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Hip Hop and the Influence on African American
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Steven Howell March 30, 2014 Ethnography paper Foundation: B-boys, B-girls, and Hip-hop Culture in New York The ethnography that I chose to read was Foundation: B-boys, B-girls, and Hip-hop Culture in New York, by Joseph G. Schloss. I wanted to read this book because I enjoy listening to hip hop and wanted to learn more about where hip hop came from and what it really consists of. At the beginning of this book it discusses the poor view that the public and people have on hip-hop music and also talks about how the author didn’t relate hip hop like how the public viewed it. In the introduction he also explains that the term hip hop is used to refer three completely different concepts and in the next few paragraphs I’ll be explaining those concepts. The first concept of the term hip-hop is the form of hip hop that is represented in different media styles. This is the concept that is the most well-known and is the reason that the older generation rejects the hip hop. The main things that this book says that are rejected are visual, sound and movement and that graffiti is the most rejected. I find this to be a very interesting thing to be rejecting because in some people’s eyes graffiti is an art form and I’ve seen some restaurants and places actually pay people to graffiti their places but then on the other hand you have the people that hate how it looks and disagree with it completely. The next concept is the term of hip hop that refers to the form of music that turned into rap music. This surprised me because I’m a big fan of hip hop but have a bad point of view on rap because of the immoral ideas and lyrics that comes with rap. I’ve seen and heard a lot of bad things that happen in rap concerts that make me not want to assoc... ... middle of paper ... ...ieve that he has a biased stance on the subject since his research was mainly in the Afro-Caribbean, African American, and Latino communities of New York City. I believe that there are a lot more areas that he could have taken in account including the Caucasian stand point on hip hop and how they use the culture. But as I’ve stated before reading this book has shown me a lot more about this culture. I learned why so many people have such a bad view on hip hop, which I also learned is a lot worse for the B-boys and B-girls because a lot of them really aren’t doing anything wrong they just have a different type of culture than the people who are judging them. This happens to a lot of different cultures and I believe that books like this one can bring to light to people outside of the culture on how it really is and how they should really act around these cultures.
I say this because it better informed me on issues that I have known were present in the hip hop/rap culture. One of the main points in the film was the manhood in hip-hop culture. Before I dig into this topic one thing to understand is that hip-hop was created in the slums of New York. People grew up in very tough times; poverty was the norm, violence was high, and drugs influenced people’s lives. As you watch the film you can clearly see that all of the artists portray a tough “don’t mess with me” image. When asked why Hip-Hop promotes these images artists responded almost unanimously. They said that when you grow up in tough conditions you can’t be a punk. People see anything that’s not toughness weak. Anybody who isn’t perceived as tough is looked at like a bitch. Another big topic in the film was the way hip-hop victimizes women, and African American women in particular. The culture of Hip-Hop reduces women to sex objects. They’re half naked or more in the music videos and dancing explicitly. An issue in the film was when popular rapper Nelly swiped his credit card down a woman’s butt cheeks in a music video. This lead Nelly to cancel a bone marrow donation event at Spellman College after students said they were going to protest. Another issue in the film was homophobia. When a rapper named of Busta Rhymes was asked about homophobia he didn’t even respond to the question he completely walked off set. That
The hip hop culture began in the suburbs of New York over 30 years ago and has gone through drastic changes over this time. Hip Hop contains four different elements including: graffiti, rap, disc jockey and break-dancing. In the 1970’s, musical artists began to express themselves like Kool DJ Herc. Rap music began to spread through the urban neighborhoods of New York City and people used a new form of expression that gave a chance to sing about anything.
But the disenchantment with artists who don’t appreciate hip-hop as consisting of emceeing, breaking, graffiti art, beat boxing and dj-ing is not new. Underground artists, predominately hip-hop purists, have lashed out at biters and perpetrators for many years. For example, in 1989 3rd Bass released their first album, The Cactus Cee/D. Throughout the album, MC Serch and Prime Minister Pete Nice scold the commercialized booty shakers like MC Hammer for corrupting hip-hop, particularly on the track “The Gasface” they specifically call out Hammer for his antics.
