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Human Nature and The Canterbury Tales
When Geoffrey Chaucer undertook the writing of The Canterbury Tales, he had a long road ahead of him. He intended to tell two stories from each of thirty pilgrims on the way to Canterbury, and then two more from each pilgrim on the way back from Canterbury. Of these, he completed only twenty-four. However, in these tales, Chaucer depicts both the pilgrims and their stories with striking realism. In "The Nun's Priest's Tale," "The Canon's Yeoman's Tale," "The Friar's Tale," "The Reeve's Tale," and "The Cleric's Tale," Chaucer demonstrates his remarkable insight into human nature. By comparing and contrasting these tales, one can see the universality of human nature as shown by Chaucer.
One human trait apparent in these selections is greed. Avarice drives the hearts of many men, whether they may be a common miller or a summoner or a supposedly religious canon, and Chaucer was aware of this. In the tales which contain these three characters, Chaucer depicts the greed of these characters. The Reeve tells his fellow pilgrims in his tale of a miller who "was a thief ... of corn and meal, and sly at that; his habit was to steal" (Chaucer 125). The summoner in "The Friar's Tale" "drew large profits to himself thereby," and as the devil observes of him in this tale, "You're out for wealth, acquired no matter how" (Chaucer 312, 315). The canon in Part 1 of "The Canon's Yeoman's Tale," as well as the Yeoman himself, had been driven by the goal of converting base metals into gold, and "though we never realized the wished conclusion we still went on raving in our illusion" (Chaucer 478). The second canon of which the Yeoman speaks is many times worse than his own canon and master, using h...
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.... Works Cited
Balliet, Gay L. "The Wife in Chaucer's Reeves's Tale: Siren of Sweet Vengeance." English Language Notes 28.1 (1990): 1-5.
Baylor, Jeffrey. "The Failure of the Intellect in Chaucer's Reeve's Tale." English Language Notes 28.1 (1990): 17-19.
Chaucer, Geoffrey. The Canterbury Tales. Trans. Nevill Coghill. Baltimore: Penguin Books, 1960.
Dictionary of Literary Biography: Old and Middle English. Ed. Jeffrey Helteman and Jerome Mitchell. Detroit: Sale Research, Inc., 1994.
Edden, Valerie. "Sacred and Secular in the Clerk's Tale." The Chaucer Review 26.4 (1992): 369-376.
Fehrenbacher, Richard W. "'A Yeerd Enclosed Al About': Literature and History in the Nun's Priest's Tale." The Chaucer Review 29.2 (1994): 134-148.
Whittock, Trevor. A Reading of The Canterbury Tales. Cambridge: University of Cambridge Press, 1970.
Rome and the Statue of Liberty in New York are all proof of the extraordinary celebrated artwork human kind has been able to do throughout several years. Now, I want to discuss another celebrated work of art that was quite popular in the medieval period, Gothic architecture. During the medieval period Gothic architecture was considered to be luxurious because of its exaggerated height given to buildings. Not only did it give height, it also had plenty of other characteristics like the pointed arch, the vaulted ceiling, and of course, plenty of windows where light could pass right through. For statesman historian, Abbot Suger, light was important. He believed light was a connection from heaven to Earth. The more light, the better. It was because of Abbot Suger that the admired Gothic style began along with more of his art program from about 1125-1144 (Inventing the Exegetical Stained-Glass Window: Suger, Hugh, and a New Elite Art, par 1). However, not everyone agreed with this extravagant style. When Gothic cathedrals began being built, French abbot, Bernard de Clairvaux made a judgment of his own. He explained that he did not see the need to be so extravagant when the money going to those glittering churches can go to a better use, the poor. I agree with Bernard; there is no need to be stylish when adorning cathedrals if there are better uses for that money.
Bray, Gerald. Ancient Christian Commentary on Scripture. New Testament VI Romans. (Downers Grove, Illinois: InterVarsity Press, 1998)
The history of Architecture started long time ago. The nomadic were groups of people whom move from one place to another in order find shelter and food to survive. As they progress, their techniques to survive evolve. The need for a permanent shelter became vital for a better stability of the group. This is the time when the first structures that provided protection appeared. Post and lintel were the first forms of Architecture, that satisficed the basic needs. Architecture evolved to be more sophisticated and fulfill the people’s needs. Consequently, Architecture evolved throughout different periods such as: Ancient architecture, Romanesque, The medieval, Renaissance, Early modern, and the industrial age, Modernism and Contemporary architecture. During the Medieval period a style of Architecture named Gothic Architecture was very notorious. The concept of this type of Architecture still continuous now days, in the city of Los Angeles many building have taken this concept of Gothic Architectural Style and have developed to a new level of experience and expression. Some of them have recreated in a modern way the features of the physical aspects of this style. Other structures have taken this concept beyond the physical features and used the emotional concept behind Gothic Style to connect people feelings with magnificent elements of the Cathedrals.
