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influence of science fiction
conclusion of science fiction influences on modern society
conclusion of science fiction influences on modern society
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Summer break of 2011 had just started and I was looking for some entertainment. Being a big science fiction fan I was sure that I had gone through all the franchises, Star Wars, Star Trek, Battlestar Galactica, and Stargate. Bored and yearning for something new I decided to do some browsing. Then I came across a show called Farscape. I had heard of the show in passing, but never gave it a second look. This had been a mistake on my part as I quickly realized Farscape was my new favorite show. Farscape aired on the Sci Fi channel from 1999-2004, during its syndication it won several awards and became a cult hit. Farscape’s an original show with broad appeal, featuring both drama and comedy in generous amounts worth experiencing.
Farscape’s the story of John Crichton or just “Crichton”, as his companions call him, an astronaut who, while performing an experiment in Earth’s orbit is sucked through a wormhole. On the other side Crichton joins forces with a ragtag group of prisoners and former soldiers, on a living ship. Throughout the series they’re pursued by Peacekeepers, futuristic human like super soldiers and the Scarrans, a brutish race of reptilians. Both the Peacekeepers and Scarron’s are in a cold war, constantly pursuing Crichton for the wormhole knowledge in his head. This is a refreshing break from science fiction, where protagonists traditionally explore the galaxy or fight against some grand villain. Here Crichton and crew simply try to evade a vastly superior force and survive from one day to the next.
Crichton is unlike your typical hero, he isn’t particularly smarter or stronger than the enemy or his companions for that matter. This is another welcome change from standard science fiction, with humans generally viewed...
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... all these components and separate them they’re interesting in and of themselves. However, when we combine them, as Farscape did, we have a truly fascinating show. Or as Entertainment Weekly puts it “If the wisecracking puppets didn't make it cult, the sexy silver and blue alien babes surely did. Farscape was also one of the trippiest space sagas ever”(EW Staff). Twice a year I gather my Farscape collection and plop down in front of the television, knowing that I’ve got a memorable and wild experience ahead of me.
Works Cited
EW Staff. "26 Best Cult TV Shows Ever." Entertainment Weekly 17 Mar. 2014: n. pag. Web. 11 Apr. 2014. .
Heaton, Dan. "Farscape: The Complete Series." PopMatters 18 Feb. 2010: n. pag. Web. 29 Mar. 2014. .
I immediately had my reservations upon discovering that this was an ongoing television series, as that indicates that this would be drawn out and dramatized beyond what is necessary to serve entertainment
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
Scieszka and Smith have made Henry P. a different kind of sci-fi adventure of a boy explaining to his teacher why he was late to school. Smith has detailed the illustrations as they follow what the text says with a distorted twist. For example, when Henry was explaining that he ended up on the planet astrosus with astro guys, Smith illustrated an astro guy with pointy eyebrows, a sharp nose, and a red spiky tongue flicking out to catch Henry in his red space suit. The astro guy is not what we expect from an alien like creature, he had an odd shaped, distinctive head that would make heads turn twice. The effect of Smith's illustrations here make us look at the world critically. Henry's red space suit makes you get a feel for his personality and makes you wonder why his story is interesting.
Fiske, John. Television Culture. London: Methuen & Co. Ltd, 1987: Chs. 10, 11. Print. 5
McNeil, Alex. Total Television: The Comprehensive Guide to Programming from 1948 to the Present, 4th Edition. New York, New York. 1996. Penguin Group Inc. Print.
“Oh my God, they killed Kenny!” South Park is a adult cartoon that circles around the abnormal life of four boys living in Colorado. This hilarious animated television series strives to be the most controversial show on air. The series has been on air since August 13, 1997 and while the show seems ridiculous, it is commonly known for incorporating high and low culture within the show. South Park has been known to take current issues from today’s society and convert them to a more simplified version while transforming it into a satire. One episode that stood out from the rest was an episode called “The Cissy” which focused on gender relations and transgender issues. This episode reflected on how today’s society see gender and transgender.