Back in the disco days, in the early 1970’s, began a new genre called Hip Hop. It was born in the crime ridden neighborhoods of the South Bronx. Hip Hop is the extracting rhythms of melodies from existing records and mixing them up with searing poetry chronicling life in the hood. Though, hip hop started on the east coast, it did spread rapidly throughout all the clubs and hotels in New York. Then later on, it began to spread to the west coast in Los Angeles. This is where hip hop began to develop its own musical style. Hip hop is known and described as the voice of a generation that refused to be silenced by urban poverty. It is a genre that is fueled up with a lot of passion and truth that is spreading across the entire world. Hip hop is
All of the articles dealt with hip hop as an industry and how that industry is portrayed to African Americans through the commercialization of hip hop and stereotypes in society. The articles also discuss how that portrayal influences the opinions of African Americans to others and themselves.
Most people believe that they know what hip hop is. Yet, these same people are more familiar with rap music than hip hop. Rap music tends to b the music broadcasted on television and radio stations alike. Hip-Hop itself is relates to a culture and history of peoples. Hip-Hop tells the stories of people oppressed in urban ghettos in all cities, and it promotes change and a transition in those oppressed. Dr. Charles Pinckney author of The Influence of Hip Hop Culture on the Perceptions, Attitudes, Values and Lifestyles of African American College Students states that "Hip hop culture is a form of musical art in words and stories that describe critical messages that are spoken over music" (Pinckney). William Boone who has conducted research in hip hop best explains the phenomenon of Hip Hop as, " Art in "the hood". Hip Hop is the antitheses of economic discrimination and social alienation in Americas impoverished African American communities" (Boone).These origins of ...
Hip hop originated in the South Bronx of New York City in the 1970s. The term rap is often used synonymously with hip hop, but hip hop can also be described as an entire subculture (“Hip Hop”, 2004). The term Hip Hop is said to have come from a joke between Keith Cowboy, rapper with Grandmaster Flash and the Furious Five, and their friends (“Hip Hop”, 2004). Although Hip Hop was created on American soil, it's influences are global. It can be said that Hip Hop might be a result of ethnic globalization. Hip Hop has roots in African, Caribbean, and Latino culture (“Hip Hop Globalization and Youth Culture”, 2005). Spoken word, which is still popular today is also an influence in Hip Hop music and culture. Spoken word is a style of poetry spoken in a rhythmic fashion. Hip Hop ranges from rap music, to B-boy dance. It was a platform to empower ethnic youth without violence...
The article discusses the fact that hip hop “provides a lens [through which white students and faculty at institutions] interpret Black culture” and that because of this not only is the Black female’s view of herself being manipulated, but black males expect what is being promoted by hip hop culture from them, and so does every other person (Henry, West, & Jackson 238). A professor at North Carolina Central University spoke about how he dislikes how hip-hop has influenced the way his students dress, he said “ They look like hoochie mamas, not like they’re coming to class” (as cited in Evelyn
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
To say it lightly, Stanley Crouch does not like the hip-hop genre of music. The dreadlocks, the clothing style, and the "vulgar": gold chains are just a few things he does not approve of at all. (Crouch, 1 ) It astounds him to see how far African-American music has fallen since the days of the Motown. Stanley was quoted as saying this about rap, "It is rudeness, vulgarity, and pornography disguised as ‘keeping it real.'" (Crouch, 1) He also went on to say the hip-hop music genre has the worst impact of all music genres on our culture today. (Crouch, 2) Crouch believes one does not need much talent to become a successful rapper unlike the jazz greats he listens to all the time.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
By corporating the airwaves with message, serve as a blueprint for our youth to self-destruct by creating a large army of pants-sagging, Blunt-smoking, tattooed-up, uneducated, STD-infected, impoverished thugs. Hip Hop is defined as: “subculture especially of inner-city youths who are typically devotees of Rap music, graffiti, break dancing, and DJing”. If one asks a fan of Hip Hop what the definition is to them, then one might get something deeper. Some fans define Hip Hop as a culture that consists of many of its own subcultures and its knowledge of the history and principles of Hip Hop. Hip Hop can also be defined as an expression of the relationship between urban youth and their environment....
Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop originally appeared in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi-billion dollar industry today (Selke INT). Hip-hop music can additionally have some positive impacts. For example, its verbal imagination can motivate audience members to play with dialect, and acknowledge musicality and rhyme (Selke INT). Just like poetry, hip-hop can be a way of expressing oneself.