Essay Comparing Hemingway's A Very Short Story and Fitzgerald's This Side of Paradise

902 Words2 Pages
bulb-icon

Recommended: Fitzgerald and his protagonist

Comparing Hemingway's A Very Short Story and Fitzgerald's This Side of Paradise

When you first read a tragic, melodramatic love scene you feel like your heart is breaking too. Sometimes you cry. It is only after the initial rush of feelings that you begin to feel cheated. Usually the kind of writing that gives you the urge to be demonstrative does not stay with you as long as something more subtle. In Scott Fitzgerald's This Side of Paradise, the reader is presented with such a love scene in the form of a play. I admit to having sobbed for a solid minute after reading about the ill-fated romance between Amory Blaine and Rosalind Connage. However, the same subject, with different characters, told in a much more concise, objective manner in Ernest Hemingway's A Very Short Story had a much deeper effect on me.

It may be that the honesty of experience had much to do with the differences between the stories. This Side of Paradise is often seen as a loosely based autobiography, but there is no direct basis in reality for the Amory and Rosalind episode. Fitzgerald did have a turbulent relationship with his wife Zelda, but the tragic parting in the novel and Rosalind's later marriage to another man firmly place the story in the realm of fiction. Hemingway's account of the meeting and parting of two lovers, on the other hand, comes directly from his own life. While there is a feeling in This Side of Paradise that Fitzgerald is trying too hard to make the story realistic, Hemingway's account cannot help but convey the honesty that is generally found when a writer draws directly on his own experience.

The style and structure of the Hemingway story also make it more believable and more effective. Even the...

... middle of paper ...

...ing in a taxi cab through Lincoln Park," that Hemingway's protagonist tried to forget about his lost love by indulging in the more shallow gratification of easy sex. Fitzgerald's Amory Blaine turns to alcohol instead, but the concept is the same. However, after nine pages of Amory's bar exploits we have already begun to forget what the problem was in the first place.

Two more disparate accounts of a short-lived love would be difficult to find. Each is successful in its own way. The Fitzgerald version elicited an immediate and powerful reaction from me, but it was the Hemingway story that made me understand the subject more deeply. While A Very Short Story, at first glance, may seem unable to convey the depth and breadth of feeling of the longer Fitzgerald passage, it actually accomplishes its aim more quickly without sacrificing meaning.

Show More
Related

  • The Use of Classical Hollywood Theory in Die Hard

    574 Words  | 2 Pages

    Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...

    Read More

  • Cinema Novo: The Juxtaposition of Classic Hollywood Cinema to Brazilian Cinema

    1747 Words  | 4 Pages

    ‘12 years a Slave, award winning film director Steve McQueen associates making a film to, "writing a novel – you're telling a story. " This message is powerful and defines the true purpose of filmmaking that is, ‘to tell a story.’(Victorino) Hollywood has capitalized on the aspect of visual storytelling first introduced in 1985 by the Lumiere brothers with their first movie ever made for projection -- Workers Leaving the Lumiere Factory. They (Hollywood), then designed a Studio System called Classic Hollywood Cinema to Finance, Organize, Produce, Market, Distribute, and Exhibit movies for financial gain while entertaining movie goers. This term was coined by David Bordwell, Janet Staiger and Kristin Thompson to define Hollywood’s film making during the period of 1913 to 1960. From the D.W. Griffith successful 1913 first movie ever shot in Hollywood, ‘In Old California’, to the James Cameron’s 2009 movie Avatar grossing over 760 million in the box office, this process continues to be effective and lives on today.

    Read More

  • The Life & Works of F. Scott Fitzgerald

    561 Words  | 2 Pages

    The broken engagement fueled Fitzgerald to jump back into writing. In July 1919, he returned to St. Paul to complete This Side of Paradise. In autumn of 1919, Fitzgerald began his job as a writer for numerous publications such as the renowned Saturday Evening Post. One year later, This Side of Paradise, his autobiographical story focusing on romance and avarice, was published. Fitzgerald’s book led to his rapid fame, which prompted h...

    Read More

  • The Work of Cindy Sherman

    2829 Words  | 6 Pages

    No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).

    Read More

  • The Great Gatsby This Side Of Paradise Analysis

    1703 Words  | 4 Pages

    Amory spends the entire story seeming like he is always wanting something more but unlike Gatsby; he never has motivation to pursue things in life. During his time in college he decides to leave and enlist in the war. On his return he falls in love with a woman who leaves him and he spends his time in the next weeks drinking up until the prohibition. The prohibition ends his drinking binge and allows him to accept his lost but since he can no longer drink to releave his pain, he remains depressed and pinning for Rosalind. While Gatsby used to the prohibition era to help him in his quest for the one he loves, Amorys experience with it makes his situation worse because up until the time he used alcohol to take away the pain for his lost love. The idea of wanting something you cannot have with this time relates to Amory just like Gatsby in the way that neither of them are able to get their lost love back and no matter how hard they try their efforts are never enough for the women they love so their thirst for love and acceptance is never

