Emotional Aspects of Mary Reilly
Throughout her tale of Dr. Jekyll and Mr. Hyde, Martin maintains some emotional aspects of the original Dr. Jekyll and Mr. Hyde, while discarding and replacing others. Although the subtleties of the emotions in Stevenson's novel are deeper than those of Martin's, they may still be found spotting the plot in all of the different characters. Stevenson's primary characters, Mr. Hyde, Dr. Jekyll, and Mr. Utterson, display the strongest emotions, and can be most easily documented and interpreted. Martin, on the other hand, swaps out Mr. Utterson as the primary character and replaces him with Mary Reilly, a housemaid living with Dr. Jekyll. Unlike Stevenson, Martin provides a very grand emotional display. Mary is plagued by several distinct emotions, and the thoughts and feelings of Dr. Jekyll are brought to light far more vividly than in Stevenson's text. By utilizing a deep connection to emotion in her novel, Mary Reilly, Valerie Martin nearly transforms the genre of the original Dr. Jekyll and Mr. Hyde into a psychological thriller.
Mary Reilly's emotions play the strongest role in Martin's novel. Since the Mary Reilly character does not appear in the original novel, it is difficult to compare her emotional characteristics to those found in Stevenson's novel; her point of view, however, can be loosly juxtaposed to the overall style of the narrators involved in Stevenson's novel. As previously noted, the emotions expressed by Stevenson are mostly implied, but they nevertheless carry a great deal of importance to the novel. As the Stvenson novel is told exclusively by upper-class characters and a narrator viewing only those upper-class characters, a great deal of detail is left out. The thoughts and feelings of Utterson, Lanyon, and Jekyll are all downplayed in a sort of "gentleman's modesty". Jekyll does not even reveal his chemically separated counterpart to anyone until desperate circumstances reqire that he release the information to Lanyon. Utterson masks his concern with his professional attitude, and Poole, Jekyl's butler, does the same. All of this masquerading begins to come to an end when at last the true identity of Mr. Hyde is brought to light. Until this point, the reader has only a few hints and his/her own thoughts to be guided by. In a plot-turning scene set in the street below Dr. Jekyll's open window, Jekyll tries to speak with Utterson and Enfield as they pass by:
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Stevenson starts the novella by introducing us to Mr. Utterson who is a discrete lawyer who is ‘never lighted by a smile’ and his enigmatic friend Mr. Enfield. He does this because he is using the technique of foreshadowing when the authors put in little hints to then explore in further detail later in the story. Further on we can see that Utterson is microcosm of the rest of the story; however this isn’t the only reason that Utterson is in the story because soon after this he starts to become the narrator along with Enfield. While they are talking to each other the audience is finding out what is happening. Next, later in the novella we find out that Utterson is actually representing schizophrenia and duality that is in the personality of Jekyll.
Throughout the thriller-mystery story of The Strange Case of Dr. Jekyll and Mr. Hyde, Mr. Utterson, the friendly lawyer, tries to figure out the reason behind why Dr. Jekyll, his friend and client, gives all his money in his will to a strange man and murderer named Mr. Hyde. Readers learn from the ominous third person point of view the worries of Mr. Utterson and ride along for his search of Mr. Hyde. In The Strange Case of Dr. Jekyll and Mr. Hyde, R.L. Stevenson employs characterization, imagery, and motifs of weather to construct complex characters and create eerie settings, which parallel with the mood of the characters.
This was a world of appearance not truth with Victorian oppression, fighting against basic human nature. Throughout the story is an omniscient narrator who tells the story. from a full view of different people with different perspectives (e.g. The view of the maid lets us into her feelings and attitudes towards Hyde. The author could have chosen another route by possibly telling the story as a confession from Jekyll's point of view.... ...
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
Page, Norman. "The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson." Encyclopedia of the Novel. Eds. Paul Schellinger, Christopher Hudson, and Marijke Rijsberman. Chicago: Fitzroy Dearborn Publishers, 1998.
When Jekyll first turns into Hyde, he feels delighted at his newfound freedom. He states: "... And yet when I looked upon /that ugly idol in the glass, I was conscious of no repugnance, /rather of a leap of welcome..."(131). Now he could be respected as a scientist and explore his darker passions. Stevenson shows duality of human nature through society.