Television is a highly entertaining way to pass the time whenever we may want to relax or may not have anything to do. Some believe that watching television is nothing more than staring at a box while others believe that it can help us become aware of things we may not have noticed before such as social issues or in some measure get our brains thinking. This paper will point out the similarities and differences of Antonia Peacocke 's essay "Family Guy and Freud: Jokes and Their Relation to the Unconscious" and Steven Johnson 's "Watching television makes you smarter" aswell as
America got its first look of a program that would later become legendary on September 8, 1966 at 8:30 PM on NBC. America was never the same after Star Trek made its debut that night. The series did not receive the recognition it deserved until it was canceled after only three years and later returning in syndication. However, Star Trek was never an ordinary science fiction program to begin with. Comparison to other programs in this genre is difficult because Star Trek is certainly not an unconventional science fiction program- it is a science fiction program that displays America during 1960's. In fact, Gene Roddenberry, the creator of Star Trek, during an interview said, "I have no belief that Star Trek depicts the actual future, it depicts us, now, things we need to understand about that". Even David Gerrold, a writer for the series, writes in his book that "[t]he stories are about twentieth century man's attitudes in a future universe. The stories are about us". Naturally each episode does not make a social commentary, but all through the program, characters, themes, and it goes without saying, individual episodes make powerful reflections on sexism, feminism, as well as racism and improving race relations, all crucial social affairs during the late 1960's, and to a certain extent, social affairs of today.
...tives through questioning of absolute truths such as established fact (science) and faith, intertextuality through a mass of references, manipulation of time through a non-linear narrative and generic hybridity through the show’s complex layers.
Through information and literature, individuals will be competent to comprehend quickly and intelligently under any circumstances. The following character known as Beatty demonstrates the traits of intelligence by using small amounts of information to plan malicious ideas against Montag and using his position as captain to order around his mechanical hound to make Montag’s life a living hell. “... Give a man a few lines of verse and he thinks he’s the Lord of all Creation. You think you can walk on water with your books. Well, the world can get by just fine without them. Look where they got you, in slime up to your lip. If I stir the slime with my little finger, you’ll drown!” ( Bradbury ) page 118. This quote reflects the traits of intelligence
Examples of this include the Jim Rose Circus Sideshows. The Jim Rose Sideshows involved daring stunts that commends freakishness for being fascinating and unique. Contemporary forms of freak discourse also include various forms of popular culture, such as the television shows on The Learning Channel and shows focusing on body modifications and
It is thought that television producers are just trying to play it safe by sticking to what they know and what they are used to doing. It has been hard for networks to duplicate shows that have satisfied the viewers, such as "The Cosby's", "The Jefferson's", and "The Fresh Prince of Bel Air," Creating this kind of "crossover" audience is essential in a show's success(Hall 12).
At first glance the Disney Channel show, Gravity Falls, looks to be a simple story about twins, Dipper and Mabel Pines staying at their great uncle’s tourist trap in the town of Gravity Falls that is filled with many anomalies and unusual creatures. But taking a deeper look into the show, it is quickly apparent that the series is far more mysterious and detail-orientated than previously thought. Even though the story is presented through animation, Gravity Falls is certainly among one of the most in-depth mystery television shows because of the creator's extensive understanding of the plot and characters and even more the numerous secret and codes to decipher.
Originally published in Cinema Journal 40, No. 3, Spring 2001, Jason Mittell’s “A Cultural Approach to Television Genre Theory” conceives of television genre as a cultural category rather than merely a textual component. In the decade since the original publishing of the article, television has evolved out of the multi-channel era and into the post-network era. In this new television landscape, genres are no longer a fixed entity1, and there is great academic potential in the in the study of television genres. The text, Thinking Outside the Box: A Contemporary Television Genre Reader, aims to explore and analyze genre in the current television landscape, and the Mittell article, republished in the book, serves as an entry point to such scholarship.