William Blake’s “London” takes place in the city; there is a sense of criticism the speaker advocates upon entering the city. The initial setting of the poem is, “Near where the charte’d Thames does flow” (Line 2). The speaker is giving readers an image of confinement. He is stating that the river, buildings, and people are restricted and there is little freedom. Charter is a government issued document that gives rights to people. The speaker is depicting a sad society by telling readers that the people have “marks of weakness” and “marks of woe” expressions (Line 4). Blake is illustrating that the limitations of people in London have led them to be unhappy. Blake looks to drill this sense of restraint and confinement into our head by stating that, “In every voice: in every ban, / The mind-forg’d manacles I hear”, he believes London citizens are constrained in a way that is similar to handcuffs (Line 8).
The poem shifts to the way children are affected by the restricted society. “How the Chimney-sweepers cry/ Every blackning Church appalls,” (Line 9) points out that children are being subdued to a life of limitation at a very young age. This limitation in children is leading to a more corrupt society. Children are no longer playing outside and becoming in touch with nature. Instead, children are forced to work as chimneysweepers and live lives that do not promote creativity. Chimney sweeping is considered a dangerous job because of the soot and carcinogens. The children are being held to a darker life in the sense of less innocence and have little imagination to do what they please. The lack of freedom and confinement lead to corruption in the city.
“But most thro’ midnight streets I hear/ How the youthful Harlot’s curse” (Lines...
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Many Romantic works come from both the poet’s individual perceptions as well as the social consciousness of that era. “The Garden of Love” is no exception. This poem functions to brutally satirize both the oppression of the Church, which had a societal impact, and the urbanization of Lambeth, which had a personal impact on Blake’s life. As Blake has been known to do, he utilizes contrast to make the decay of his world blatant to the reader. Such contrasting is visible when the image of a life-giving garden decays into an image of death. This parallels the events that took place in Blake’s own life, when his rural home became swallowed up by urban sprawl.
He so eloquently mentions the ‘mark in every face’ connoting the similarities of those individuals around him, followed by ‘marks of weakness...woe’ portraying the depressing situation the character is surrounded with (the people around him are deeply scarred by the despair). Blake purposely uses imagery to clearly justify the feelings of the civilians around him which mirrors his own dismay, again the cold harsh reality around him. Blake takes the reader on a sensuous journey that describes the dangers of what the plutocracy has created, how it seeps through the people around him. He constantly repeats the term ‘I hear’ to emphasise the repetitiveness that surrounds him and how he is tired of it all. Overall this poem explains the poison that has befallen on him and those around him. Furthermore, this poem portrays his sickness of the streets of London and the sickness of
This poem is set in the speaker’s garden, a sacred place where he can assess his relationships and harvest his emotions. The speaker seems to be just an average man speaking on behalf of his personal experience and sharing this with his audience. Due to the simplicity of the poem’s theme we can assume the audience was intended to be humans in general, Blake wanted the message to be clear to everyone. As readers we can easily relate to the idea of holding a grudge against our enemies and letting it fester inside.
“London”, by William Blake, allows us to eavesdrop on the thoughts of a midnight wanderer who stalks the streets of London laying judgment to all he sees. As part of his book of poetry, written in 1789, “London” was included in the section named “Songs of Experience” (as opposed to “Songs of Innocence”). Every poem of the book has an “experienced” and an “innocent” counterpart, save this one. The mind of Blake's wanderer is the mind of a sociopath. The narrator of the piece is disgusted with all around him and all that London represents. He seems to hold the babies, the soldiers, the whores and the church accountable for the state of the city. He displays the abnormal tendencies of what would be considered, in modern psychology, an antisocial personality. Perhaps there is no innocent counterpart to this poem for the man in this poem has lost his innocence. There is no complement to the mind of a person who, for all intents and purposes, has lost touch with the his fellow man.
From the examples of figurative language and devices seen in the “Ballad of Birmingham”, the role of youth in society is ever changing. The days of youth being associated with innocence is gone and they are now driven to speak against issues in society. Yet, these youth can be lost without hesitation, concluding the cruel irony that the poem centres on a mother who wants to be sure her child is protected from the revolution, yet it is the sacred, the church where her young girl is lost, showing the merciless of society, where all is affected by the repercussions of an event, but only a few truly feel the harshness of it.
The location of the poem contributes greatly to each citizen's frame of mind because surroundings influence how people react in their environment. "London" is described as confined, creating the illusion that the citizens are trapped in their misery. "I wander thro' each charter'd street, / Near where the charter'd Thames does flow,..." During Blake's time, the word "charter'd" carried the denotative definition of restriction and confinement creating an image of a city that only allows limited movement and freedom. The repetition of the word "charter'd" emphasizes how cramped the city is. Even a river, a part of nature known to be free, is kept imprisoned and res...
The poem "London" by William Blake paints a frightening, dark picture of the eighteenth century London, a picture of war, poverty and pain. Written in the historical context of the English crusade against France in 1793, William Blake cries out with vivid analogies and images against the repressive and hypocritical English society. He accuses the government, the clergy and the crown of failing their mandate to serve people. Blake confronts the reader in an apocalyptic picture with the devastating consequences of diseasing the creative capabilities of a society.
In 1848, Karl Marx became renowned for his work, The Communist Manifesto, which was considered one “of the most eloquent and undoubtedly the most influential political pamphlet ever published…” (Waugh 140). Marxism, as it later became known as, explored “the intellectual rationale of the numerous Communist and Socialist parties” (Waugh 140). The foundation of Marxist views relied on that of class struggle: “Marxist criticism must always insist upon the issue of class relations, and class struggle, in unlikely contexts no less than likely ones” (Waugh 143). Works dealing with Marxism must, then, show the difference in classes, and the struggle and plight that the lower class faces at the hand of the upper class. It was also the Marxist belief that in order to exact social change, the masses would need to come together and cause a social upheaval.
Rush, Tayna. "The Prelude: William Wordsworth - Summary and Critical Analysis." BachelorandMaster.com. N.p., n.d. Web. 10 Mar. 2014. .
The point of view in which Blake employs to London is significant to the understanding of the poem. Blake chooses to give the poem a persona, a person who appears to have extensive knowledge of the city and helps give credibility to the poem. (Foster, 1924) The use of first person in all three stanzas allows the poem to be more opinionated and less objective, drawing the reader's attention by making it more personal. Blake's London is to be the reader's London as well. In addition to point of view, Blake further sophisticates his piece by presenting specific tone to each section of the poem. Blake sets the tone early in the poem by using the word charter?d which shows the condition of London as repressive. The speaker refers to the people or ?faces? he meets with ?Marks of weakness, marks of woe.? This diction advocates the probability of the city being controlled by a higher authority. The faces of the people, or the face of society reveals the feelings of entrapment and misery in the population. This in itself could propose, "humanity itself is being commercialized" (Damon, 1965). One of the interesting aspects of Blake's poetry is the layers of meaning his words connote.
Wordsworth had two simple ideas that he put into his writing of poetry. One was that “poetry was the spontaneous overflow of powerful feelings.” The second idea was that poets should describe simple scenes of nature in the everyday words, which in turn would create an atmosphere through the use of imagination (Compton 2).
"The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010.
William Blake uses repetition throughout the poem in multiple circumstances. The first time he uses repetition is in the first and second lines of the first stanza. Blake repeats the term “charter’d” to describe both the street and the Thames River. Both being described in this way makes the audience have the idea that London is a strict, governed area that may have
William Wordsworth. “Lucy Gray.” English Romantic Poetry .Ed. Stanley Appelbaum. New York: Dover Publications, 1996. 33 – 4.