Waycaster 1
Maddison Waycaster
Professor Rescher
English 201
1 April 2016
Iago's Evil Nature
In the play, Othello, written by William Shakespeare Iago is one of the most unique and interesting characters. Not only is Iago a main character, but he is also one of the most controversial, causing more drama and quarrels than any other character in the play. Shakespeare does a good job with the character of Iago by creating an atmosphere where Iago can keep the reader's attention on each and every individual scene throughout the entire play, as one tries to figure out Iago's true intentions.
Appearance vs. Reality:
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.
William Shakespeare 's play, Much Ado About Nothing is a love story about two young couples, their friends, and families. The story takes place in the town of Messina. Leonato is the governor and owns a beautiful estate. His daughter, Hero, his niece, Beatrice, his brother Antonio, and many others live together on the estate. When the play begins, The Prince of Aragon, Claudio, Benedick, Don Jon, and other soldiers are just arriving in Messina on their way back from a war. Claudio immediately falls in love upon the sight of the beautiful Hero. The other couple, Benedick and Beatrice, are quickly swept up in witty banter and a need of superiority over the other. Hero and Claudio are to be married within a weeks time. Together the friends come up with a plan to have Benedick and
Of all of Shakespeare villains and heroes none compare to that of the play Othello, with all the mistrust and false identities that each character presents. In the play Othello we are introduced to a myriad of characters that are all unique in their own way. Of all the characters we see in the play the reader is only introduced to a handful of character’s whose motivation become clear. While Iago’s actions are motivated from revenge, the actions themselves can be forgiven as he acts in what he believes is correct, while Othello and Desdemona who are motivated by justice and forgiveness act only on emotion regardless if they feel it to be correct.
Iago is a twisted character who seems to believe he is on a mission from heaven but constantly uses very hellish imagery. Iago draws you into his sinister plot yet never tells you why he constantly harms Othello; this has you thinking about the play long after it has ended. As the play develops you see Iago's ability to adapt and change his scheme to any circumstance. In the end the events take a very different turn to how Iago originally intended yet the result was much the same and Iago always seems to be in control.
The Morally Good and Bad in Othello
William Shakespeare’s drama Othello is one concentrated contest between the forces of the morally good and the morally bad. Let us analyze this contest in detail in this essay.
Standing out like a dark silhouette on a white background is the sinister character and master of deception in the drama – the general’s ancient. Morton W. Bloomfield and Robert C. Elliott in Great Plays: Sophocles to Brecht highlight the dominant evil force in the play, Iago:
For critics, the chief problem in the play is the character of Iago. The debate usually centers around whether he had sufficient motives for his cruel actions or whether, on the other hand, he is an example of “motiveless malignity.”
Built on a broad base of multiple themes, Othello is one of William Shakespeare’s most popular tragedies. Let’s sift through the themes and try to rank them in significance.
Shakespeare’s Much Ado About Nothing and Othello feature comparably directorial villains in Don John and Iago, respectively. These characters may be the most direct link between two plays with many similarities. In the essay “Illusion and Metamorphosis in Much Ado About Nothing,” Paul and Miriam Mueschke claim, “The similarities between Much Ado and Othello […] are more numerous than are those between any other comedy and tragedy in the entire Shakespeare canon” (Mueschke, 65). That Don John, with his malevolent deceptions, is a sort of proto-Iago is not a novel concept, but Shakespeare’s different treatment of the two characters illustrates the plays’ greater philosophical differences. Both Much Ado and Othello derive their drama from epistemological problems and illusory female unchastity. The directorial Iago and Don John exploit the inherently faulty methods of knowledge that others employ (namely, Claudio and Othello) and their inherent animal natures to achieve their own ends.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
First of all, in Much Ado about Nothing, Claudio was a young soldier who fell in love with Hero at his first sight. At the beginning of the play, they looked like the perfect match in audience’s eyes because Claudio was a good soldier and had returned as a hero from battles; On the other hand, Hero was a young, beautiful, and virtual maid. However, after the first time meeting with Hero, Claudio’s first question about her is on the inheritance of her father’s wealth. After knowing Hero was the only heir of Leonato, Hero’s father, Claudio asked Don Pedro, the good Prince...