    Read More

  • Moralism In The Great Gatsby

    1221 Words  | 3 Pages

    H.L. Mencken, one of the novels toughest critics, was able to praise each page of the novel as “...full of little delicacies; charming turns of phrase, penetrating second thoughts” (Mencken). Though Mencken was disappointed by the general theme and plot of the novel, he could not resist complimenting Fitzgerald’s pure lyrical talent. Lillian C, Ford argued that the plot was rich in value despite what others were saying. She wrote: “It leaves the reader in a mood of chastened wonder, in which fact after fact, implication after implication is pondered over, weighed and measured. And when all are linked together the weight of the story as a revelation of life and as a work of art becomes apparent” (Lucey). Whether or not readers enjoyed the book at the time of its release, it cannot be argued that the book is one of the most well known novels of all time and one favored by many

    Read More

  • Hemingway and Fitzgerald

    1438 Words  | 3 Pages

    “The first time I ever met Scott Fitzgerald a very strange thing happened. Many strange things happened with Scott, but this one I was never able to forget. He had come into the Dingo bar in the rue Delambre where I was sitting with some completely worthless characters, had introduced himself and introduced a tall, pleasant man who was with him as Dunc Chaplin, the famous pitcher…I much preferred him to Scott…Scott was a man then who looked like a boy with a face between handsome and pretty…The mouth worried you until you knew him, and then it worried you more.”(Hemingway, 149)

    Read More

  • Ernest Hemingway Essay

    1197 Words  | 3 Pages

    Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.

    Read More

  • The Great Gatsby

    776 Words  | 2 Pages

    Fitzgerald has done more than craft a love story. His novel states how corruptive and crooked the term American Dream ...

    Read More

  • The Working, Single Mother Primary Care Vs. Secondary Care

    1626 Words  | 4 Pages

    Comparing its structure and function as it was in 1960 with what it had become in 1990 can highlight the dramatic changes in the American family. Until 1960 most Americans shared a common set of beliefs about family life; family should consist of a husband and wife living together with their children. The father should be the head of the family, earn the family's income, and give his name to his wife and children. The mother's main tasks were to support and enable her husband's goals, guide her children's development, look after the home, and set a moral tone for the family. Marriage was an enduring obligation for better or worse and this was due much to a conscious effort to maintain strong ties with children. The husband and wife jointly coped with stresses. As parents, they had an overriding responsibility for the well being of their children during the early years-until their children entered school, they were almost solely responsible. Even later, it was the parents who had the primary duty of guiding their children's education and discipline. Of course, even in 1960, families recognized the difficulty of converting these ideals into reality. Still, they devoted immense effort to approximating them in practice. As it turned out, the mother, who worked only minimally--was the parent most frequently successful in spending the most time with her children. Consequently, youngsters were almost always around a parental figure -- they were well-disciplined and often very close with the maternal parent who cooked for them, played with them, and saw them off to and home from school each day.

    Read More

  • An Analysis of Hemingway’s A Moveable Feast

    2123 Words  | 5 Pages

    When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...

    Read More

  • How does Sunset Boulevard represent the Hollywood Studio System?

    1891 Words  | 4 Pages

    ...ons as to why the studio system collapsed and how Hollywood tried to prevent this from happening. The Hollywood we see today is a reformed version of the old studio system, yet is still seen as the most dominant film industry in the world, despite its earlier collapse.

    Read More

  • Comparing F. Scott Fitzgerald and Ernest Hemingway

    1215 Words  | 3 Pages

    F. Scott Fitzgerald and Ernest Hemingway, though both evolved from the same literary time and place, created their works in two very dissimilar writing styles which are representative of their subject matter. The two writers were both products of the post-WWI lost generation and first gained notoriety as members of the American expatriate literary community living in Paris during the 1920's. Despite this underlying fact which influenced much of their material, the works examined in class dramatically differ in style as well as subject matter. As far as style, Fitzgerald definitely takes the award for eloquence with his flowery descriptive language whereas Hemingway's genius comes from his short, simple sentences. As for subject, Hemingway writes gritty, earthy material while on the other hand Fitzgerald's writing is centered around social hierarchy and longing to be with another person. Although the works that these two literary masters are so uniquely different, one thing that they have in common are their melancholy and often tragic conclusions.

    Read More

  • Textual Analysis Of The Great Gatsby

    947 Words  | 2 Pages

    In 1897, consequently to the collapse of Edwards business, the family moved to New York, in order for Edward to take up a job as a salesman for Proctor and Gamble. Be that as it may, their moved was brief after Edward was let go from his employment in 1908, inciting a move back the St. Paul where the Fitzgerald’s lived off the McQuillan family fortune, (Fitzgerald, Bruccoli and Baughman, 1995). For the next 14 years, Scott invested the larger part of his time at boarding school, at Princeton University, in the army, and in New York City (Ibid, 1995). Fitzgerald’s writing career began to take off in 1920 after the publication of his first novel, This Side of Paradise (Bruccoli and Smith, 1981). The novel received glowing reviews (Ibid, 1981) and secured Fitzgerald’s place as one of the country’s most promising young

    Read More

  • Social Criticism in the Hollywood Melodramas of the Fifties

    1764 Words  | 4 Pages

    Schatz, Thomas. Hollywood Genres: Formulas, Filmmaking, and the Studio System. Philadelphia: Temple University Press, 1981.

    Read More

More about Essay Comparing Hemingway's A Very Short Story and Fitzgerald's This Side of Paradise

Open Document