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Rhetorical analysis of ethos, logos and pathos
Rhetorical analysis of ethos, logos and pathos
Rhetorical analysis of ethos, logos and pathos
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Through both passages the we see the use of attitude, assumption, and arguments used by each man gets their marriage proposal across two very different ways. While the speaker in Austin’s proposal uses logos and gives logical reasons why she should marry him/why he wants to marry her, the speaker in Dickens uses pathos to win over his audience by using emotions and passionate words. The women hearing the proposal from Austin would probably feel resentful and hatred toward the suitor, while the women hearing Dickens would feel a strong attraction towards her suitor. In Austen’s passage the speaker is giving his marriage proposal almost as if it’d be more of a business agreement than a marriage. While Dickinson uses passion in his Austen is
The proposal, we presume, happens in the poem and the unwillingness we believe to be married, is also v...
Overall, the portrayals of the lovers’ declarations in both extracts from Austen and Shakespeare are presented quite differently but both seem to be more than they first appear to be at first sight. Austen gives us a confession seemingly devoid of any great declaration of passion but yet Mr Collins seems sincere in his words as he does lay bare his admitted dull soul. Whereas, Shakespeare uses the passionate affirmations of Richard III to show that hyperbolic flowery language doesn’t always convey what one truly feels. What can be said for sure is that both personas are declaring their “love” for people who they don’t actually really love but simply see as means to a greater end be that money or connections.
From reading about these sacrifices, it is evident that love is stronger than evil. Love defeats the hatred in each example through the willingness to give a part of or all of themselves up for the ones they love. Sacrifices for others not only show a person’s love for someone in A Tale of Two Cities, but it can also be shown through sacrifices in everyday life. Through this theme of sacrifice in the novel, Dickens is trying to exemplify that giving something up for close ones creates an even stronger bond of love between one another. Sacrifices show love and will never display hate. This is why love always wins in the end.
feelings as he did not want to love or marry a woman who was beneath
Thinking that he truly has lost Elizabeth brings out a more sensitive and sympathetic side of Darcy, and he proposes a second time. This proposal however, marks the real release of his prideful ways, and as Austin put it “was as sensibly and as warmly as a man violently in love can be supposed to do"(Austin 157). This proposal marks Darcy giving up his pride about social class, and Elizabeth being hurt by him and his judgments. She accepts, and they finally allow themselves to be happy.
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage that is not only accepted, but rather expected at this time period.... ... middle of paper ...
In the article, “The Radical Idea of Marrying for Love” author Stephanie Coontz argues that love is not a good enough reason to get married. People shouldn’t marry just because they love one another, Coontz suggests that perhaps marriage should be based on how well a couple gets along and whether or not if the significant other is accepted by the family. One will notice in the article that Coontz makes it very clear that she is against marrying because of love. In the article is a bit of a history lesson of marriage and love within different cultures from all over the world. Coontz then states her thesis in the very end of the article which is that the European and American ways of marriage is the
...remonde bloodline, most of which is innocent, must be exterminated to compensate for the deaths of her two siblings. The distinctions between the two women are especially evident when they engage in battle over the Evremonde family because they are speaking in different languages. Neither can understand the other linguistically, nor on a moral level. The message Dickens is attempting to convey through these characters is that of the many applications of passion, such zeal is best employed “with the vigorous tenacity of love [because it is] always so much stronger than hate” (365). In a decision between using one’s energy for love or hate, it is more productive and personally satisfying to choose the path of love because it is able to overcome that of hate.
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
Schlicke, Paul, ed. Oxford Reader’s Companion to Dickens. Oxford: Oxford University Press, 1999. “101-3+281-86+315”. Print.
“Man has the power of choice, woman only the advantage of refusal,” (NA 74) says Henry Tilney, the hero of Jane Austen’s Northanger Abbey (1817). From the reader’s perspective, Tilney seems to have no characteristics to recommend him as Catherine Morland’s suitor: the narrator describes him as “impertinent” (NA 107), “rude” (NA 115), and as “indulging himself a little too much with the foibles of others” (NA 21). Yet, he chooses to propose to Catherine, and she elects to accept him. Why? Why are certain characters accepted as ideal partners in marriage, while others are rejected? A close examination of rejected suitors in Austen’s novels reveals that the heroine’s—and the author’s—choice of suitor is dependent on factors that far outweigh superficial aspects, such as the heroine’s momentary uncertainty or society’s expectations for women of marriageable age.
Elizabeth is a romantic, and wants to find a man worthy of her love. On the other hand, Charlotte believes “happiness in marriage is entirely a matter of chance.” Elizabeth laughs at her friend, and replies, “You know it is not sound, and that you would never act in this way yourself” (24). However, Charlotte soon enters into a marriage that offers her a good home and security, but a repulsive husband. With these two characters, Austen illustrates the two kinds of marriages most common in the novel: Charlotte’s is an example of a secure, if not pleasant, marriage arrangement. Elizabeth eventually marries Darcy out of genuine love for him, not for want of money or prospects. Unfortunately, others still see the marriage between Darcy and Elizabeth as
Lady Bracknell represents the typical aristocrat who focuses the idea of marriage on social and economic status. She believes that if the men trying to marry these girls are not of proper background, there is no engagement. Through this major exaggeration, Wilde satirically reveals the irrational and insignificant matters that the upper class society uses to view marriage.
Ayres, Brenda. Dissenting Women in Dickens' Novels: the Subversion of Domestic Ideology. Westport, CT: Greenwood, 1998. 86-88. Print.
In the 19th century, a controversy arose over what the true foundation and purpose for marriage should be. The basis of this conflict was whether one should let reason or emotion be the guide of their love life and if a balance between the two could be maintained. The relationship between Elizabeth and Darcy in Jane Austen's book Pride and Prejudice depicts such a balance, thus becoming the model for Austen's definition of a perfect couple and for true love. Their relationship is neither solely based on a quest for money on Elizabeth's part or emotions that blind the couple from all other important aspects of life. The significance of having this balance is portrayed through the inability of the other couples in the story to reach an equal amount of happiness as Elizabeth and Darcy because of their pursuit of either reason or passion.