This story is only about the madness of one woman, yet it seems to make a general statement about the condition of all females. The mental illness eventually consumes the narrator as her creativity gets taken away. There are even some clues as to the narrator foreshadowing her own illness. The wallpaper symbolizes this in many ways. One of the way it does this is through the feeling of the narrator feeling “trapped.” After feeling trapped for so long she starts to identify herself with the figure behind the wallpaper.
Possibly due to her own circumstances, she is imagining herself as that very woman inside the wallpaper. Like the woman trapped, she also feels imprisoned and helpless. She repeatedly asks, “What is one to do?” (Gilman) as if she has no choice on what she wants to do. Her use of physical words to illustrate the wallpaper allows the readers to first feel her negative emotions but then sympathize with
The wallpaper, the center of the story, the perceived reason for her madness, was simply just wallpaper that she disliked. Every time she would describe it, her delusions would continually get worse. "I never saw a worse paper in my life." (Gilman) is her first observation of the paper. She strongly believed that there was a woman, "A strange, provoking, formless sort of figure."
The idea she gives in her article based on Gilman not having the same view as the novel “Jasmine”. There is depression in one and freedom in another, but the comparison that they both have are merely on women trying gain there freedom back. Women equality had was a great issue to women back then, especially, when a situation explained in “The Yellow Wallpaper” the narrator does not understand that she is the one trapped behind the wallpaper behind those bars. Nadkarni explains, “the story charts the narrator 's growing madness and preoccupation with the wallpaper of her sickroom and ends with her identification with the woman she sees "crawling" (55) behind the "bars" (52) of the prisonlike pattern” (219). She discovers the narrator as an insane woman who does not understand that who she discovers behind the wallpaper is she on reflection; she is the one escaping from her own miserable life.
In her first soliloquy Lady Macbeth reveals her desire t... ... middle of paper ... ...art to the pensive audience. Lady Macbeth’s soliloquies portrayed her as a vile woman tormented by a guilty conscience, and her soliloquies also communicated important information about her to the audience; had all the characters been privy to this information they would have regarded Lady Macbeth very differently. The mind births the contract between corruption and the soul. In reality, we never get to hear anyone’s soliloquies. The imagination hides the deceptive woes and moral bankruptcy of every individual.
Later in her speech, she refers to her incestuous pursuit as a "forbidden course" and to her burning desires as "obscene, foul fires" (309). According to Cran... ... middle of paper ... ...irl's speech draws further pity. Aside from all the similarities, each girl travels a different path in her mind. Readers feel more compassion for Myrrha and less for Byblis based on the paths they have followed. Ironically, Myrrha becomes the one who acts out her desires.
In “The Yellow Wallpaper,” the author uses the conventions of the psychological horror tale to critique the position of women within the institution of marriage, especially as practiced by the “respectable” classes of her time. The story reveals that this division in gender had the effect of keeping women in a state of ignorance and preventing their full development. John’s assumption of his own superior wisdom and maturity leads him to misjudge, patronize, and dominate his wife, all in the name of “helping” her. The narrator has no say in even the smallest details of her life, and she retreats into her obsessive fantasy, the only place she can retain some control and exercise the power of her mind. For the author, the conventional nineteenth-century middle-class marriage, with its rigid distinction between the “domestic” functions of a woman and the “active” work of a man, ensured that women remained second-class citizens.
Between society's view of women at that time, the husband's attitude towards her, and his ineffective remedies, the wife's mental instability can only grow worse. The wallpaper lets the reader follow the woman's regression into insanity as the story progresses. Only with the first person point of view (the wife's) can the reader follow this regression of the mind. All in all, this is a sad story of a woman's struggle for sanity in an indifferent society.
This “cure” eventually leads to the decrease of her mental stability as she becomes more and more obsessed with the wallpaper. In order to convey a story with so many themes lots of literary devices were used. In “The Yellow Wallpaper,” Charlotte Perkins Gilman uses symbolism and characterization to explore themes about the lack of understanding of women and their mental health. The narrator of the story, though unnamed, represents a stereotypical woman with mental illnesses in that day and age. “Many details, like the lack of a name, argue against her individuality,” (Ford 1).
One of those sprawling flamboyant patterns committing every artisan sin. It is dull enough to confuse the eye…, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves… they suddenly commit suicide…” (Gilman 546). The wallpaper has a mind and perso... ... middle of paper ... ...lor that made the woman despise it so very much. By being able to understand the various meanings behind the wallpaper the reader is able to fully comprehend the narrative behind the entire story and why her mental health keeps diminishing. The ending of the story reveals that the woman no longer only saw the woman in the walls at night; she began to believe that she actually was said woman.