Role of Fate in Oedipus Rex and The Seagull
The inevitability of fate is a key theme in Sophocles' 'Oedipus Rex' and in Chekhov's 'The Seagull'. I was fascinated by the ways this inevitability was conveyed by Chekhov and Sophocles respectively and the ways in which the actions of the characters contributed to and heightened their fate. I shall attempt to compare and contrast the way in which Oedipus and, to a lesser extent, Nina make their fates more unbearable by their own actions and choices. In each case the author uses characterisation to enhance and increase the sense of inevitability and hence the sense of tragedy in the respective plays.
Sophocles has created his Oedipus not as innately evil but as a likeable character. It is this that makes the conclusion of his play even more tragic.[1] Had Oedipus been presented as an evil character we would have felt much less sympathetic towards him, as it is Oedipus appears to be the very essence of goodness at the commencement of the play and in this way makes his downfall owing to a realisation of the truth even more dramatic. He is an 'ideal king' - one who feels for his people. This addition to a well-known story by Sophocles makes the resultant dramatic irony extremely effective.
His evident flaws of character make it plausible that he could have unknowingly killed his father and married his mother. He is human but at the start of the play his excessive pride, impetuousness and efficiency, all human failings, seem to obscure and divert his search for the truth. Furthermore, he is arrogant and conceited, particularly concerning his personal successes:
"Oedipus: Why, when the monster with her song was here, spak'st thou no word our countrymen to help? And yet the riddle lay above the ken...and called for prophets skill...but then I came...and slew her."
These features of Oedipus' personality lead him inevitably to assume that he, the great Oedipus, liberator of his people, could not possibly be the murderer that they seek. Hence, it is Oedipus' inflated ego that causes his fate to be so severe and his downfall so great at the end of the play. Furthermore, despite Teiresias' words early in the play, Oedipus refuses to believe the truth that he is responsible for Laios' death. His arrogance leads him to unknowingly curse himself, thus making his fate worse:
and identify the murderer. After receiving a ruthless interrogation and many threats from Oedipus, the prophet reveals that Oedipus is in. fact the true slayer, “I say you, you are the killer you’re searching for. for. (l.492)”
In the novel, Lord of the Flies, Jack is the character that experiences the most change. Jack begins the novel as a somewhat arrogant choirboy, who cries when he is not elected leader of the island. Jack is gradually transformed into a vicious killer who has no respect for human life. Through a series of stages, such as leading the choir, leading the hunting tribe, wearing the mask, killing Simon, separating from the group and intentionally killing Piggy, Jack degenerates from a normal, arrogant school boy into a savage beast.
The conch was used to call meetings but is also symbolic of the government structure and power. One of the main themes in the novel “Civilization vs. Savagery” is fought between two egos, Jack the Id who represents savagery and the desire for power and Ralph the Ego and protagonist, who represents order and leadership. William Golding created a society that was controlled by the dominant ego and influenced mostly by the person with the most manpower. Jack who was the leader of the hunter group influences the rest to join his tribe to hunt and kill. However, not all of the children on the island had the same savage trait as some others. This created a clash between tribes and leaders. You were left with the Good vs. Evil or Civilization vs. Savagery scenario.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
From the opening dialogue we sense the character of Oedipus. When confronted by his subjects praying for relief of the plague he reacts kingly and graciously, saying, “I am king, I had to come....How can I help?...Ask me anything. Anything at all.” He obviously cares for the people in his kingdom, but he goes on to say how he pities “these poor shattered people of [his].” The pity he feels is rooted not only in his love and sympathy, but his arrogance as well. Perhaps this attitude is duly deserved, for Oedipus had solved the Sphinx’s riddle, an apparently heroic feat, and was seen to be “greater than any man”, but the leader that he had become still possessed the hubristic tendencies which doomed him from the time he fled Corinth.
Savagery is the condition of being primitive, uncivilized or the quality of being fierce or cruel (Google). It is something that comes easy to everyone at certain times in our life. People will learn it is harder to be good than bad. Being bad comes natural to everyone; people like the thrill of taking a chance. People are trained to be civil and polite from the time one grows up and it is not that hard because of the society everyone lives in. What would happen if the people’s democracy fell and everybody is left with nothing? How would the citizens react? Would they act like they were trained to do ever since they were born, or would they disregard all of it and do as they please because there is no definite authority figure to tell them how to live. In William Golding's, The Lord of the Flies, he brilliantly tells a story of life and death and everything in between. His use of symbolism with the conch, beast, and lord of the flies is phenomenal. It is a story that makes you think. Every person, when faced with reality, may act civil now, but in a survival situation, human nature takes over in the end.
The book Lord of the Flies by William Golding is an exhilarating novel that is full of courage, bravery, and manhood. It is a book that constantly displays the clash between two platoons of savage juveniles mostly between Jack and Ralph who are the main characters of the book. The Kids become stranded on an island with no adults for miles. The youngsters bring their past knowledge from the civilized world to the Island and create a set of rules along with assigned jobs like building shelters or gathering more wood for the fire. As time went on and days past some of the kids including Jack started to veer off the rules path and begin doing there own thing. The transformation of Jack from temperately rebellious to exceptionally
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
The priests of Thebes have come to Oedipus to stop the plague that is killing the people of Thebes. They revere him for his knowledge, since he solved the riddle of the Sphix many years before and became the king. As the reader is introduced to Oedipus, they are given many facts about his life so that they become familiar with this man who has done great things. But Oedipus learns from his brother-in-law, Creon who he had sent to Delphi, that Apollo has placed this plague upon Thebes until they "Drive the corruption from the land, don't harbor it any longer, past all cure, don't nurse it in your soil - root it out!" ¹ Oedipus swears an oath before the priests and the chorus (which represents all people of Thebes) that the murderer would be found and driven from the land.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
Sophocles demonstrates in the play Oedipus the King that a human being, not a God, ultimately determines destiny. That is, people get what they deserve. In this play, one poorly-made judgment results in tragic and inescapable density. Oedipus fights and kills Laius without knowing Laius is his father. Then, Oedipus's pitiless murdering causes several subsequent tragedies such as the incestuous marriage of Oedipus gets into the flight with Laius. However, Oedipus's characteristics after Laius's death imply that Oedipus could avoid the fight as well as the murder of his father, but did not. Ultimately, Oedipus gets what he deserves due to his own characteristics that lead him to murder Laius: impatience, delusion, and arrogance.
Oedipus left Corinth to avoid his foretold fate, he went to Thebes. On his journey he ran into a caravan at the crossroads before entering Thebes. This caravan was of the present King of Thebes, Laius, but Oedipus did not know that. The people on the caravan started insulting Oedipus. Oedipus lost his temper and in a rage he killed them all, except for one servant who escaped "... I found myself upon the self-same spot where, you say, the king perished ... When in my travels I wa come near this place where three roads meet, there met me a herald, and a man that rode in a colt-carriage ... And the old man himself, would thrust me, I, deing enraged, strike him who jostled me-- The driver-- and the old man ... He paid though! duly I ay not; but in brief, smitten by the staff in this right hand of mine ...
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.