In Dr. Jekyll and Mr. Hyde, Hyde becomes Jekyll's demonic, monstrous alter ego. Certainly Stevenson presents him immediately as this from the outset. Hissing as he speaks, Hyde has "a kind of black sneering coolness . . . like Satan". He also strikes those who witness him as being "pale and dwarfish" and simian like. The Strange Case unfolds with the search by the men to uncover the secret of Hyde. As the narrator, Utterson, says, "If he be Mr. Hyde . . . I shall be Mr. Seek". Utterson begins his quest with a cursory search for his own demons. Fearing for Jekyll because the good doctor has so strangely altered his will in favor of Hyde, Utterson examines his own conscience, "and the lawyer, scared by the thought, brooded a while in his own past, groping in all the corners of memory, lest by chance some Jack-in-the-Box of an old iniquity should leap to light there" (SC, 42). Like so many eminent Victorians, Utterson lives a mildly double life and feels mildly apprehensive about it. An ugly dwarf like Hyde may jump out from his own boxed self, but for him such art unlikely creature is still envisioned as a toy. Although, from the beginning Hyde fills him with a distaste for life (SC, 40, not until the final, fatal night, after he storms the cabinet, can Utterson conceive of the enormity of Jekyll's second self. Only then does he realize that "he was looking on the body of a self-dcstroyer" (SC, 70); Jekyll and Hyde are one in death as they must have been in life.
Stevenson uses many methods to achieve and sustain an atmosphere of mystery and suspense in the novel of Dr. Jekyll and Mr. Hyde. He does this by using a clever sense of setting, vocabulary, surroundings and the manner of his characters which are used to describe and slowly reveal the appearance of Hyde . Some of these are highlighted in the depiction of the Dr Jekyll’s house, such as Mr. Enfield's story, Henry Jekyll’s will and the meeting with Hyde.
Stevenson’s most prominent character in the story is the mysterious Mr Hyde. Edward Hyde is introduced from the very first chapter when he tramples a young girl in the street, which brings the reader’s attention straight to his character. The reader will instantly know that this person is a very important part of this book and that he plays a key role in the story. This role is the one of a respectable old man named Dr Jekyll’s evil side or a ‘doppelganger’. This links in with the idea of duality. Dr Jekyll is described as being ‘handsome’, ‘well-made’ and ‘smooth-faced’. On the other hand, Mr Hyde is described as being ‘hardly human’, ‘pale and dwarfish’, giving of an impression of deformity and ‘so ugly that it brought out the sweat on (Mr Enfield) like running’! These words all go together to conjure up an image in the mind of an animal, beast or monster. During the novel...
Jekyll experiences. For instance, Dr. Jekyll’s physical appearance begins to decline as he stops taking the draught. The text describes Dr. Jekyll’s physical characteristics as “looking deadly sick” when his is usually a “large well-made, smooth-faced man of fifty, with something of a slyish cast perhaps, but every mark of capacity and kindness” (Stevenson 19-25). Not only does Dr. Jekyll’s health begin to decline, but also his behavior changes as well. Normally, when Dr. Jekyll would have a visitor he would greet his guest with a warm welcome, but as the text illustrates in Chapter 4, Dr. Jekyll did not have the strength to greet Mr. Utterson: “He did not rise to meet his visitor but held out a cold hand and bade him welcome in a changed voice”( Stevenson 25). Another example of Dr. Jekyll’s behavioral change is seen when he physically separates himself from his colleagues for days on end locked in his laboratory resulting in his friends to repeatedly check on him. This act of withdrawal connects to the reality an addict faces during rehabilitation. The said addict has to seclude himself from temptation in order to be successful in the recovery stage. The final behavioral change for Dr. Jekyll is shown through his reiteration of him cutting off all ties to Mr. Hyde and his outburst of violence. During a conversation Dr. Jekyll has with Mr. Utterson shortly after the murder of Sir
The book Mary Reilly is the sequel to the famous The Strange Case of Dr. Jekyll and Mr. Hyde. The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, is a stark, ingeniously woven, engaging novel. That tells the disturbing tale of the dual personality of Dr. Jekyll, a physician. A generous and philanthropic man, his is preoccupied with the problems of good and evil and with the possibility of separating them into two distinct personalities. He develops a drug that transforms him into the demonic Mr. Hyde, in whose person he exhausts all the latent evil in his nature. He also creates an antidote that will restore him into his respectable existence as Dr. Jekyll. Gradually, however, the unmitigated evil of his darker self predominates, until finally he performs an atrocious murder. His saner self determines to curtail those alternations of personality, but he discovers that he is losing control over his transformations, that he slips with increasing frequency into the world of evil. Finally, unable to procure one of the ingredients for the mixture of redemption, and on the verge of being discovered, he commits suicide.
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