In his Canterbury Tales, Geoffrey Chaucer assembles a band of pilgrims who, at the behest of their host, engage in a story-telling contest along their route. The stories told along the way serve a number of purposes, among them to entertain, to instruct, and to enlighten. In addition to the intrinsic value of the tales taken individually, the tales in their telling reveal much about the tellers. The pitting of tales one against another provides a third level of complexity, revealing the interpersonal dynamics of the societal microcosm comprising the diverse group of pilgrims.
It was a don of a new age, belief, conviction, and devotion were felt throughout the period, and it was the time of the Romanesque churches. This was the time to view these boundless, monastic complexes, majestic cathedrals, and painted artifacts; the churches were beaming with activity and life. With the assembly of nuns, monks, and local town folks, these structures offered safety, a simpler way of life thru thought, simplicity, and reflection, which than sparked an overall energy and spirit throughout the air, it was the age of faith. In this period of time a massive building project had begun, within a short time span of 150 years, the construction of more than 1000 monasteries, and abbeys were built throughout Western Europe. Some of the main architecturally features and designs were the massive towers pointed heavenward and seemed as if they were touching the sky, it made the church visible from great distances and became the center point of the towns where they were built. The stone portals separated the nonspiritual, from the divine realm and dramatized the entrance door, as the gateway to salvation. The Gothic style of architecture, or Gothic cathedral began in the seventeenth century and was born in France, Over 580 Gothic & cathedrals class churches were built and constructed between 1170 to 1270; they were often large enough to house the entire population of the town. Two dominant architectural designs and styles emerged Romanesque and Gothic; there were differences and some similarities between the two. If the Romanesque church constituted a rural retreat for monastics and pilgrims, the Gothic cathedral served as the focal point for the urban community physically dominated the town, the design of the to...
The Gothic Period in the twelfth century influenced the creation of Gothic Revival Architecture in the nineteenth century. Gothic architecture began in France in 1140. Some of the first buildings made using this style are the Basilica of Saint Denis and the Cathedral of Sens. (Gothic Architecture By Paul Frank) This style of architecture started losing popularity in the early sixteenth century, but did not die out completely during this time period. Gothic architecture was still predominantly in cathedrals and churches. The rise of Romanticism began in the eighteenth century–leading to an awareness and increased interest of the Middle Ages, specifically interest in church architecture. (http://en.wikipedia.org/wiki/Gothic_Revival_architecture) Thus, Gothic Revival Architecture was created. When admirers of neo-Gothic styles wanted to revive medieval Gothic architecture, Gothic Revival Architecture was created—along with many sub styles, such as Polychrome Brick Gothic and Carpenter Gothic in the nineteenth and twentieth centuries.
The Gothic style evolved from that of Romanesque, building on concepts and ideas that led to the creation of larger and grander structures. Today, mankind looks in awe at the structures that were built hundreds of years ago without the assistance of modern technology and equipment. These architectural styles are indisputably different, but equally profound. They made use of differing techniques to become tangible structures that can still be seen
The Romanesque and Gothic architecture period both occurred during the Middle Ages with the Gothic period taking place during the later half. Gothic and Romanesque architecture were related in many ways, but they also contrasted in style too. Over time, masons began to test the waters and push the limits. They thought of new ways to add lighting and ways to allow more height to the building without it being to heavy and weak. Many of the reasons for the change in styles had a lot to do with society and the changes it faced. There was a greater intensity occurring in piety and literature. The Gothic style embodied this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure from its previous predecessor.
Tatlock, John S.P., and Arthur G. Kennedy. A Concordance to the Complete Work of Geoffrey Chaucer. Gloucester: Peter Smith, 1963.
The Canterbury Tales examines many important qualities of human nature. Chaucer purposely mocks the faults in his characters, and shows the hypocrisy and deceitfulness ...
Gothic architecture, though also used in secular buildings, is most associated with the great cathedrals of Europe. The Basilica of Saint Denis is a large medieval abbey church on the outskirts of Paris, France. The building is of significant importance historically and architecturally because it is considered to be the first Gothic church ever built. The building of gothic cathedrals grew as design techniques progressed. Over time, as new techniques combined with new materials, cathedral architecture increased in complexity and sophistication into a recognizable gothic style.
The influence of Romanesque architecture towards Gothic is very prevalent when studying the two side-by-side. For example,
There were two main types of architecture during the middle ages, the Romanesque style and the Gothic style. The Romanesque period took place approximately between 1096 and 1270 (the eleventh and twelfth centuries) and the Gothic period took place approximately between 1150 and 1450 (the thirteenth through the fifteenth centuries) (Bersson 383). Evidence of both styles of architecture emerged throughout Europe. The political landscape had changed and the Christian church provided a measure of unity throughout the centuries of this medieval era (Stalley 13).
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).
The earlier designs of medieval architecture had features like pointed arches in the nave, window and doorways, small clusters of columns, pillars, small windows and thick walls. This was during the Romanesque period and a lot of the early Romanesque architecture had influence from the byzantine period, which was the previous time period of architecture.