Escape in The Glass Menagerie
In Tennessee Williams' play, The Glass Menagerie, none of the characters are capable of living in the real world. Laura, Amanda, Tom and Jim use various methods to escape the brutalities of life. Laura retreats into a world of glass animals and old gramophone records. Amanda is obsessed with living in her past. Tom escapes into his world of poetry writing and movies. Jim also reverts to his past and remembers the days when he was a hero.
Laura retreats into a world of glass animals and old gramophone records. Even when it appears that Laura is finally overcoming her shyness and hypersensitivity with Jim, she instantly reverts back to playing the Victrola once he tells her he's engaged. She is unable to cope with the truth so she goes back to her fantasy world of records and glass figurines. Laura can only live a brief moment in the real.
Amanda is obsessed with her past as she constantly reminds Tom and Laura of that 'one Sunday afternoon in Blue Mountain' when she received seventeen gentlemen callers (Williams 32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. She refuses to acknowledge that her daughter is crippled and refers to her handicap as 'a little defect - hardly noticeable' (Williams 45). Only for brief moments does she ever admit that her daughter is 'crippled' and then she resorts back to denial. She doesn't perceive anything realistically. She believes that this gentleman caller, Jim, is going to be the man to rescue Laura and she hasn't even met him yet. She tells Laura when Laura is nervous about the gentleman caller, 'You couldn't be satisfied with just sitting home', whe...
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...he major characters in this play are so warped and their lives so distorted and perverted by fantasies that each is left with only broken fragments of what might have been' (Davis 205).
Works Cited
Thompson, Judith J. Tennessee Williams' Plays: Memory, Myth, and Symbol. New York: Peter Land Publishing, Inc., 1987.
Davis, Joseph K. "Landscapes of the Dislocated Mind in Williams' The Glass Menagerie." Tennessee Williams: A Tribute. Ed. Jac Tharpe.
Hattiesburg: Heritage Printers, Inc., 1977. 192-206.
Scanlan, Tom. "Family and Psyche in The Glass Menagerie." Twentieth Century Interpretations of The Glass Menagerie. Ed. R.B. Parker. Englewood Cliffs: Prentice-Hall, Inc., 1983. 96-108.
Williams, Tennessee. "The Glass Menagerie." Concise Anthology of American Literature. Ed. George McMichael. New York: Macmillan Publishing Company, 1985. 2112-2156
The characters inhabit their private realities in order to detach themselves from a world that confuses and alienates them. Laura, Amanda, Tom, and Jim prefer to immerse themselves in their narrow view of time rather than embrace the flow of time. Laura remains isolated as she has failed to find love. Amanda judges Laura as she imposes her own narrow expectations on her. Tom believes that he can escape reality and become inseparable from the imaginary worlds of movies. Jim's idealistic view of Laura suggests that he is out of touch with reality. The play demonstrates that the characters desire to escape reality due to their inability to live in the present and embrace the flow of
Williams, Tennessee. The Glass Menagerie. The Bedford Introduction to Literature: Reading, Writing, Thinking. 5th ed. Ed. Michael Meyer. Boston: Bedford, 1999. 1865-190
She is a shy, quiet girl who keeps herself at a distance. She loves glass figurines and prides herself on them. To her brother, she is seen as crippled because she cannot walk well and is socially awkward. This results in Laura’s reality being different than the rest of the family’s because she closes herself off into a space where it is only her. Amanda wants the best for Laura, for her to have a husband or finish business school, because she wants Laura to get out of the house and get living. However, Laura does not want to live in that world, and it is shown when she skipped her business classes and through her interaction with Jim, her high school crush. Jim is the only person who is able to take Laura out of her own weird reality, and bring her into the reality of an ordinary girl. Laura breaks through her reality when she talks about the unicorn horn that Jim broke off her glass figurine, she tells Jim that, “It doesn’t matter. . . . [smiling] I’ll just imagine he had an operation. The horn was removed to make him feel less—freakish!” (Williams, 2009). Therefore, Laura being with Jim makes her feel a little less odd. This brings Laura out of her own reality for a bit, but then she retreats back into it when she finds out that Jim is engaged to someone else right after he kisses her. He broke her free of her own reality for a bit, just like how he broke the horn off of the
Laura unable to survive in the outside world - retreating into their apartment and her glass collection and victrola. There is one specific time when she appears to be progressing when Jim is there and she is feeling comfortable with being around him. This stands out because in all other scenes of the play Laura has never been able to even consider conversation with a "Gentleman Caller."
Bloom, Harold, Frank Durham, and Nancy M. Tishcler. Tennessee Williams's The Glass Menagerie. New York: Bloom's Literary Criticism, 2007. Google Books. Web.
The Glass Menagerie is a play about the memories of a young man named Tom Wingfield. Tom dreams of escaping his complicated and completely dependent family. Tennessee Williams uses symbolism to emphasize Tom’s yearning to leave. The first symbol of this the fire escape which serves as a bridge to reality from the illusive wo...
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
The Glass Menagerie is an eposidic play written by Tennesse Williams reflecting the economic status and desperation of the American people in the 30s.He portrays three different characters going through these hardships of the real world,and choosing different ways to escape it.Amanada,the mother,escapes to the memories of the youth;Tom watches the movies to provide him with the adventure he lacks in his life;and laura runs to her glass menagerie.
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
Williams, Tennessee. "The Glass Menagerie." The Bedford Introduction to Literature. Ed. Michael Meyer. 5th ed. Boston: Bedford/St. Martin's. 1999. pp.1865-1908.
On April 12th, 2014, Syracuse Stage presented the play The Glass Menagerie by Tennessee Williams. The play was directed by Timothy Bond, and turned out to be an interesting production. The Glass Menagerie is a memory play that is set in St. Louis in 1937. Its action is taken from the memories of the narrator, Tom Wingfield. Tom who has a dream of being a poet works in a shoe warehouse to support his mother, Amanda, and sister, Laura. Their father, Mr. Wingfield ran off years ago. They had not heard from him except for in one postcard, they said he fell in love with long distance. Their mother Amanda, who genuinely wants the best for her children, pressures them with her uncontrollable desires for them. She is disappointed that Laura, who is crippled and is painfully shy, does not attract any gentlemen callers. She is even more disappointed to see that her son is following in his father’s footsteps.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
Williams, Tennessee. The Glass Menagerie. Masterpieces of the Drama. Ed. Alexander W. Allison, Arthus J. Carr, Arthur M. Eastman. 5th ed. NY: Macmillan, 1986. 779- 814.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.