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Recommended: William Shakespeare the playwright
Cory Pontarollo
ENGL1202
Professor Zahodnick
14 February 2014
A Villainess Villain
William Shakespeare developed a character in one of his plays by the name of Iago. Iago, in the play Othello, is a very intriguing antagonist. Iago is referred to as “honest”, however he is the complete opposite, as throughout the entire play, he manipulates, lies, steals, cheats, and murders to get what he whatever he wants. All in all, what makes Iago such a ruthless and amoral character in is his ability to manipulate? Iago uses manipulation towards anyone who gets in his way of his goals. Whether it is convincing Rodrigo to forfeit over gold, or if it is convincing Othello of Desdamona’s innocence, Iago was a catalyst that begun a story for the ages. Throughout the story, Iago is able to create an alternate persona that conveys villainy and creates a façade for himself through manipulation, discrimination, and unfaithfulness.
Throughout all of Iago’s manipulation in the play, he acknowledges the roll by stating, “And what’s he then that says I play the villain…” (II.iii.296). After providing advice for Cassio when he was stripped of his job by Othello, Iago offers Cassio advice in ways he could obtain his title back after his drunk outburst. Iago manipulates Cassio into going to talk to Desdamona so she can preach to Othello, hoping to allow Cassio to retrieve his rightful place as lieutenant. This is all a part of Iago’s plan, and this soliloquy demonstrates how he views himself throughout everything that occurred thus far. Iago says with confusion “and what’s he then that says I play the villain...” (II.iii.296). Iago is saying within his soliloquy, who can say that I am evil when my advice is so good? He also says asks himself how is he evil ...
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...ith his daughter, Desdamona (white ewe). Iago by describing Othello as a black ram, portrays him as an animal-like figure, not a human being, all because he is a black man. During the Elizabethan time, interracial relationships were frowned upon. As a result, establishing the idea that Othello is an animal exposes racism towards the audience. (The way Iago manipulates Othello is by playing the race card. In reality, he is trying to break up Othello and Desdamona. Othello see’s Iago as in honorable man)
Outline for the rest of the paper:
• How does Iago affect the story line of the play o Manipulation, dishonesty
Quote to explain
• See if there is any more possible racism examples regarding Iago o Explain, how it connects to the story, and Iago villainy
• Conclusion o How villainy truly impacts the story o Explain how Iago is truly a villain o Was Iago successful?
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
One of the most prominent traits in Iago is his ability to manipulate. His entire plan of bringing about the downfall of Othello involves him manipulating characters into believing what he wants them to believe. In fact, he is so good at manipulating people that no one even suspects him of doing anything wrong because they believe he is such an honorable man. “Iago deceives Othello by also manipulating other people to achieve his ends” (Boyce). This shows that Iago is able to deceive mostly everyone in the play. However, Iago himself says in Act I scene i line 62 of Othello “I am not what I am.” He means that he is not the loyal, honest friend that he appears to be to everyone else. His manipulations include using Roderigo for his money if he helps him against Othello while making it seem like he will help Roderigo win Othello’s wife, Desdemona (Shakespeare). He also manipulates Othello by making it seem as if Cassio and Desdemona are having an affair, which is what ultimately brings about the hero’s downfa...
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”,
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
Othello by William Shakespeare was given the wrong name; this play is about Iago and the many tricks he uses to get his revenge. Othello is a powerful and important man, but Iago, Iago is one of a kind. He is a manipulative character that ruins the lives of people close to him, people who trust him. The lives of important key roles are ruined because of the hatred and jealousy Iago has for Othello. How does Iago manage to manipulate so many people in Othello? While successfully controlling the lives of everyone Iago manages to use ethos, logos, and pathos to get his revenge.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Iago’s first plot is to somehow get this position no matter what so he can get closer to Othello. He stated how far he will go by saying, "I will wear my heart upon my sleeve for daws to peck at; I am not what I am."(I.i.64-65) Iago feels that since he fought with Othello in battles before that he should have received the title. Throughout the play Iago gets the job he dreamed of by stealing and killing. Iago begins to express his opinion to Roderigo by stating, “In personal suit to make me his lieutenant, off-capp’d to him: and, by the faith of man, I know my price, I am worth no worse a place.”(I.i.8-10)
Iago has a sophisticated way of deceiving the characters of the play, making him a very intelligent person. Early in the play Othello introduces Iago to the Duke of Venice as, “My ancient / A man he is of honesty and trust” (!. iii. 284-85). This is but one of the times in the play that Iago is referred to as honest and true. Throughout the play Iago is considered to be honest, but is actuality the villain. In order to maintain this false image one has to have a beguiling character. After Othello and his lieutenant, Michael Cassio, return from the war against the Ottomans, there is a celebration. At this celebration Iago puts his manipulation to work. He knows that Othello and Desdemona’s love for each other is very true, but he tells Rodrigo that Desdemona had love for Cassio: “With as little a web as this will I ensnare as great a fly as Cassio. / Ay, smile upon her, do…” (II. I. 164-65). This quote shows that Iago deceives Roderigo into believing that Desdemona loves Cassio, when in Roderigo’s eyes it is virtually impossible. Iago basically controls Rodrigo because Iago deceives him into believing that he can have Desdemona, by both Cassio and Othello.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
How does one create the perfect villain for a story? What qualities are needed in such a character? A good place to start when constructing a villain is to look at William Shakespeare’s villain in Othello, a man called Iago. Iago is wonderfully devious. Throughout the play, he not only poisons Othello’s vision of Desdemona, he does this with no one, excepting Roderigo, the wiser. There are several reasons that make Iago such a terrifying villain. Shakespeare gave certain qualities to his creation that made Iago more than just a evil character. These qualities transform Iago into the truly insidious character seen in the play. From the beginning of Othello to the time that Iago is revealed as the culprit, everyone trusts Iago and looks to him for advice. This gives Iago the means and opportunity to pull off his villainy.
Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one owns satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through character, Iago, as he reveals his true nature of evil by diminishing people lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396). Though Iago may not have a purpose of participating in many of his act of evil, he presents it as a self-obsessed driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is great importan...
One of the themes of the play is prejudice. The reader gets a taste of Iago’s prejudice against women and sexist ways when Desdemona and Cassio first arrive on Cyprus. Iago says to Desdemona “You are pictures out of door/ Bells in your parlors/ Wild-cats in your kitchens/ Saints in your injuries, devils being offended/ players in your housewifery, and housewives in your beds.” (2.1.109- 112). He thinks that all women have two sides to them; a pleasant public side and an irritating private side and he sees Desdemona as a lesser person simply because she is female. Iago looks down on Cassio because Cassio is “a great arithmetician … a Florentine … That never set a squadron in the field” (1.119,20,22). He is a mathematician, not an army man, which makes Iago feel that he is more qualified for the job of lieutenant. Othello is older, from Africa, and Iago often calls him “the Moor” (1.2.58) and “an old black ram” (1.1.88). Iago does not want to follow him as he tells Roderigo “I follow him to serve my turn upon him/ we cannot all be masters, nor all masters/ cannot be truly followed.” (1.1.42-44). By this, Iago is saying that he only follows Othello to take advantage of him and does not think he deserves to be followed. This prejudice drives Iago’s malicious actions through a yearning to be seen in the superior way the way he feels he deserves to be