Order and Superstition in the Tragedies of Shakespeare
The concept of order was an extremely important one to William Shakespeare, and to Elizabethans in general. We in the existentialist atomic age have little trouble conceiving of an individual man or woman as the only beacon of light in a world gone irrevocably and irredeemably mad, but this would be inconceivable to Shakespeare and his audience. Shakespeare staunchly followed the common Elizabethan conception of the universe as deliberately and benevolently patterned and planned; when, for some reason, something happened to temporarily force things out of kilter, individual people might suffer, but the universe would soon right itself and life would go on. This belief in a divine plan also underwrote Shakespeare's usage of portents and omens in such plays as Julius Caesar and Macbeth; because he saw the world as something planned and coherent, it is possible to divine that plan through supernatural sources. But there is little point; to try to force one's will against fate, Shakespeare tells us, will inevitably end in tragedy.
The presence of superstition would seem to be unrelated to this passionate belief in order, but in fact it is inextricable from it. All occult practices, including divination as well as the casting of spells, presuppose a consistent pattern in the universe, where, in the words of Sir James Frazer, "a red stone. . . may be thought to have the property necessary to produce red blood, and when the production of red blood is demanded, the red stone naturally presents itself to the primitive mind as a potential source whence the redness may be borrowed" (Frazer, 170). This kind of metaphoric connection between all kinds of rednesses ...
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..., it signifies a departure from our underlying suppositions about how the world really works; that is what the word "supernatural" means. But in Macbeth and Julius Caesar, such devices actually work to reinforce Shakespeare's perception of the world as an ordered place in which there is a coherent plan -- both because this is what Shakespeare truly believed and because this is what his audience believed as well.
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Messiaen had no choice on what instruments the piece was written for, ‘the group of instruments…to large to allow the piano to express itself freely, yet too small to obtain…variety of timbre,’ and his way around this was to obtain ‘maximum variety of which they are capable.’ By exploiting each instrument in so many different ways to create different timbres, the technical challenges faced by the performers are endless.
Foakes, Francis. "A New Perspective of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 58-64.
Music with explicit lyrics or content started having black and white parental advisories on them in 1994 (http://www.riaa.org/Parents-Advisory-4.cfm). Are these labels necessary? Is controversial music molding our society and causing teenagers to turn to drugs? Is censorship necessary to protect the youth of our nation. Generally, younger people are against censorship on this issue. Music is an outlet and even an anti-drug for many teens; however, parents and society feel differently. Should parents censor their children or society, many parents would like to raise their own
Kermode, Frank. "Macbeth." The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Company, 1972.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
is far from insane, but rather, "playing mad" for a purpose of his own. Madness
Quincey, Thomas De essay from Harris, Laurie Lanzen, and Scott, Mark W. ed. "The Tragedy of Macbeth." Shakespearean Criticism, Vol. 3. Detroit: Gale Research Company, 1986.
12. DVDs are digital versatile disc, optical discs used to externally store data. DVDs have higher recording and retrieving speeds, are better suited for backing up information, and have higher capacity per device than
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Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
supernatural is explored as a representation of good vs. evil. Shakespeare explains the supernatural as witches, magic, unnatural and evil. Supernatural things that are present in the play is Banquo’s ghost as a symbol for Macbeth’s guilt, As soon as he sees Banquo's Ghost he is completely shocked by fear, horror and guilt "The Ghost of Banquo enters, and sits in Macbeth's place. Prithee, see there! Behold! Look! Lo! How say you? Why, what care I? If thou canst nod, speak too. If charnel houses and our graves must send those that we bury back, our monuments shall be the maws of kites. " Banquo's ghost is that it represents the down fall of macbeth of course only he can see the ghost and overwhelming guilt that reminding him that he murdered his former friend. Other supernatural things that are present in the play include three evil witches with magical powers for instance the battle at the end of Macbeth, witches create a false story for Macbeth where Macbeth believes he is invincible because of what the witches told him “none of woman born shall harm Macbeth” but because Macduff is not “woman born” he killed Macbeth. Theme of the supernatural is still relevant today because witches in the Macbeth are very close to witches that we will see in movies and cartoons and witches represent the evil side of human kind and so the Theme supernatural becomes more relevant to modern
Stallybrass, Peter. "Macbeth and Witchcraft." In Focus on Macbeth. Ed. John Russell Brown. Boston: Routledge, 1982.
I am applying for admission to the Ph.D. program in accounting because I want a career in the research and teaching of accounting. I have wanted to pursue a PhD in accounting since I was a college sophomore about 25 years ago. A PhD in accounting would provide me with opportunity to fulfill my life-long dream of involving in teaching and play a positive role in the lives of my students the same way my teachers have played in mine. Moreover, it would allow me to be involved in research that advances accounting and information systems in decision making, internal control, and auditing and assurance services.
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