Wesley Huang
Instructor: Caroline Burke
WRT 102 Sec. 46
01 May 2014
Healing of Nature:
“Big Two-Hearted River,” by Ernest Hemingway
Ernest Hemingway once said “I am trying to make, before I get through, a picture of the whole world-or as much of it as I have seen. Boiling it down always, rather than spreading it out thin.” I believe this quote can be interpreted as the writer attempts to put all the passionate thought his pure and full of descriptive words to make the reader reveals a true world from the character’s eyes and fully immerse themselves into the sense, rather than words that are complicated and meaningless. This can be showed through an analysis of a passage “Big Two-Hearted River” by Hemingway through the use of telling detail, facts as Prof. Hammond mentions in his book Thoughtful Writing, which not only gives the reader the ability to see a clearer image of comparisons between destruction from war and nature’s beauty but also how Nick healing of nature from battlefield.
The main idea of “Big Two-Hearted River” is about Nick Adams, the main character, who returns home as solider coming back from the war. House and hillside are burnt out and abandoned. Everything has changed and looked different in a veteran’s eyes. He goes down the hill and walks along the river trying to find a good place to set up the camp. Although he feels lonely and misses his friends Hopkins and life in the army sometime, he is also enjoying getting back his freedom as a normal man.
The theme of change is showed in the opening of the story when Nick returns his hometown from war and walks along the rail road. Seeing this burned over country and seeking the beauty from nature, as Hemingway wrote on page 1 of “Big Two-Hearted River” “There was...
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...e, before I get through, a picture of the whole world-or as much of it as I have seen. Boiling it down always, rather than spreading it out thin” is well explaining in his passage “Big Two-Hearted River”. He is trying to let the reader not only see a whole true world about destruction from war in both mental and physical way by his pure writing, telling details and fact but also feel the power of Nature’s healing. The theme of change first appears in the passage when he first returns his homeland from war. The main theme healing of nature is shown throughout the passage. Nick is seeking for the beauty of nature and desires to fit himself in once again in order to recover his hardened heart and unpleasant memories from war. Later on the theme of freedom is revealed when Nick regains his freedom and self-confidence as a normal man. Nature is his salvation of the soul.
Steinbeck uses both big and small symbols in order to help illustrate objects or people in the book. The first major use of symbolism that Steinbeck chooses to use is linked with the setting of the first scene. The book starts out with the characters, George and Lennie, resting by the Salinas riverbank. The imagery Steinbeck uses in this scene is used to give the riverbank a very peaceful and calm feel to it. The calmness of the flowing river symbolizes the movement and changes that will occur in the lives of George and Lennie. Steinbeck portrays this riverbank as a safe sanctuary ...
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
Nick is the overseer in the novel, and shook by the pretentious of the upper class 's carelessness, causing him to desire to leave the East back to where he originally began. He witnesses innocent dreamers get crushed by the harshness of the world. The fallacies of America are utilized to depict the faults in the dreams of each character. In the end, death inevitably killed their endeavor to pursue the American
While Nick enjoys the parties and a sense of nostalgia, he becomes aware of his conflicting hatred and sets up control over his arousing temptations. Nick first meets his rancor at Tom Buchanan’s party in New York. Nick looks out at the black streets and sees himself “within and without, simultaneously enchanted and repelled by the inexhaustible variety of life”(35). Nick is in limbo; he cannot tilt his metronome. Limbo, like a broken metronome, worries us, and we may think that life is absent of any rhythm. A shower of emotions floods us: anxiety, curiosity, indecisiveness; however, we forget that all we have to do is fix our problem. The state of be...
“You think you can walk on water with your book? Look where they got you, in slime up to your lip. If I stir the slime with my little finger, you’ll drown!” It is through this confrontation with Beatty, when he finally removes himself from the society- crossing the river, which symbolises purification as it changes him from ignorance and conformity to knowledge and individual.
