be pleasing, but it must also induce very strong, visceral emotions and stir the passions of the soul. Some important features of the Baroque ear are the precise and elevated rhythms, clear and defined meter, irregular or embellished melodies, and an enriched and unified texture which was he together by the ongoing ground bass known as basso continuo. Although each of these Baroque Masters composed music that was highly reflective of the Baroque