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The theme of love in Shakespeare's plays
How does shakespeare present‘Typically, women in Shakespeare’s plays have an idealised perception of love, whereas men see things more realistically
Gender in shakespeare
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Love and Gender in Twelfth Night
Shakespeare's Twelfth Night examines patterns of love and courtship through a twisting of gender roles. In Act 3, scene 1, Olivia displays the confusion created for both characters and audience as she takes on the traditionally male role of wooer in an attempt to win the disguised Viola, or Cesario. Olivia praises Cesario's beauty and then addresses him with the belief that his "scorn" (3.1.134) only reveals his hidden love. However, Olivia's mistaken interpretation of Cesario's manner is only the surface problem presented by her speech. The reality of Cesario's gender, the active role Olivia takes in pursuing him/her, and the duality of word meanings in this passage threaten to turn the traditional patriarchal concept of courtship upside down, or as Olivia says turn "night to noon" (139).
Perhaps the biggest upset to the traditional structure is the possibility that Olivia may be in love with a woman. Shakespeare allows his audience to excuse this by having Olivia be unaware that Cesario is actually female. Yet, Olivia's attraction seems to stem exactly from the more feminine characteristics like Cesario's "beautiful scorn" and "angry lip" (136-137). Olivia's words allow an audience, particularly a modern one, to perhaps read her as suspecting or even knowing that Cesario is female, yet choosing to love him/her anyway.
Olivia's description of Cesario's beauty, both here and upon their first encounter, praises typically feminine qualities, but curiously doesn't question Cesario's gender. The comparison of love to guilt tempts the readers mind to wonder if Olivia is guilty about her love for such female attributes. Olivia's oath on maidenhood ...
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Zijderveld, Anton J. Reality in a Looking-Glass: Rationality through an Analysis of Traditional Folly. London: Routledge & Kegan Paul, 1982.
The play Twelfth Night, or What You Will by William Shakespeare is a 1601 comedy that has proven to be the source of experimentation in gender casting in the early twenty-first century due to its portrayal of gender in love and identity. The play centrally revolves around the love triangle between Orsino, Olivia, and Viola. However, Olivia and Orsino both believe Viola is a boy named Cesario. Ironically, only male actors were on the stage in Shakespeare’s time. This means that Olivia, Viola, and other female characters were played by young boys who still had voices at higher pitches than older males.
One of the most celebrated and authoritative women in the 16th century was Elizabeth I. Even though the authority was at woman's hands at that time, a dominant woman was unnatural in the society itself. The presence of such a powerful female figure creates an interesting situation for dramatists and playwrights in terms of depicting women's status at that time. By using the psychological concept ,liminality; I am going to examine the relationship between Viola's speech , society's authority and her public space which is consists of two main parts: her private life as Viola and her public life as Cesario and how this relationship has a great impact upon her character development.
Laura Jastrem’s essay “Romance and Gender Positions in Twelfth Night” focuses on the attraction that Olivia formed for another woman, Viola, who masquerades as Cesario throughout the play. The audience is aware of the fraud male persona that Viola has mislead the others to believe. Given that the play was written in 1601, there are diverse critical responses regarding the concept of love between two people of the same sex based on their time period. Jastrem’s critique was composed in 1999, when same sex marriage was still a notion that was not heavily accepted by the vast majority. Being 2016, with same sex marriage now legalized, it is clear that perspectives will differ concerning this view. Jastrem’s sexist critique focuses on the lesbian attraction between Olivia and Viola but fails to mention
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
The Williams Sisters: double trouble on the tennis court, Gabby Douglas: 2 times Olympic Gold Medalist, and Lolo Jones: a fierce Olympic competitor in hurdles and now bobsledding are all present day athletes that have captivated headlines with their accomplishments through sports. The Civil Rights Movement altered everyday life for all African Americans and soon other minorities in America. The movement also changed the world of sports for African American legends to come as well. Previous accomplishments of African Americans in sports propelled Althea Gibson to make her mark in history. Althea would change the world of sports, impact future athletes to come, and leave her mark in history. Her athletic greatness would not only be bestowed on the tennis court, but golfy would receive its fair share of Althea’s greatness as well. None of her accomplishments would have been made possible without the Civil Rights Movement that allowed African Americans to enter the world of sports.
The Bermuda Triangle is situated in the Atlantic Ocean. It is formed by an imaginary line that forms a triangle. The points that form the triangle starts from the island of Bermuda; then to San Juan, Puerto Rico; and then finally to Miami, Florida. The scope of the Bermuda Triangle varies roughly from 500,000 square miles to about more than a million square miles.
Shakespeare, William. Hamlet. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon and Schuster Paperbacks, 2002. Print.
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
“Rheumatoid arthritis (RA) is an autoimmune disease in which your body’s immune system – which protects your health by attacking foreign substances like bacteria and viruses – mistakenly attacks your joints. The abnormal immune response causes inflammation that can damage joints and organs, such as the heart. Early diagnosis and prompt treatment is the key to preventing joint destruction and organ damage.”(Rheumatoid Arthritis). This is the definition I found but when most people read this they think it is too complex and hard to understand. So, I began asking questions like is it hereditary, are the medicines she will take be harmful, and can it be prevented? So my big question is, is this disease going to limit my grandmother from doing her normal activities and will she still be able to have a...
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Rosa Parks was 42 years old and waiting at the bus stop after work on December 1, 1955. Driving the bus that picked her up was James Blake. Rosa was sitting on the bus, just behind the ten seats that were only for white people. The bus started filling up with people and the whites needed more seats. The bus driver told Rosa and three other blacks to move to the back of the bus to make more room for the white folks. The three others moved, but Rosa refus...
Thomas, Pauline Weston. “1950’s Glamour Fashion History 1950’s.” Fashion Era. 2005. 2 May 2005 .
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Erasmus, Desiderius. In Praise of Folly. Trans. Hoyt Hopewell Hudson, Princeton, New Jersey: Princeton University Press, 1970.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...