In his short story, “Big Two-Hearted River”, Ernest Hemingway focuses on the mental and emotional state of Nick, the protagonist, who “le[aves] everything behind” during a wilderness fishing trip. Traumatic thoughts and memories haunt Nick, but the cause of his inner turmoil is not disclosed in the story. Other short stories by Hemingway, however, reveal that Nick Adams is a wounded veteran who served in the First World War. To distract himself from these painful memories, Nick concentrates on the physical details of his journey such as making camp and preparing food. In addition to self-distraction, he attempts to inhibit his ability to think through hunger and physical exhaustion. By examining how Nick uses these techniques of mental control in “Big Two-Hearted River”, one can gain a deeper understanding into his behaviour and fragile psyche. Thus, through analysis of his methods of rehabilitation, this examination will illustrate the central conflict between Nick’s subconscious thoughts and his conscious effort to repress them.
Another of the principal themes in this novel is the theme of maturity. The two rivers that are part of the Devon School property symbolize how Gene and Finny grow up through the course of the novel. The Devon River is preferred by the students because it is above the dam and contains clean water. It is a symbol of childhood and innocence because it is safe and simple. It is preferred which shows how the boys choose to hold onto their youth instead of growing up. The Naguamsett is the disgustingly dirty river which symbolizes adulthood because of its complexity. The two rivers intermingle showing the boys’ changes from immature individuals to slightly older and wiser men.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Coming home from the grueling experience of being a soldier in World War I, he felt ecstatic when he saw a trout swimming in the stream. The perils of war took a devastating toll on Nick, as he suffered from a physical wound while in action. The camping trip here is like an oasis, which will let Nick to recover from all the distress. “Nick looked down into the pool from the bridge. It was a hot day. A kingfisher flew up from the stream. It was a long time since Nick had looked into a stream and seen trout. They were very satisfactory...Nick’s heart tightened as the trout moved. He felt all the old feeling.” (178) The healing process begins here with Nick re-acclimating himself with one of his favorite hobbies: fishing. “He started down to the stream, holding his rod...Nick felt awkward and professionally happy with all the equipment hanging from him...His mouth dry, his heart down...Holding the rod far out toward the uprooted tree and sloshing backward in the current, Nick worked the trout, plunging, the rod bending alive, out of the danger of the weeds into the open river. Holding the rod, pumping alive against the current, Nick brought the trout in...” (190,193,195) Nick finally reels in a trout after the big one got away, getting to the feeling of relaxation and washing away the horrors of war. By pitching his tent out in the forest and being able to function by himself so smoothly, Nick shows how he represents the trait of stoicism. He did not complain or stop living, coming back with the trauma of war. Going camping, he is able to relieve himself through using all the nature around him, showcasing his
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
Hemingway was very good at stating impressive amount of things in a one short sentence. “Hemingway’s mature style of writing short, declarative sentences developed at the Star”(Oliver 3). He acquired this skill from working at a Newspaper company. He uses minimal amount of words to make a powerful point. “Mr. and Mrs. Elliot tried very hard to have a baby” (1). This short sentence itself raises many questions and it states many things; the inability of the Mr. Elliot to satisfy his wife sexually or questioning Mr. Elliot sexual preference and as well as of Mrs. Elliot. “The liquor had all died out of him and left him alone” (171). This short line describes how lonely the character of Nick Adam feels and how sad he feels for the loss of her girl friend Marjorie. “‘Well, Doc,’ he said, ‘that’s a nice lot of timber you’ve stolen’” (7). This particular sentence has so much weight that it shakes th...
Ernest Hemingway uses the various events in Nick Adams life to expose the reader to the themes of youth, loss, and death throughout his novel In Our Time. Youth very often plays its part in war, and since In Our Time relates itself very frequently to war throughout; it is not a surprise that the theme of youthful innocence arises in many of the stories. In “Indian Camp” the youthful innocence is shown in the last sentence of the story: “In the early morning on the lake sitting in the stern of the boat with his father rowing, he felt quite sure that he would never die.” (19) When this sentence and the conversation Nick and his father have before they get on the boat are combined in thought it shows that because of Nicks age at the time that he does not yet understand the concept of death.
The trip down the river gives him time to think about his future life with Catherine, even though he is uncertain if there will ever be a future between them again. The river eventually takes him to a railroad where he makes the decision that he is done with the war and that he made his "farewell to arms". Hemingway uses water as a metaphoric cleansing for Frederic’s past experiences. When Henry emerged from the river, it was as if he was reborn.