Khedive Ismail Ibrahim Muhammed Ali
I decided to research about Khedive Ismail as it will be a great chance for me to know more about the history of my country that I know a few about. It is not closely related to my project. The idea of building a National Library in Cairo was ordered by Khedive Ismail with the contribution of Ali Pasha Mubarak.
Muhammad Ali came right after the Mamluk were weakened. They were from the Ottoman Empire which is Turkey. Khedive Ismail was born in Al Musafir Khana Palace in Cairo. He was the second of three sons of Ibrahim Pasha, the grandson of the Albanian General Muhammad Ali, who was the founder of the Egyptian royal dynasty. He was the son of Hoshiar who is Ibrahim Pasha's third wife. She was reportedly a sister of Valide Sultan Pertevniyal (1812–1883). Pertevniyal was a wife of Mahmud II of the Ottoman Empire and mother of Abdülaziz I. He was born on 31 December 1830 and died on 2 March 1895 in Istanbul (wikipedia).
He studied in Paris and went on diplomatic missions in Europe before he ruled. He travelled to Constantinople and received the title of Pasha there (Larousse). At the beginning he was a member of the Egyptian State Council, then he became the head body of 14000 men with the title of General in Chief of the Egyptian Army. In 1855 he was a commissioner to France and the Pope of Rome (The New York Times 1895). On his way back to Egypt, he became a member of the State Council, and was given charge of the government while Said Pasha was visiting Asia and Europe in 1861 (Larousse). After the death of Said Pasha in 1863, Ismail became the Wali without opposition. He was the Wali till 1867 and a Khedive from 1867 till 1879 (The New York Times 1895).
Khedive Ismail had great ideas and ...
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Works Cited
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and grandson of Rameses I. He ruled for nearly seventy years in the middle of a Period known, as the New Kingdom when Egypt was at it’s most powerful. During His reign 1279-1213, Egypt enjoyed an era of prosperity and stability, not only internally, but externally as well. He is responsible for the building of more Monuments and famous structures than any other pharaoh, having many Structures and statues renamed as if he commissioned them himself. By the end of his unusually long sixty-six-year long reign, he was famous throughout the then known ancient world.
The Oriental Institute featured an exhibit focused on the development of ancient Middle East Pioneers to the Past: American Archaeologists in the Middle East 1919–20 January 12 - August 29, 2010. And this was the exhibit I found most intriguing and most i...
Muslims ruled a large empire for a long period of time. The influence of the Islamic Empire is demonstrated through the similarities of the arts and architecture from the Umayyad to the Ottomans. The issue is the museum website refers to all the art as Islamic Art, which is not the case. Depending on the observer, one can interpret whether all the art as Islamic or not. For instance, an orthodox Muslim might find only the art that contains calligraphy, geometry, and vegetal designs as Islamic. On the hand, a secular Muslim might find the all the arts including figural representations as Islamic. Besides religion, the art is grouped together based on time period, geography and the dynasty that ruled. To recognize how the empire developed and
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
Throughout the novels of Naguib Mahfouz' Cairo Trilogy, the most noticeable element is the progression of time. In tracing the lives of three generations of the Abd al-Jawad family, Mahfouz manages to structure a chronicle of Egypt during his lifetime that describes not only the lives of the family but the social, political and philosophical change of the entire nation. While it is dangerous to read only for social analysis in Mahfouz' essentially artistic work, the changes in Egypt during the novel make its characters' relationships to a shifting Egypt clear. The character of Kamal is a very intriguing part of this depiction because of his similarity to Mahfouz and the consequent illustration of the changes which seem to have impacted Mahfouz most personally. Kamal can be seen as an essentially autobiographical character as well as a type representing Egyptian philosophical involvement and change between the two World Wars.
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