Many people overlook the importance of the ancient arts. Artists, such as Myron or Reymerswaele, are often forgot about and people only remember the famous ones. Individuals with knowledge of the ancient arts know of the ‘hidden’ or the infamous artists. Any artistic connoisseur would be able to tell the differences between the Greek and Roman period and the Renaissance art; however, the style of art is similar in many ways.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Japanese Culture on Gender and Sexuality
Recently the concerns of women around their equality in society has become a hotly debated topic in the public spot light. Much of the debate concerns women and the ingrained sexism that permeates most cultures. Many women's activists feel that this ingrained sexism has widened the gap between men and women in a political, social, and economic sense. And for the most part they do have strong evidence to support these claims.
Japan has historically taken ideas from the United States on its business, merchandise, or other corporate sectors to improve within its political borders. These practices have become massive cultural and economic movements in Japan. Interestingly, Japan takes ideas and molds them into Japanese culture and style; therefore, these products are “Japanized.” To further elaborate on this statement, Japan has succeeded in its businesses and corporations such as the automobile industries around the world (for example, the NUMMI plant production transcended those of American automobile productions due to an enhanced Japanese corporate culture). Albeit many Japanese industries have roots in the United States, they have expanded globally. The music
As a conclusion, Mingei and nationalism can be perceived as fundamentally interwoven through Japanese handicrafts. Throughout the first half of the 20th century, many factors came to play a part in bringing the Japanese spirit to the forefront of craftsmen minds, whether as reason to bring attention to themselves and their own work or as a way of providing necessary utensils to the average Japanese home. The efforts of the Mingei movement and the Japanese Traditional Crafts Exhibition cannot be ignored. Yanagi can be said to have foreseen this radical decline in traditional styles and if not for his and his fellow founders collecting and preserving crafts in the Japanese Folk Art Museum, many of the regional methods and styles could be lost today. After the destruction of the war and
Nusrat Kayser
March 18, 2014
Art History Essay
Topic 13
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art.
In the late 18th century both Japan and Europe were experiencing many new artistic and intellectual developments. While Europe’s developments were increasingly political, more and more people wanted rights for women along with protection from the state. Japan on the other hand was progressively modernizing from their isolated feudal society into its modern form now. Beginning in Tokyo many new intellectual advances came from studying the western sciences and techniques. Authors like Rousseau and Wollstonecraft wrote revolutionary books in Europe that changed the way people thought about themselves and what rights they should be born with; they led people to question the state and fight for what they believed to be justifiably right.
The history of Art has continuously changed over time, and will continue to do so as long as humanity continues to evolve and time continues to go on. The author of Art History, Marilyn Stokstad, eases the reader into this mindset very early on. She explains that slight changes in the economy, climate, what is expected socially or cultural differences can shift the way Art is viewed and created forever. Early African Art and Gothic Art, both of which Stokstad clearly and concisely summarizes within two enthralling chapters, are both two unique genres, so different from one another that it seems nearly impossible to relate the two at a first glance. The way they structured architecture and artwork are vastly different, and are from incredibly different times yet somehow it is still incredibly to link the two together - whether it be through similar aspects of art or their subtle differences, these two styles are connected in more ways than one.
Pop art is an art movement that questions the traditions of fine art and incorporates images from popular culture. Neo-Dada is an art trend that shares similarities in the method and/or intent to Dada art pieces. Both these movements emerged around the same time periods in history, the 1950s and 1960s, and artists from both generally got their inspiration from the Dada movement, which developed in the early 20th century. The movement altered how people viewed art, and it presented a variety of new methods and styles. Dada artists, also known as Dadaists, believed in showing their anti-war beliefs through their artwork. The Dada movement produced a different style of art, and pieces created controversy because they were outside the realm of what society considered art and what was expected and acceptable. This set in motion a chance for artists to be able to create the kind of artwork that inspires them, even though it was considered unorthodox. Even though they were controversial, many pieces that were created during Dada heavily influenced other styles of art to come after, such as Neo-Dada and Pop art. The influence of Dada can be seen in Robert Rauschenberg’s work, who was a Neo-Dadaist, and it can also be seen through Andy Warhol’s work, a Pop artist. Even though Dada affected both artists, they created very different pieces. This paper will analyze Warhol’s Campbell’s Soup Cans and Rauschenberg’s White Painting (Three Panel) and discuss how they were impacted differently by the Dada movement, and why they are each considered to be different styles of artwork. The time in history of each artist was the same, and the same movement influenced them both, but the outcome of the art that they each created was incredibly different....
Art is something that has been around since humans have roamed the earth. It has been created by millions of different people, and has been influenced by many things. One incredibly big influence on art has been religion. Artists usually create work to express feelings and convey different meanings. It is no surprise that religion plays a significant role in this creation.